30 Writing Prompts on Colorism

Since I’m a writer, and a writing professor, and I host the Colorism Healing Writing Contest, I thought I’d offer some writing inspiration for those interested in the contest or simply exploring the topic for themselves. I’ve created 30 writing prompts to get you through a month-ish of writing.

Watch, Listen, or Read More Below

Whether or not you choose to share your writing or enter the contest, I believe these writing exercises can be productive by merely engaging with them.

I’ve been leading several in-person writing workshops lately. Seeing the effect of engaging in reflective writing as a tool for contemplating colorism inspired me to offer this practice to my comrades near and far. Online community, this is for you!

Please enjoy these 30 prompts to help you explore colorism! Let me know which ones you like best.

List of Writing Prompts:

1- If my skin could speak for itself . . .

2- I remember . . .

3- Respond to the song “Four Women” by Nina Simone:

“Four Women” Lyrics

My skin is black
My arms are long
My hair is woolly
My back is strong
Strong enough to take the pain
inflicted again and again
What do they call me
My name is AUNT SARAH
My name is Aunt Sarah

My skin is yellow
My hair is long
Between two worlds
I do belong
My father was rich and white
He forced my mother late one night
What do they call me
My name is SAFFRONIA
My name is Saffronia

My skin is tan
My hair is fine
My hips invite you
my mouth like wine
Whose little girl am I?
Anyone who has money to buy
What do they call me
My name is SWEET THING
My name is Sweet Thing

My skin is brown
my manner is tough
I’ll kill the first mother I see
my life has been too rough
I’m awfully bitter these days
because my parents were slaves
What do they call me
My name is PEACHES

4- Many black magazines during the early & mid 1900s featured bleaching cream ads like this one. Write a “Letter to the Editor” of one of these magazines responding to the presence of this ad.

5- Consider all of your features. Colorism often influences our attitudes about hair texture, eye color, and the size and shape of noses and lips.

6- Respond to the following quote by Malcolm X: “It’s imagery. They use their ability to create images, and then they use these images that they’ve created to mislead the people. Those who oppress know that you can’t make a person hate the root without making them hate the tree. And since we all originated in Africa, you can’t make us hate Africa without making us hate ourselves. And they did this very skillfully. And what was the result? They ended up with 22 million Black people here in America who hated everything about us that was African. We hated the African characteristics. We hated our hair. We hated our nose, the shape of our nose, and the shape of our lips, the color of our skin.”

7- Dear past/future self . . .

8- What _____ taught me about complexion . . . (or hair or facial features)

9- PROBLEM: Colorism. SOLUTION: ? ? ?

10- Write an analysis of this magazine cover. What messages are implied by this combination of words and images? Why is the fact that this cover was published in 1966 a significant detail? What was happening in the U.S. or the world at this time? What does it mean that this cover was published by Ebony magazine?

11- Respond to the song “Cloud 9” by Donnie:

“Cloud 9” Lyrics

We live from the head down and not the feet up
And I’m adorned with the crown that’s making this up
And I’m fine…fine…under Cloud 9
Yes I wear the lamb’s wool, the feet of burned brass
And the wool defies gravity like the nature of a gas
And I’m fine…fine…under Cloud 9

Twist my cloud and it rains
And when it rains, oh it pours
And the energy will absorb
Power for the metaphysical one

Happy to be nappy, I’m black and I’m proud
That I have been chosen to wear the conscious cloud
And I’m fine…fine…under Cloud 9
I be a chameleon and wear it bone straight
But it’s so much stronger when it’s in its natural state
And I’m fine…fine…under Cloud 9

We live from the head down and not the feet up
And I’m adorned with the crown that’s making this up
And I’m fine…fine, I’m so fine…under Cloud 9

Twist my cloud and it rains
And when it rains, oh it pours
Twist it and it rains
And when it rains, oh it pours
Twist my cloud and it rains
When it rains, oh it pours
Twist my cloud and it rains
Twist it…twist it, twist it
Twist it, a-hey…a-hey…yeah, yeah, yeah
Yeah, yeah…yeah
Twist my cloud and it rains
Twist it and it rains

Don’t you let…them tell you
Tell you…you ca-a-an’t
You…ca-a-an’t

Don’t you…let them
Tell you…that you
You’re ugly
Or you’re not…
Who you’re not…
You don’t…fit in
But be proud of your Cloud, yeah
Be proud of your Cloud

12- Use the poem “Contrast” by Marielle R. Medina to inspire your own piece of writing about how two people experience the world differently based on how they look.

13- Dear . . . Write a letter to someone from your past who played an important role in your experiences with colorism, whether an ally or an antagonist or a complicated mix of both.

14- Art History Contemplation: Describe what you see in the painting “Free Women of Color With their Children and Servants” by Agostino Brunias c. late 1700s. What historical reality is it depicting? Why do historical artifacts like this one matter when addressing colorism? How do you think this aspect of history influences present day issues of colorism?

15- Where is my privilege? Yes, it exists. We ALL have it. Some more than others. No matter your skin tone, reflect on the ways your complexion and/or other aspects of your physical appearance, ethnicity, or cultural background benefit you.

16- Respond to this quote by Bill Duke (creator of Dark Girls): “What it comes down to is pain that is deeply held by children, and they don’t discuss it because they feel they’re going to be ridiculed by discussing it. So, we’re giving a voice to that discussion. The reason we think that dialogue is important is because it’s the beginning of healing. If you hold things and you don’t discuss it, it does bad things to the human body, psyche, everything.” Write About: pain you’ve experienced as a child, pain you witness in other children, the fear of speaking about colorism, the demand for silence around colorism, breaking the silence around colorism.

17- Write a response to the following research studies:

Matthew S. Harrison & Kecia M. Thomas (2009): “The findings suggest that skin tone plays a considerable role in the favorability of a Black applicant; indicating that skin color is more salient and regarded more highly than one’s educational background and prior work experience.”

Kimberly Kahn and Paul Davies (2010): “confirmed that high stereotypical (HS) Black targets (i.e., those with darker skin, broader noses and fuller lips) elicited stronger implicit bias in split-second “shoot/don’t shoot” situations than low stereotypical (LS) Black targets or White targets. The implications for policing are discussed.”

Viglione, J., Hannon, L., & DeFina, R. (2011): found that in North Carolina between 1995 and 2009, light skinned black women received more lenient prison sentences and served less time in jail.

Hannon, L., DeFina, R., & Bruch, S (2013): reported that very dark-skinned black girls are 3x more likely to be suspended from school than very light-skinned black girls, and for boys and girls alike, darker skin correlates with higher suspension rates.

18- Whether it’s sunny or rainy, GO OUT and FEEL NATURE on your SKIN. Then Write About: Joy. Peace. Love. Happiness. Confidence. Passion. Awe.

19- Know that it is okay to talk about and write about: Hurt. Sadness. Pain. Anger. Mourning. Loss. Fear. Loneliness. Shame. You are not “weak” because you feel these things. You are simply HUMAN. Facing these emotions and addressing them directly is actually a sign of STRENGTH, COURAGE, and BRAVERY, not a sign of weakness.

20- Accept and Honor the Process. My analogy for the healing process is a SPIRAL STAIRCASE. It can seem like we’re going in circles. But each time we come back around we are able to view our situation from a higher plane, a higher state of consciousness. And healing requires effort and persistence, right? Rarely is it ever achieved in a single leap. Also, it’s okay to rest, take breaks, slow down, pace yourself, or even sprint if you have a boost. So, yeah. Write about your healing process. Accept and honor wherever you are, wherever you’ve been, wherever you intend to go. (p.s. embrace the writing process too!)

21- Celebrate Growth and Progress! Write an ODE to your GROWTH.

22- What’s your hair story?

23- I’ve never said this to anyone before, but . . .

24- How have I been part of the problem and/or the solution?

25- Keep Writing: Take the last line or sentence (or any line/phrase) from something you’ve previously written, and make it the first line of a new piece of writing.

26- ReVision: Take an existing piece of your writing and cut 30% of it. (p.s. I know that’s scary! But you can save the original draft just in case 😉

27- SHARE! Let someone else read your writing. Ask for feedback about the content or the craft. Or not.

28- PERFORM! Read your writing OUT LOUD to yourself or to others. See how it feels. See what you learn about your writing.

29- What would you say to yourself about colorism if you only had 30 seconds?

30- SUBMIT YOUR WRITING to the 2018 Colorism Healing Writing Contest! You might decide that entering a contest is not for you. However, if you’re hesitating out of fear or shyness or self-doubt, I challenge you to practice a little courage today. Be brave. Take a risk. You will survive. And practicing the skill of courage is the best way to thrive!

Stop Letting Whites Off the Hook for Colorism

I’d like to dispell the myth that white people are total outsiders when it comes to colorism. The notion that white people are completely clueless, innocent, and irrelevant when it comes to colorism is false.

Some people claim that to white people “we’re all just black.” They believe that whites see no difference among blacks and do not treat blacks differently based on skin tone. That’s mostly untrue. To the Ku Klux Klan, yes, black people are just black regardless of skin tone, hair texture, facial features, etc. BUT, most white people are not members of the KKK.

It’s true that many white people may not be familiar with the term “colorism” or that they may not know/understand how minorities discriminate against each other.

It’s also true that many whites don’t care about skin tone (at least not consciously), just as it’s also true that many blacks don’t care about skin tone.

But colorism still exists and is perpetuated by both blacks and whites (and many other races, ethnicities, and nationalities), sometimes consciously and often unconsciously. We must acknowledge this in order to fully remedy the problem.

Here’s how white people in particular are complicit in colorism.

Colorism and White Supremacy

First, just to be clear, when I use the term “white supremacy,” I’m not talking about the Ku Klux Klan or any such hate groups. I’m talking about white supremacy as the myriad ways in which whiteness is the privileged standard and model of all things “good” or “normal” in our society and around the world, while blackness is positioned as the direct and extreme opposite of that. White supremacy reaches far beyond extremist hate groups. White supremacy is American culture.

White people, even the really nice ones, perpetuate white supremacy. (All people who have internalized white supremacy, regardless of their racial designation, perpetuate white supremacy, hence colorism and prejudices against “black culture.”)

As Time Wise writes:

“I admit that AS IS TRUE WITH ANY WHITE PERSON raised in a racist/white supremacist society, I have internalized certain racist and white supremacist thoughts/beliefs/norms, etc.”

It should be noted that this conditioning can be effectively resisted. But you can only resist what you acknowledge exists.

Research Studies on Colorism

In 2015, Lance Hannon published research findings on what he calls “white colorism,” indicating that regardless of education, test scores, and other demographic factors, “African Americans and Latinos deemed to have lighter skin tones are significantly more likely to be seen as intelligent by white interviewers.” He uses the following language, which includes a bit of professional jargon, but is quite significant:

“a one standard deviation increase in skin lightness roughly triples the probability of being perceived as having above average intelligence (an impact that is greater than a one standard deviation increase in education level).”

This suggests that in judging intelligence, whites are more influenced by skin tone than education level.

In 2014, five researchers published results of a study revealing the existence of a “skin tone memory bias.” All races of study participants, including white participants, remembered “educated” black men as being lighter than they actually are.

In 2014, Brittany C. Slatton published a book detailing the results of her research in which white men were invited to respond anonymously to an online survey about their views on dating black women. Slatton explains that the men who said they’re unattracted or rarely attracted to black women “root that lack of attraction in those traits defined as ‘black’: dark skin, hair texture, and facial features.” In contrast, some of the white men who are and are not attracted to black women in general “described blacks with more ‘white’ facial features and hair texture as the only attractive black woman,” thus using whiteness as the standard by which they measure the beauty of black women. Slatton quotes several of the survey respondents who say the following:

“I do find some black women attractive, but they tend to have more white physical features and are polished…. Alicia Keys comes to mind.”

“If I find a black woman attractive, it is because their hair type and facial features are more representative of the Caucasian race.”

“There are some black women who are attractive. And they aren’t full black. The only black women I find attractive are a mix of black and European, black and Latino, or black and Asian. They end up with a tan complexion, and hair that doesn’t look frizzled or like a Brillo pad.”

“The ‘blacker’ the person, the less femininity I tend to see.”

“I think black women’s features are too extreme; they are too dark, and they usually are much too large for my tastes…. The only black women I have found even marginally attractive are smaller, lighter-skinned black women… ala Beyoncé.”

We might never care whether white guys want to marry us, but what Slatton’s research helps to show is how white people are just as capable of colorism as any other group of people.

In 2014, three researchers reported that dark skinned black girls are three times more likely to be suspended from school than light skinned black girls, and for boys and girls alike, darker skin correlates with higher suspension rates. Whites undoubtedly contribute to such a significant color-based disparity given that a majority of school administrators are white, about 83% of teachers are white, and only 7% are black, non-hispanic (as reported by NCTES).

In 2011, three researchers found that in North Carolina between 1995 and 2009, light skinned black women received more lenient prison sentences and served less time in jail. In the judicial system, it’s often white people making such decisions.

In 2010, Kimberly Kahn and Paul Davies published the results of two studies showing that in shooting simulations, blacks and non-blacks were both more likely to shoot blacks with darker skin, broader noses, and fuller lips.

In 2009, two researchers published study results suggesting that for whites making hiring decisions, skin tone had greater influence on their choices than education and work experience.

Colorism and Implicit Bias

It’s not that the people in the above studies (or anyone else for that matter) are actively trying to discriminate against dark skinned people. It’s more likely that they have unconscious associations with skin tone that they’re completely unaware of and can’t even recognize. That’s implicit bias. Scholars at Harvard University’s Project Implicit define implicit bias pretty simply:

“An explicit stereotype is the kind that you deliberately think about and report. An implicit stereotype is one that occurs outside of conscious awareness and control. Even if you say that men and women are equally good at math, it is possible that you associate math with men without knowing it. In this case we would say that you have an implicit math-men stereotype.”

As a result of implicit bias, even people we talk to who say they “don’t see color,” probably (absolutely) do see color. Though as Slatton reminds us in her book, we can’t always rely on what people say in front of us anyway, because most folks (who are not Donald Trump) usually try to avoid appearing racist, even if they really do hold racially biased beliefs and attitudes.

Because American culture is white supremacist, most people have a pro-white/anti-black implicit bias, even if only slightly. (If you want to measure your own implicit bias, you can take the test.)

White Colorism in Popular Media

One of the biggest, most lucrative, and most visible drivers of white supremacy in American culture is the industry combo of beauty, fashion, entertainment, magazine, and broadcast news. White people control the largest share of this industry mashup on several levels. People usually take that to mean that all minorities in America receive equal opportunity discrimination in these fields. But the truth is that lighter skinned minorities or “ethnically ambiguous” minorities have an advantage in these fields because of their skin, hair, and facial features. This advantage persists over time and in broad patterns despite individual exceptions or periodic trends toward darker skin.

In a passage about the Straight Outta Compton casting call, Kristen J. Warner writes in her 2015 book The Cultural Politics of Colorblind TV Casting that Hollywood does in fact typecast minority actors by skin tone, hair, and other features:

“The description of types included in the breakdown do in fact speak to the types of Blackness Hollywood can tolerate. It is an obvious and likely cliché but it bears another mention. Blackness and those who embody it in Hollywood must be in some ways relatable and familiar to white audiences, even in production where white audiences may not be the sole target demographic. Thus ‘exotic’ light-skinned women from a variety of ethnicities are privileged as the models while dark-skinned African-American women are reduced to ill-shaped, poverty-stricken background performers. What’s more, it is not just that an imagined white audience will see familiar types but also that those background performers will match their expectations of what a beautiful model and a poor, out-of-shape woman look like.”

When Viola Davis talks about how having dark skin and Afrocentric features makes it harder to get acting roles, especially substantive roles and leading roles, she’s not just talking about black films or black filmmakers (although they have serious colorism issues made more obvious because they are black). The working conditions Davis describes are created largely by whites who make a majority of casting and hiring decisions in these industries. And though some might be tempted to say that’s because they’re only giving black people what we want, the Oscars make it clear that white people in Hollywood feel no obligation to please minorities. White people’s decisions to cast a light skinned or mixed race woman is always about their prejudice. The earlier quote about Beyoncé, for example, reminds us that the overrepresentation of fair skinned black women on the celebrity A list is by no means soley a function of black people’s colorism, but is in large part a product of white people’s colorism as well.

White People and Colorism During American Slavery

During slavery, the institutional rape of black women resulted in a sizable population of mixed-race people. Because of their obvious European ancestry, whites attributed biracial people, slave or free, with greater beauty, intelligence, and humanity than the general population of black people, slave or free. This is the white supremacist foundation of colorism in the Americas. Light skin, straight hair, light colored eyes, or keen facial features in people of color are privileged because society takes those things as evidence of European ancestry, and it’s that perceived connection to European ancestry that is so valued in American culture.

These attitudes are quite clearly expressed in E. B. Reuter’s 1917 article “The Superiority of the Mulatto.” Reuter reports that:

“The whole matter of attitude on the part of the white people and its consequent result in greater opportunities for lighter work, more association, greater privileges, better training, and more freedom operated to the advantage of the mulattoes prior to the passing of the institution of slavery. …

“The white man’s assumption of the mixed-bloods’ superior capability, entirely aside from any question as to the accuracy of the assumption, created in the Negro race the tradition of mulatto superiority. It laid the basis for a class separation on the basis of skin coloration and for the social prestige of the mixed-blood group.”

Reuter acknowledges that advantage and disadvantage were not unilateral during slavery, but the fact remains that whatever disparities did exist between black and mixed-race people were a direct result of the actions of white people. White people (and eventually mixed-race individuals themselves) perpetuated these attitudes and inequalities for generations after slavery.

Addressing Colorism

At the end of the day, effectively dealing with colorism requires acknowledgement of how whites perpetuate colorism. Because whites created colorism in America and because they continue to perpetuate it and continue to maintain social conditions that entrench it, they are a part of the equation that leads to solutions. Especially since they are most likely to teach children of all races and are very likely to make decisions that could alter the course and quality of people’s lives, decisions pertaining to employment, the legal system, and other areas of life like housing, healthcare, policing, etc.

I will say, however, that we must first eradicate colorism—white supremacy—from our own minds and hearts.

Brave Love is Beautiful

“I wrote these words for everyone who struggles in their youth.” –Lauryn Hill, Miseducation

For me (and I suppose for some of you too) true love is an act of intense courage.

This first occurred to me in high school when one of my classmates called me brave for wearing my naturally textured hair. I simply let my hair grow the way it naturally grows from my scalp, as it always has since birth. And for that, I was considered… brave. Even as recently as this year, people still refer to my choice of personal style as an act of bravery.

While it seems to defy gravity, my hair in its natural state (and especially when I cut it really short) also defies the norms of this society—a society filled with fairytale princesses like Rapunzel who are called to let down their golden hair, time and time again. Even I remember literally praying for long, straight hair that stretched down my back when I was a little girl.

Yet despite the constant propaganda of long-haired beauty and my former girlhood fantasies of long flowy hair, I came to love my natural black hair. When I cut it “all off,” I was shocked by how good it looked and how good it felt, both to my hands and to my spirit.

But, no matter how much we like what we see in the mirror, we are constantly confronted with the reality that the world does not reflect us.

Anyone who dares defy social norms is bound to suffer social punishment. So we must ask ourselves every day whether or not it’s worth the trouble.

Is my very short, natural hair worth the puzzled looks, stares, smirks, speculations about my sexuality, mistakes regarding my gender (“Mommy, is that a girl or a boy?” or “Yes, Sir… I’m sorry, ma’am”), interrogations (“Why don’t you let your hair grow out?” or “You sure you want it that short, like a MAN? Why you wanna do that???”), rejection, guffaws, the risk of not looking the part for the job, being dismissed as militant, being told your hair (the way it naturally grows from your scalp) is just a misguided political statement (it seems as if black girls and black women make a political statement every time we wake up, just by existing in a world that doesn’t seem to care whether or not we do), or just being overlooked, ignored, invisible.

In addition to natural hair, my personal style, especially throughout high school and college, often consisted of eclectic combinations of clothes. Skirts over jeans. Dresses over pants. Mix-matched prints. Mix-matched earrings. Loud colors. Layers of second hand pieces. I remember days when I’d pause at the door, my hand hovering over the knob, and I’d have to choose. Do I want to do this? Do I want to go out into the world in this conspicuous, quirky expression of myself? Is it worth having derogatory statements thrown at me from a third-story balcony? (That really happened, btw, but of course the offenders were literally hiding behind a curtain the whole time.)

And then there was colorism. This issue may seem most acute when we are young. I struggled with this mostly alone and in silence my entire youth. I did not find the courage to speak about my experiences and observations until I was in my mid-twenties. We are often told, in subtle and not so subtle ways, to suppress our voices and truths so others won’t have to feel uncomfortable, so others can remain the center of attention, and in order to protect others from pain, blame, or guilt.

You may be very aware of how society and many individuals in it go the extra mile to instill in us that we are ugly, unworthy of human respect and dignity, and less valuable than others. They try to bring us down with what they do and don’t do, say and don’t say.

It wasn’t just what other people of all races said to me or about me that was prejudiced and hurtful (with a major stank face: “Ew! You’re so black!” or “I like your sister better than you because she’s white and you’re black,” both real statements made by a black girl and white girl respectively). It was also the moments when they did not say anything about me that hurt me and exposed their prejudice. You know, when the colorstruck woman (related to you or not) dramatically praises and goes on and on about the lighter skinned sister, cousin, friend, or neighbor and is conspicuously mute, obviously silent about the darker skinned girl(s) present? Yeah, that happens all the time…

And we’re certainly not supposed to notice, call out, or try to change patterns in the media that over represent lighter skinned black women in certain kinds of roles. Because if we do, we’re just hating and being petty. So as a dark skinned girl you’re supposed to just passively and silently accept the status quo, cus “that’s just how it is.”

But brave love compels us to speak our truths and stand up for the causes we believe in no matter how others might respond. Brave love means knowing and believing in our beauty and brilliance no matter how many girls call us ugly, no matter how many guys laugh at us, no matter how invisible we seem in movies and television, and no matter how many times we’re outright attacked or outright ignored.

I know at my core how hard it is to face negation and hostility every day, how scary, frustrating, and wearisome it is. But that’s how I know that deciding to love yourself anyway is often not so easy. It’s a choice we have to make every day. It’s a choice that requires a significant store of strength and courage.

Every day we have to answer for ourselves, yes it’s worth it, or no it’s not. After several years of this and having just turned the corner of 30, I can look back and say: Yes, it was all worth it. And it still is.

“Whenever we submit our will to someone else’s opinion, a part of us dies.” –Lauryn Hill, Unplugged

You see, the most important thing to remember about courage is that it’s the only route to freedom. And freedom is fun, even though the process of winning that freedom isn’t usually fun or easy.

We humans are constantly tussling with the chains of other people’s opinions, expectations, and rules. It takes a bunch of mettle to break that metal—especially for us as girls and women constantly pressured to fit inside a ridiculously tiny box of lady-like behavior and physical attractiveness. Out of fear, many of us go to great lengths to fit inside that small container, usually cutting off significant parts of ourselves so that we take up less space.

“I get out. I get out of all your boxes. I’ll get out. You can’t hold me in these chains. I’ll get out.” –Lauryn Hill, Unplugged

So I empathize with the girl who really wants to experiment with short hair, but is too afraid or anxious about it. Or the young woman who wants to try a brightly colored print, but doesn’t dare stand out in that way. Or the girl who doesn’t want to wear heals, but believes she has to in order to become a woman. Or the young woman who’s nervous about standing up to the guys or girls trying to tear her down. I see you, and I see myself in you. Everything I do now as an adult is for you (and for that younger version of myself that travels through time to check on me every so often).

As a black teenage girl, I was blessed to have something which I’m afraid this generation of young girls doesn’t particularly have—popular images that show them alternative ways of being. I was fortunate to grow up in the “neo-soul” era. People compared me to India Arie before I even knew who she was! Erykah Badu quickly became my idol. Angie stone and Jill Scott graced TV screens, airwaves, and magazine pages all the time, back then. And even though they came before the neo-soul era, I really can’t say enough about Zhane! (It’s a Groove Thang!) I benefitted tremendously from having the “neo-soul” wave swell during my adolescence; and though that wave eventually crashed, its effects had already been deeply planted in my psyche and spirit. I often tell folks that a VHS of Lauryn Hill’s MTV2 Unplugged recording helped get me through my senior year of high school. I’d watch/listen every morning before leaving the house. She spoke to me like no one and nothing else at the time.

Today it seems these types of women are completely marginalized in the media. Even so, I’m encouraged because I continue to witness the bravery of young girls and young women who dare to be themselves in a society that relentlessly disavows their minds, spirits, bodies, and identities. I witness them loving themselves but also loving and supporting each other! That’s the double helix of Brave Love: loving yourself as you are and loving others as they are, knowing that igniting another fire doesn’t extinguish your own.

For every few people who tried to diss me, there was at least one other person (besides me) who thought my style was dope, and maybe more who just never told me. And I realized that courage is contagious. Every time a person chooses to walk in courage, they broaden the path for others to follow (or depart from) just like the women of neo-soul did for me.

I’ve been blogging since 2011, and I’m sure this is the most personal piece I’ve written so far. People often talk about self-love like “I woke up like this.” But for me true love is an act of intense courage. On some level, I wanted to share this because of the women who call me brave, strong, confident, etc. I think it’s important to remember that bravery is not an inherent quality. It’s a choice that we must make every moment of every day. And mostly I just want to acknowledge that it’s often a difficult choice.

Courage is like a muscle. The more we use it, the stronger our courage becomes. When we pass up the smaller, everyday opportunities to be courageous, we let our courage atrophy and find ourselves lacking courage just when we need it most. I believe all of the small, daily acts of courage prepare us for even greater moments.

For the young girls and young women still trying to figure out if expressing their uniqueness is worth the hassle of possible ridicule and rejection, I encourage you to try on a little Brave Love. You might be surprised at how great it looks on you.

Colorism is a Symptom and System of Oppression

Colorism is a symptom of oppression as well as a system of oppression.

The specific oppression I speak of here is racism or “white supremacy.”

Colorism is both a product and a tool of the umbrella institution of white supremacy.

When I began reading Pedagogy of the Oppressed by Paulo Freire, I did not expect to find so many ideas relevant to colorism and colorism healing. Freire wrote Pedagogy in 1968, and it was translated from Portuguese to English in 1970. The book is based on Freire’s work with poor working people in Brazil. However, that very specific context of oppression has parallels with many others, and lots of people have reapplied Freire’s ideas in different contexts. But as far as I know, no one has applied his ideas to colorism.

I want to share with you some powerful ideas from Freire’s book that I believe reveal a lot about the sources of colorism and possible solutions to colorism. What follows is a small selection, but I hope you are inspired to take up the book and read all that it contains.

Why Colorism Exists

A divided house cannot defend itself

“As the oppressor minority subordinates and dominates the majority, it must divide it and keep it divided in order to remain in power. The minority cannot permit itself the luxury of tolerating the unification of the people, which would undoubtedly signify a serious threat to their own hegemony. Accordingly, the oppressors halt by any method (including violence) any action which in even incipient fashion could awaken the oppressed to the need for unity. Concepts such as unity, organization, and struggle are immediately labeled as dangerous. In fact, of course, these concepts are dangerous—to the oppressors—for their realization is necessary to actions of liberation.” (Freire, p. 122)

“Submerged in reality, the oppressed cannot perceive clearly the ‘order’ which serves the interests of the oppressors whose image they have internalized. Chafing under the restrictions of this order, they often manifest a type of horizontal violence, striking out at their own comrades for the pettiest reasons” (Freire, p. 44).

Freire quotes Fanon to support this. Fanon writes:

“The colonized man will first manifest this aggressiveness which has been deposited in his bones against his own people…. for the last resort of the native is to defend his personality vis-á-vis his brother.” (Fanon as quoted on page 44 of Pedagogy of the Oppressed)

A whole lot of people, especially African Americans, acknowledge that colorism divides the community. Unfortunately, many people mistakenly think that dialogue about colorism is the source of division rather than the colorism itself.

I must say that colorism continues to divide us because we fail to confront it (due to fear, guilt, shame, pain, ignorance, selfishness, etc.). For unity and healing, we need all parties to acknowledge how we are each complicit and responsible. For unity and healing, we need all parties to acknowledge our pain and our privilege.

We’ve internalized white supremacy

“The more they mimic the invaders, the more stable the positon of the latter becomes…. For cultural invasion to succeed, it is essential that those invaded become convinced of their intrinsic inferiority. Since everything has its opposite, if those who are invaded consider themselves inferior, they must necessarily recognize the superiority of the invaders. The value of the latter thereby becomes the pattern for the former. The more invasion is accentuated and those invaded are alienated from the spirit of their own culture and from themselves, the more the latter want to be like the invaders: to walk like them, dress like them, talk like them.” (Freire, p. 134)

“Self-deprecation is another characteristic of the oppressed, which derives from their internalization of the opinion the oppressors hold of them. So often do they hear that they are good for nothing, know nothing, and are incapable of learning anything—that they are sick, lazy, and unproductive—that they become convinced of their own unfitness” (Freire, p. 45).

In colonial societies and in societies where slavery existed, whites used and perpetuated colorism to divide the oppressed people. However, as the two quotes above state, the oppressed people internalized, believed in, and became convinced of their own inferiority and of the superiority of whiteness. Colorism among African Americans and other people of color took hold as we began to hate our blackness, began to strive for whiteness, and began to place a higher value on those people of color who more closely resembled and enacted whiteness.

Even though the era of old colonialism and slavery has long passed, its legacy lives on. Even now, people of color continue to loathe blackness but laud whiteness and those who more closely resemble whiteness.

Today, however, it’s not so black and white. White supremacy is no longer stated in explicitly racial terms. Instead people use rhetoric like, “straight hair just looks more professional.” What’s concealed by such statements is that straight hair looks more professional because straight hair is associated with whiteness, and whiteness has always been associated with professionalism.

So how do these ideas spread?

“All these myths…the internalization of which is essential to the subjugation of the oppressed, are presented to them by well-organized propaganda and slogans, via the mass ‘communications’ media—as if such alienation constituted real communication.” (Freire, p. 121)

Society consciously and most often unconsciously maintains white supremacy on a grand scale through mass communications and propaganda in all of its various forms throughout history. This includes, but is not limited to: books, literature, music, art, newspapers, movies, television, magazines, billboards, advertisements and commercials, video games, websites, social media, flesh-tone products, stock photography, dress codes that regulate hairstyles, jeans that fail to accommodate a curvier body, fairytales like Rapunzel, music videos (including ones starring artists of color), dolls and other toys, and… Well, you get the picture.

Why Some People Deny Colorism and White Supremacy

There is no critical intervention when intervention “would contradict the class interests of the perceiver…. The fact exists; but both the fact and what may result from it may be prejudicial to the person. Thus it becomes necessary, not precisely to deny the fact, but to ‘see it differently.’ This rationalization as a defense mechanism coincides in the end with subjectivism” (Freire, p. 34).

What Freire says here relates to colorism and white supremacy because certain people benefit from these forms of oppression. Those who benefit might not want to lose their benefits, and they often do not even acknowledge that they receive any benefits. They therefore try to dismiss dialogue or action aimed at undoing these forms of oppression.

When we receive information that somehow portrays us or people we identify with in an unflattering or unfavorable light, we might not deny the facts outright, but we try to justify them or rationalize them. We dismiss the information by saying, “Well, I guess I see it differently.” Even when the information doesn’t explicitly describe us, it might contain facts that incriminate us or those with whom we identify.

I’ve said before that colorism healing takes courage. One of the most courageous things we can do is admit that we are complicit—all of us. We need courage to admit that we have certain privileges because of our outward appearances. We need courage to admit that others have an equally valid story to tell, even if the story implicates us or someone who looks like us.

The Myth of “Reverse Discrimination”

Even when a more equitable situation is established, “the former oppressors do not feel liberated. On the contrary, they genuinely consider themselves to be oppressed. Conditioned by their experience of oppressing others, any situation other than their former seems to them like oppression…. Any restriction on [their former way of life], in the name of the rights of the community, appears to the former oppressors as a profound violation of their individual rights” (Freire, p. 39).

Though Freire is writing primarily about class inequality, I think a similar thing happens when it comes to race. The notion of Affirmative Action as “reverse discrimination” is perhaps the most infamous case of this type of condition.

In many societies around the world, people’s race, skin color, hair texture, facial features, or body size and shape often lead to un-merited advantages (advantages gained through no effort of your own, like an advantage given because of race or skin color). Basically, the loss of an un-merited advantage often feels like a disadvantage (Why am I being punished for who I am?). The reason this feels like a disadvantage is because many of the benefactors of racism are not aware (or in denial) of how they are privileged in that institution. To see things differently would require not relying solely on one’s personal experiences (individualism) and instead acknowledging the larger societal patterns, probabilities, and historical legacy.

When individuals or whole societies make conscious and direct attempts to rectify/compensate for society-wide disparities, rather than understanding it as a more equitable share of pie for everyone, many of the previously privileged view such efforts as merely a smaller slice of pie for them, one that will no longer be served on a silver platter.

For healing to take place, we have to be brave enough to admit when we’ve had easier access to the pie than our other brothers and sisters. Even when we personally have not had a disproportionately large share of pie, we can at least acknowledge that those who have, tend to look like us rather than the rest of the family.

Taking Action Against Colorism and White Supremacy

Have the courage to be free

“Some, however, confess: Why deny it? I was afraid of freedom. I am no longer afraid!” (Freire, p. 17)

I must confess: For a long time I was afraid to talk about colorism. I was afraid of what people would think, afraid people would think I’m just jealous or hating, afraid people would think I had low self-esteem and didn’t love myself, afraid people would say I was causing division.

I am no longer afraid!

“the oppressor is ‘housed’ within the people, and their resulting ambiguity makes them fearful of freedom.” (Freire, p. 144)

Not everyone wants to be healed. I sometimes observe that people seem completely content with colorism. In some cases this is because they’ve enjoyed the benefits of colorism and don’t care to lose those. In other cases they’ve so fully subscribed to colorism that they believe it’s the natural order of things. It almost becomes an enjoyable pastime, like the memes and hashtags on social media suggest. And in other cases they’ve been so complicit in perpetuating colorism that they don’t want to deal with the guilt they might feel if they awaken their consciousness about colorism.

“Fear of freedom, of which the possessor is not necessarily aware, makes him see ghosts. Such an individual is actually taking refuge in an attempt to achieve security, which he or she prefers to the risk of liberty…. Men and women rarely admit their fear of freedom openly, however, tending rather to camouflage it—sometimes unconsciously—by presenting themselves as defenders of freedom. They give their doubts and misgivings an air of profound sobriety as befitting custodians of freedom. But they confuse freedom with the maintenance of the status quo; so that if [consciousness] threatens to place that status quo in question, it thereby seems to constitute a threat to freedom itself.” (Freire, p. 18)

You probably know this story just as well as I do. The guy who proudly proclaims: “I only date light skinned chicks,” then shrugs and says, “That’s just my preference.” Others who support this way of thinking will also shrug and say, “Everyone has a right to their own preference.”

Of course everyone has the right to prefer who and what they want, but…

We might also see this defense of personal preference (like a defense of personal freedom), as really just a cowardly defense of the status quo, a fear of freedom (for reasons stated above).

Rather than questioning the possible reasons for or sources of our preferences, rather than considering the social and historical construction and conditioning of our preferences, it’s easier for some people to believe that preferences are simply a personal, individual, biological, natural, and harmless matter. It’s easier to believe so because true belief in the opposite requires action, which requires courage.

Believe that society can change

“the oppressors attempt to destroy in the oppressed their quality as ‘considerers’ of the world. Since the oppressors cannot totally achieve this destruction, they must mythicize the world. In order to present for the consideration of the oppressed and subjugated a world of deceit designed to increase their alienation and passivity, the oppressors develop a series of methods precluding any presentation of the world as a problem and showing it rather as a fixed entity, as something given—something to which people, as mere spectators, must adapt…. [The oppressors] deposit myths indispensable to the preservation of the status quo.” (Freire, p. 120)

This quote builds on the idea that people hide behind notions of personal freedom because they are too afraid or unwilling to even question, much less resist, the status quo. Even when they express sadness about colorism, too many people respond with resignation and passivity, as if nothing can be done about it.

Well, we have to realize that societies are always changing and that we can and should be active participants in shaping that change. We must believe that we can help change our society for the better. Yes, it’s a huge and overwhelming task. Yes, it takes a ton of effort and risk and courage. But we can do it.

Bear Witness

The first action step for colorism healing is to speak our truths—to bear witness. Here’s what Freire says about bearing witness:

“The essential elements of witness include: consistency between words and actions; boldness which urges the witness to confront existence as a permanent risk; radicalization (not sectarianism) leading both the witnesses and the ones receiving that witness to increasing action; courage to love (which, far from being accommodation to an unjust world, is rather the transformation of that world in behalf of the increasing liberation of humankind); and faith in the people, since it is to them that witness is made.… in dialogical action, daring and loving witness serve the ends of organization.” (157-158)

Let’s bear witness—daring and loving witness.

Understand the Causes of colorism

A second action step for colorism healing is to make sure we understand root causes:

“As long as the oppressed remain unaware of the causes of their condition, they fatalistically ‘accept’ their exploitation. Further, they are apt to react in a passive and alienated manner when confronted with the necessity to struggle for their freedom and self-affirmation.” (Freire, p. 46)

When we remain unaware of the causes of colorism, the problem seems impossible to solve. Understanding colorism’s causes helps us to see possible solutions. The device no longer dumbfounds us when we take it apart and see how it works. Let’s find the power source and unplug it to stop the system of colorism. In most society’s that struggle with colorism, the source is white supremacy.

Have Dialogue about colorism and white supremacy

According to Freire, dialogue requires love, humility, faith, hope, and critical thinking. I add that it requires courage. Once we’ve gathered our courage, come to believe that change is possible, born daring and loving witness, and examined the causes of colorism, we need to continue to have courageous yet humble conversations amongst ourselves.

“Human existence cannot be silent, nor can it be nourished by false words, but only by true words, with which men and women transform the world. To exist, humanly, is to name the world, to change it…. Human beings are not built in silence, but in word, in work, in action-reflection…. No one can say a true word alone—nor can she say it for another, in a prescriptive act which robs others of their words.” (Freire, p. 69)

I am writing this post, using my words, but I can’t be the only one. We need your words too. Whether you’re a writer, singer, tweeter, small-talker, big-talker, lecturer, poet, or any other form of human being, we need your words!

Reflect. Act. Repeat.

“The insistence that the oppressed engage in reflection on their concrete situation is not a call to armchair revolution. On the contrary, reflection—true reflection—leads to action.” (Freire, p. 48)

“‘Cultural Revolution’ takes the total society to be reconstructed, including all human activities, as the object of its remolding action.” (Freire, p. 139)

By reading this, you’re already engaged in the cycle of reflection and action. How will you continue that cycle from here?

Will you talk to someone about your experiences with colorism? Will you listen to someone else share their experiences? Will you give a child a book, movie, or toy that affirms who they are? Will you make a conscious effort to support magazines, movies, and TV programs that promote diversity? Will you give attention to the person everyone else ignores?

Reflect on the actions that feel right to you, then take those actions. Repeat.

Colorism in Relationships: Preference or Prejudice?

dark brown man in green shirt hunging dark brown woman with pink shirt holding a boquet of flowers looking back and smiling at the man. colorism in relationships preference or prejudice

Why do we date who we date? What’s really behind our choice of marriage partners? Is love truly blind? And more to the point of this post, is there colorism in relationships? How can we discern if it’s a matter of preference or prejudice?

Watch LIVE: Dr. Webb Elaborates on Colorism in Relationships and Preference vs. Prejudice (or Scroll to Continue Reading).

If there is colorism in relationships, how can we tell the difference between a person who coincidentally falls for someone of a certain skin tone versus someone who is color struck?

Here I present one perspective on this matter. Of course there are other viewpoints out there. If you’re new to this issue, I encourage you to explore those as well, after you’ve considered the following.

Is there Colorism in Relationships?

Yes. As Kola Boof says in this video, we can control who we love. As a society and as individuals, we make conscious choices about who’s loved and who’s rejected. We must not be satisfied with an uncritical acceptance of our beauty standards. We have to be willing to examine why we have preferences and realize that “preference” isn’t merely biological, physical, harmless attraction. Our preferences are shaped, molded, and conditioned by our environment. There’s no doubt in my mind that colorism plays a huge role in romantic relationships, but perhaps there’s some doubt in yours. So here’s why I’m so sure that colorism exists in relationships.

Because Racism Exists

As long as racism exists, and as long as that racism is internalized by various groups of people, colorism will also exist. That’s because racism causes colorism, like an offshoot.

If you believe that the world has evolved to a point where racism is no longer an everyday problem, then you might not recognize colorism as a problem either.

Because of the Research

In a 2002 article, “Race and the Politics of Personal Relationships: Focus on Black Canadian Women,” Evangelia Tastsoglou, explains how it’s not surprising that some blacks have adopted “society’s color complex” because of all the racism, white supremacy, and stereotypes that saturate everyday culture.

Tastsoglous also summarizes a lot of historical research on the issue by writing, “Even in the Black community, the fair-skinned Black woman who most nearly resembled White women was seen as the lady and placed on a pedestal, whereas darker-skinned Black women were viewed as b****** and whores.”

Christopher A. D. Charles, who focuses on Jamaican culture in the article “Skin Bleaching and the Prestige Complexion of Sexual Attraction,” explains that many Jamaicans who bleach their skin do so to be more attractive to potential mates.

Charles also makes the very important statement that, “some of these people choose a browning [light skin] partner to have light skin children.”

Although there’s more research, I’ll close this section by referring to the writings of Darrick Hamilton, Arthur H. Goldsmith, and William Darity, who co-wrote “Shedding ‘light’ on marriage: The influence of skin shade on marriage for black females.” In that article, the writers refer to prior research that’s provided “ample evidence that greater social status is ascribed to black women with lighter skin shade in the U.S.”

However, in their own research, they establish further evidence of this, specifically for women under the age of 30. They report that “as skin shade lightens the incidence of marriage rises.” More specifically, they report general percentages as follows: “55 percent of light skinned black females had been married, but only 30 percent of those with medium skin shade and 23 percent of the dark skinned females had ever been married. The ever married rate for young whitewomen, 50 percent, is slightly less than the rate for young light skin blackwomen…”

Because of Lived Experiences

In the short film, “Fair? – A documentary about skin colour in India,” several people report on the pervasive culture of colorism in India.

The first woman to speak, who’s not really dark by world standards, admits that throughout her childhood people had told her: “You are dark, so you will never get married.”

Other testimonies in the documentary discuss how weddings have been cancelled because the bride was too dark, that photos used in marriage proposals are lightened and the women are made to wear powder to appear fairer, that local ads specifically request fair skinned marriage partners, and many more instances of day-to-day colorism in relationships.

Academy Award winning actress Lupita Nyong’o was told by a teacher while growing up in Kenya that she wouldn’t be able to find a husband because she was so dark.

In my own experiences living in the United States, I’ve heard many people explicitly say that they only date people with a certain skin tone. Beyond only dating men or women with a certain complexion, some people even go so far as to taunt, harass, belittle, and demean people who don’t meet their standards for skin tone. In some cases, men admit that they’ll sleep with women of any complexion, but will only date or marry women with light skin.

I’ve witnessed this kind of discrimination firsthand, and have observed it in numerous movies, TV shows, and song lyrics. If you have not, then consider yourself lucky, but don’t consider it proof that colorism in relationships must be a myth.

Preference or Prejudice?

close up of clasped hands of a dark brown skinned couple colorism in relationships preference or prejudice

I acknowledge that many relationship choices are controlled by subconscious programming, both biological and sociological. However, there are some clear signs that a person isn’t innocently falling for whomever destiny has chosen for them.

Predetermined Attraction

If physical attraction is supposed to be biological and instinctual, then predetermining the skin color of a future partner is a clear warning sign that a person is color struck.

Saying, “I only date ___ skinned girls/guys” exposes the colorism behind a person’s choice of partners.

Also, predetermining who you will partner with based on their skin color is NOT the same as preferring a certain personality, work ethic, or sense of humor. Skin color has no substantive effect on the quality of a relationship, whereas other sorts of personal qualities often do.

If a person is really just reacting to pure physical attraction rather than superficial societal standards, they would not be able to predetermine who they will or will not be attracted to based solely on skin color because not all dark/brown/light skinned people look alike.

And just because lots of people have similar superficial prejudices against other physical features, doesn’t make colorism in relationships okay.

Fetishes or Stereotypes about Complexion

A second warning sign that a person is color struck is that they make excessive comments about skin color. The comments may be positive or negative, and they may be about the person they’re currently in a relationship with or a total stranger.

The real giveaway is whether the comment contains over-generalizations, fetishizing language, and stereotypes (“dark/light skinned girls be like…”).  If a person’s choice is really just “preference” based purely on biological physical attraction and not socially conditioned prejudice, then there would be no need for fetishizing and stereotyping. If you can’t express your so called “preference” without demeaning other people, then it’s not merely a “preference,” it’s actually prejudice. If racist stereotypes aren’t cool with you, then colorist stereotypes shouldn’t be either. And it does not matter if the person claims it’s “just a joke.” It’s still colorism.

If you can’t express your so called “preference” without fetishizing complexion, then it’s not a “preference,” but a sickness. It’s one thing to find someone’s complexion, hair, and features attractive. It’s another thing entirely to fetishize those traits.

Hypocritical Stance on Discrimination

Someone says they would never date outside of their race, and you call them racist. Someone says they’d never date a dark skinned girl, and you shrug and say it’s just “preference.” Those who insist that race should not matter in who a person loves, should, by their own logic, also insist that skin tone should not matter. Instead, those who “go to bat” to defend black men who choose to date/marry non-black women, saying it’s wrong to discriminate based on race, are completely silent and perfectly okay with black men (and women) discriminating based on skin tone. They support skin tone discrimination by saying, “it’s just preference,” but will call other people racist if they choose to only date within their race.

The ugly truth is that this double standard plays into the hands of colorism and white supremacy: Fight for the right to marry white/light (an effort founded on the perceived superiority of whiteness) and cosign anti-blackness.

Why Does it Matter?

  1. These harmful beliefs don’t just affect who dates whom. These negative ideas permeate other important aspects of our lives like employment and health.
  2. Marriage or partnership in general has a significant impact on the socioeconomic status of women.
  3. Colorism in dating and marriage choices upholds white supremacy and racism.
  4. Anti-black prejudice is wrong. Period.

Recognition is Only the Beginning

Some people really struggle to admit their prejudices (and perhaps never will), while others boast about their colorism. I don’t  go out crusading to change these people’s attitudes and actions. I merely focus on awareness. It’s not my goal to make a color struck adult see the beauty in all skin tones. But by focusing on awareness, and acknowledging that the problem of colorism in relationships is real, perhaps we can impact younger/future generations and open up lanes of healing.

If you’re looking for a speaker or facilitator for your next colorism event, learn about Dr. Sarah Webb’s colorism keynotes and workshops.

dr. sarah webb speaking at a podium holding a microphone with one arm extended during during her keynote speech for women's history month at the university of the pacific 2023. she's wearing a black turtleneck, multicolored skirt, and bold jewelry

Colorism in Hip Hop: Keeping it Real

The phrase ‘keeping it real” was coined by the hip hop world, a genre of music I’ve been known to enjoy. But many of the biggest names in hip hop are consistently guilty of NOT keeping it real. This applies to many aspects of hip hop, but for our purposes, we’re going to examine colorism in hip hop. The following are eight aspects of colorism in hip hop that we must be “real” and honest about.

Listen to Dr. Webb read this post or scroll to continue reading.

1) Colorism in hip hop does exist.

There’s debate about whether or not colorism exists in general, so we can expect controversy when discussing whether or not colorism exists in hip hop. Many have argued that it’s merely a preference rather than a prejudice. Defenders of all things hip hop would have us believe that it’s merely coincidence that so many rap lyrics glorify light skinned women and diminish dark skinned women, that it’s mere coincidence that so many rap videos exclude dark skinned women altogether, or that so many rappers choose to partner with light-skinned or non-black women exclusively and openly brag about it.

Well, as Huck said on a recent episode of Scandal, “Two things make a coincidence. Three things make a conspiracy.” Colorism in the music industry and elsewhere is a sign that the conspiracy of white supremacy has been fairly successful thus far. The pattern of positioning light skin and european features as the standard of feminine beauty is too pervasive to not be seen as something more insidious than “coincidence” or “marketing” or “crossover appeal.”

But, in case anyone still has doubts, just remember that hip hop stars have explicitly expressed their colorism. They can’t argue “coincidence” when rappers are blatant about their prejudice against dark skinned women.

2) Colorism in hip hop is another product of our long history of white supremacy.

I read recently that colorism exists partly because all cultures tend to favor the “exotic.” If this alone could explain colorism in our world today, we would see more dark skinned or mixed race people in European fashion shows. But we don’t. It’s hard to find even lighter skinned women of color on runways around the world. The exotic argument is related to the idea that colorism is nothing more than trivial preference or coincidence.

Really, there is a carefully built system that’s been strategically maintained (though weakening with time) which allows certain people to monopolize various forms of power. When you can convince an entire group of people that they are inferior to you, there are less obstacles to gaining and maintaining your power. And while that group is preoccupied with destroying itself by self-segregation and infighting, you’ll have a lot less competition. You can pull the wool over their eyes because they’re focused on their “inadequacies” rather than your injustice.

3) Colorism in hip hop has a negative effect on society.

Colorism affects us all, no matter how light or dark our skin is, because it’s an element of the racism that undermines every society. It reinforces racist stereotypes that have substantive effects in people’s lives, including employment opportunities, criminal convictions and prison sentences, marriage prospects, harassment and abuse, and more.

While hip hop is not solely responsible for perpetuating these stereotypes, it currently has one of the most significant roles in doing so. Hip hop spreads its colorist message around the globe, and it’s heavily marketed to highly impressionable youth, which leads me to the issue of low self-esteem in girls.

Some might argue that girls shouldn’t expect the media to build their self-esteem, that self-esteem should be built at home, or that girls should build their own confidence. That’s no excuse, however, to ignore direct attacks against the image of an entire group of people. If we don’t accept hip hop as a vehicle for building self-esteem, we most certainly should not accept it as a vehicle for tearing down self-esteem.

4) Artists have power to do something about colorism in hip hop.

There may be varying levels of power based on how long an artist has been in the industry or how important an artist is to a particular company. However, there are countless instances of artists in all genres exercising creative license in their videos, influencing the direction of their videos, and sometimes generating the entire idea themselves.

The idea that hip hop artists can’t do anything about casting in their videos is not only false, it also perpetuates the sense of helplessness that’s plagued our communities for far too long.

Kendrick Lamar By Jørund Føreland Pedersen

Here are a few examples of rappers who have directly affected the casting in their videos. Please note that this list does not represent an endorsement of the artists, their songs, or their videos. It merely illustrates the level of control rappers can have over their work. It also shows that rappers themselves are also aware of the level of colorism in the industry.

British Rapper Tinie Tempah said he choose all of the models for his video “Trampoline.”

2Chainz Colorism in Hip Hop Keeping it Real
2Chainz by WealthRangers

Kendrick Lamar made a last minute switch for the casting of the leading lady in his “Poetic Justice Video.” And he directly stated that his intent was to represent more dark skinned women.

2 Chainz was also outspoken on more than one occasion about purposely choosing to feature darker skinned models in one of his videos. He even pointed to the fact that his mom was dark skinned, suggesting that he has a reason to appreciate dark skinned beauty.

Finally, there’s no excuse for what rappers say in their music. While it may be easy to blame casting directors for the lack of diversity in video models, who can they blame for the colorism in their lyrics? If anyone has the power to stop perpetuating colorism through lyrics, it’s the artists themeselves.

5) Fans have power to do something about colorism in hip hop.

For us fans, it all comes down to money and support. If we stop spending money on them and stop supporting them, rappers will quickly learn that colorism shouldn’t be profitable.

6) Most don’t do anything about colorism in hip hop because they’ve been conditioned by white supremacy.

When people have power but don’t use it, it’s for one of two reasons: they don’t know they have any power, or they simply don’t want to use their power. When it comes to hip hop and colorism, most people, fans and members of the industry included, are complacent because they believe lighter and whiter is better. They don’t protest the existence of colorism because many of them agree with it. It’s a hard reality, but we won’t make progress on the issue of colorism unless we admit that our communities are filled with people who think it’s okay to privilege one shade of skin over another. We have to know where we stand. If a fan agrees that light skin is better, of course they’re going to attack you on twitter in defense of racist rappers.

7) Colorism is not just in Hip Hop.

Colorism leaks from the society at large into every genre of music that we create. It’s just more obvious in hip hop because the majority of the artists in that genre are people of color.

R&B has gotten away with a lot of colorism because the genre as a whole has less of an image problem, but it exists there too.

I point this out not to let hip hop off the hook, but to make sure we’re considering the issue holistically as well. We must address the issues in hip hop, but we must also address the issues in homes, schools, runways, churches, movie screens, magazines, boardrooms, and wherever else it needs addressing.

8) Although colorism in hip hop may seem overwhelming, we must continue to speak and act against it.

Social progress through out history shows us that change is slow, painful, and contentious. Some of us may not live long enough to see the full fruits of our labor, but we must labor anyhow.

Let’s be critical consumers and spread media literacy. Let’s create and and appreciate more constructive images of diversity. We don’t have to ban hip hop altogether, but let’s be real about the problems that exist within its culture.

The Epidemic of Skin Bleaching Around the World

Personal preferences. Individual lifestyle choices. Freedom… Those are some of the things people call upon to explain and justify their indifference about the things other people do. When we talk about something like skin bleaching around the world, they say it’s no different than pale people getting tans. Well, they’re right about that. Tanning and bleaching are very similar in that both can be deadly, especially for those who can’t afford vetted, high-quality bleaches. Of course most people survive these practices, but not without long-term damage to their skin and overall health. There’s also the literal cost of skin bleaching. People continue to exploit colorism and racism for profit. So, I ask: Fair skin at what cost?

nadinola lightening cream

Harmful Effects of Skin Bleaching

The source of danger when tanning, of course, is overexposure to UV rays. The source of danger when bleaching is overexposure to certain chemicals.

Throughout history, among different groups of people, and in various places around the globe, people have created a myriad of concoctions that supposedly lighten the skin. In Europe, certain whitening cosmetics once contained white lead which could cause symptoms as serious as blindness or paralysis (Blay, 2011, p. 21). In addition to lead, many skin whiteners around the world use corticosteroids, hydroquinone, and mercury. Extended exposure to these chemicals (like lathering it on one’s skin on a daily basis) can have harmful effects such as neurological damage, kidney disease, ochronosis, eczema, bacterial and fungal infections, skin atrophy, and Cushing’s Syndrome (Glenn, 2008, p. 285).

Join the Colorism Healing Mailing List

* indicates required



What’s worse? Once exposed to some of these chemicals, the body forms a type of dependency, making it difficult to stop using the product because of adverse reactions when you do. Afua Hirsch (2012) quotes Dr Fatou Fall, a dermatologist from the Institute of Social Hygiene in Dakar: “Even when they discover the side-effects and want to stop using the creams, they find they cannot stop. It’s only when you stop that the skin changes and begins to become completely burned” (para. 12).

Artificially fair skin is costing people their health, but in many cases it also costs them the very thing they were so desperate to attain—confidence.

You might shrug it off. So what if they want to engage in self-destructive behavior? So what if a few people choose to take the risk of doing permanent damage to themselves?

Well, it’s a whole lot more than a few, and it’s not just “those people.”

Fair Skin has Another Cost

Large numbers of people in every region of the world use some type of skin lightning product. Some countries may not have much use for the stuff, but they’re nonetheless in the business of manufacturing it. The issue of skin bleaching, therefore, is not about “them.” It’s about us. 

With the rise of the internet, the world players in the skin bleaching market have become even more connected. Companies have new inroads for marketing and distribution, and consumers have greater access to information and products (Glenn, 2008, p. 283). This is one reason why I’m such an advocate for using the internet as a means of counteracting, the obsession with lighter skin. Hence this blog and others like Dark is Beautiful, which is based in India.

Evelyn Glenn (2008) writes about how skin lightening is “interwoven into the world economic system and its transnational circuits of products, capital, culture, and people” and about the “media and messages, cultural themes and symbols, used to create the desire for skin lightening products” (p. 282). These products are manufactured in some countries and exported or smuggled into others. The media messages are conceived and created by a few individuals and are projected throughout the world. In fact, Distribution of mercury soap has been illegal in the EU since 1989, but it’s manufacture has remained legal as long as the product is exported” (p. 285).

To be blunt, I interpret this type of legislation as race- or ethnicity-based capitalism. If it were merely capitalism, then they would allow the mercury soap to be sold anywhere, including Europe. However, the governments and the manufacturers in those countries know the dangers of mercury and want to protect their own people, but are quite willing to make a profit at the expense of people’s health in other nations.

According to Glenn (2008), “the desire for lighter skin and the use of skin bleaches is accelerating in places where modernization and the influence of western capitalism and culture are most prominent” (p. 295).

And so, the new face of imperialism can be seen in magazines, on billboards, and on Movie, TV, and computer screens around the globe. The skin bleaching market is similar to colonialism in that the promotion of white superiority allows a few powerful and wealthy groups to become increasingly wealthy and powerful at the cost of masses of other people.

In 2012, Indians reportedly consumed an estimated 233 tonnes of bleaching products (Rajesh, 2013), and in terms of sheer numbers, Indians make up the largest skin bleaching market. In some African cities, as many as 52-77% of women use skin lighteners. A Synovate market survey in 2004 showed that 50% of respondents in the Philippines reported using skin lighteners. In places like Japan, China, Taiwan, and Korea, global surveys report that 20-50% of the of respondents had used skin bleaches and that 20-50% would use more if they could afford it. Mercury laden creams are still widely available in parts of Latin America, and in the U.S. women of all races, including Europeans and whites, have long legacies of skin whitening or lightening. (Glenn, 2008, pp. 284-295). And these indicators probably underestimate the practice of skin bleaching around the globe.

I present this information for people who might’ve thought skin bleaching was an isolated, marginal problem in limited places. It’s not. I reiterate that skin bleaching is a global issue with well-known roots.

The Roots of Skin Bleaching Around the World

One piece of research that shifted the way I think about white supremacy in general and skin bleaching in particular is that the practice actually began in Europe among the Europeans themselves (as opposed to immigrants from Southern nations). According to Dr. Yaba Blay (2011), “much of the history of European aesthetic practices is a history of whitening skin” (p. 20). Because of Queen Elizabeth I’s efforts to make her skin appear ghostly white, nearly transparent, extremely pale skin became known as the “Elizabethan ideal of beauty.” This ideal and practice of skin whitening was carried over to the Americas by female European settlers (p. 21).

This information supports the idea that skin bleaching is an issue that affects everyone. It shows that white supremacy even negatively affects white people. It shows that any ideal of physical beauty is arbitrary, unattainable, and downright foolish. But back to the history of it all.

The most basic and effective propaganda was founded on the dichotomy of white vs. black and light vs. dark, probably because they were and still are viewed as pure opposites in many cultures. Glenn (2008) explains that, “In Southern Africa, colorism is just one of the negative inheritances of European colonialism. The ideology of white supremacy that European colonists brought included the association of blackness with primitiveness, lack of civilization, unrestrained sexuality, pollution, and dirt” (p. 284). This was an effective type of messaging against black people around the world, but also effective for any group of darker skinned or brown people.

In desperate attempts to escape these negative associations, to escape various forms of discrimination, and to escape other concrete forms of oppression, people try to attain “light-skinned priviliege” in various ways, skin bleaching being one of them (p. 282).Blay (2011) lists the most common reasons that Ghanian and Tanzanian women give for using skin lighteners, including:

  • to remove blemishes and imperfections and to counteract effects of the sun
  • to appear and feel clean
  • to appear white, European, and “beautiful”
  • to please a partner, grab attention, or attract potential mates
  • to impress peers, appear sophisticated and modern, and gain economic and social mobility. (p. 22)

Among some African American women who participate in internet forums, the goal is to have light skin not white skin. They also state the desire to even out skin tone, remove blemishes, or to be two or three shades lighter like many American celebrities such as Halle Berry or Beyonce (Glenn, 2008, p. 288).

Young Filipinas who participate in such internet forums are similar in that they don’t look to white Europeans and Americans as the ideal. They see Japanese and Koreans as having the desirable skin tone, or “Spanish-  or Chinese-appearing (and light-skinned) Filipina celebrities, such as Michelle Reis, Sharon Kuneta, or Claudine Baretto” (Glenn, 2008, p. 291).

As I stated before, imperialism continues in a more high-tech and glamorous fashion, but it’s still the basic practice of presenting one thing as the ideal, so that you can capitalize off of people trying to attain that ideal.

Historians and anthropologists have disagreed about whether world cultures favored lighter skin tones before European colonialism, but the obvious source of large scale skin bleaching around the world today is  a form of global capitalism that exploits the historic ideology of white superiority.

Read Next: What can We Do About Skin Bleaching Around the World?


References

Blay, Y. A. (2011, June). Skin Bleaching and Global White Supremacy:By Way of Introduction. The Journal of Pan African Studies4(4), 4-46.

Glenn, E. N. (2008, April). Yearning for Lightness Transnational Circuits in the Marketing and Consumption of Skin Lighteners. Gender & Society22(3), 281-302.

Hirsch, A. (2012). The Guardian.

Rajesh, M. (2013). The Guardian.

Colorism in the Media Affects Women and Men Differently

Standing in the lobby of a movie theatre near my home, preparing to see the blockbuster hit The Butler, I noticed a movie poster for the upcoming movie Baggage Claim. The poster was a perfect example of how colorism in the media affects women and men differently.

Though this has been blatant for years (see my fave example, Coming to America), the idea was fresh on my mind because I’d recently read this post by Anti-Intellect where he writes:

“In the minds of many Blacks who have embraced white supremacist thinking, light skinned Black women represent both idealized beauty and femininity, and therefore are always “in style”…. We are much more comfortable with dark skinned men than we are with dark skinned women. A dark skinned man can be seen as macho, rugged, rough; all things affirming to his masculinity, and therefore appealing in the eyes of Black men and women.”

Above Anti-Intellect’s post is a picture of Idris Elba with the caption, “no female equivalent,” meaning that for all of the dark skinned male actors lauded for their physical beauty, there’s no dark skinned female actress with the same status.  Of course we can all point to Gabrielle Union as the exception, but that lone example isn’t enough to prove that all is equitable.

In the most basic terms, none of the four women on the Baggage Claim movie poster were darker than a paper bag, and all but one of the men were. In fact, most of the men on the poster are known for their very dark “chocolate” skin.

The primary female characters are Jill Scott, La La Anthony, Tia Mowry, and the lead character is Paula Patton. The male characters, however, are Borris Kodjoe, Trey Songz, Taye Diggs, Derek Luke, and Djimon Hounsou. If you’re familiar with the actors, you should already be able to see the stark contrast between male and female characters. If not, here’s the poster:

Baggage-Claim-Movie-Poster Colorism in the Media affects women and men differently

Again, this isn’t an issue specific to this movie. It’s simply the standard in Hollywood. In fact, one of the most respected and successful male actors of all time, who happens to be dark skinned, made statements that affirm colorism as the norm in Hollywood.

Denzel Washington revealed in a roundtable with The Hollywood Reporter the advice he gives to his daughter, who’s an aspiring actress at NYU:

“I tell my daughter: ‘You’re black, you’re a woman, and you’re dark skinned at that. So you have to be a triple, quadruple threat…. Look at Viola Davis. That’s who you want to be. You want to be her. Forget about the little pretty girls because … if you’re relying on that, when you hit 40, you’re out the door. You better have some chops.'”

The male actors in this roundtable seem to mostly agree that Hollywood is tougher for women in general, regardless of race or skin tone. But that’s no surprise because Hollywood reflects the patriarchy that most of the world has been built on. And in such a world, it also makes sense that colorism would affect women and men differently.

Many people have spoken and written about the excessive pressure put on women to be physically attractive according to mainstream standards, while men experience that pressure a whole lot less.

According to The Mastercopy, other successful men in the media recognize the double standard as well:

“Speaking about the inspiration behind [‘Crooked Smile’] J. Cole admitted that he has received nasty comments about his looks to the point where they have played on his mind, but he said that as a male artist, he is only under a small amount of pressure when compared to his female counterparts.

‘I feel sorry for women in the music business. It’s not designed for the best talents to rise up. It has to be a combination of talent and what’s considered beauty.  Women in life period, I don’t understand how they can deal with all the pressures…

‘As a man I don’t have to do anything. I can throw on a t-shirt and some pants.  I still have pressure, … but nothing compared to what a woman has to go through. Its like a cycle, a female artist doing that makes the girl at home feel like she has to spend her time doing the same.'”

Speaking of rappers, even though J. Cole has recently said that his lighter skin may have contributed to his success, there’s no doubt that the music industry is also more comfortable with dark skinned men than dark skinned women.The masculine, rugged, and macho associations with dark skin are extremely helpful in the careers of dark skinned male Hip-Hop artists like Tyrese, Rick Ross, Lil’ Wayne, Akon, and 2 Chainz, just to give a tiny sampling  of the many successful dark skinned men in music throughout the years. There’s a new one jumping on the scene all the time. Meanwhile, we cling to the too few examples of dark skinned women who’ve reached similar levels of popularity (Kelly Rowland, Fantasia, Estelle, India Arie?). Ironically, most of these dark skinned men are the primary perpetrators of colorism against dark skinned women in the media.

So what? What does this mean?

For me it means that it’s necessary to focus attention on bringing more positive images of dark skinned women and girls and helping dark girls create a positive self-image and self-esteem. We know that boys are not impervious, but at least they have their maleness working for them in a society still struggling to shake loose the foot of patriarchy from our necks.

Opposing Colorism in Hip Hop Videos

While Hip Hop has many other problems (drugs, violence, homophobia, sexism, etc.), its standard of female beauty has long been a hot topic. Regardless of what we think about Hip Hop in general, it’s been labeled as part of the colorism problem; therefore, I think we should include Hip Hop in discussions about colorism remedies. In this post, I’ve been inspired by a particular artist to discuss opposing colorism in Hip Hop videos.

Music videos is one of the first issues brought up in discussions about colorism in America. This is an obvious place to start when you consider Hip Hop’s ubiquity and massive influence around the globe along with its infatuation with light skinned females and sometimes outright disdain for dark skinned females.

Most rappers and singers either proudly own their prejudices or make excuses and blame casting directors and modeling agencies. You’ll often hear them say, “That’s just the way it is.” or “There aren’t any dark skinned girls to choose from.”

There’s one young artist, however, who exposes the truth. Artists are not helpless. They can exercise control over their videos if they want to.

Kendrick Lamar made the conscious choice to replace a lighter skinned leading lady with a darker skinned leading lady for his “Poetic Justice” music video released several months ago. Lamar discussed his decision in an interview with Miss Info and reemphasized later on twitter that he doesn’t have a preference for any skin tone, but he’d always noticed there was disparity in casting and that he wanted to create some balance and promote equality.

kendrick lamar twitter screen shot kendrick lamar twitter screen shot 2

So, Lamar has set an example, a rather courageous one. Not only did he make the choice on set, but he spoke about it openly and explained what he did and why, which is as important for opposing colorism in Hip Hop videos as the casting itself.

I’d be surprised if this brand of activism ever catches on the way more frivolous Hip Hop fads do, but it could. This is a start. It’s something.

I’m sure that even if casting improves, many will still choose not to watch certain music videos for other reasons, and I don’t blame them. But we can’t deny the fact that millions of children and youth watch these videos every day and are thus constantly subjected to the latent message that certain skin tones, hair textures, and features are unworthy of being seen, while others are the “gold” standard.

So whether or not we personally watch Hip Hop videos or allow our children to, it’s a medium that we must address if we’re going to fight colorism on a global scale.

Kendrick Lamar shows us that the industry is not utterly impenetrable. If fans and paying customers continue to support artists like Lamar who do the right thing on any number of issues, and (dare I say it?) curtail their fanaticism and support for artists who promote “light supremacy,” we might be able to make some progress. 

5 Reasons To Talk About Colorism

Deep breath. I’ve procrastinated on this one while I cultivate the courage to write it. Yes, I want to talk about colorism. As I type this around 11:11 pm, I’m sending my mom the following text message:

“It helps to talk about it. I’ve kept a lot of pain to myself throughout my life and that silence hasn’t helped the pain go away. Talking about it validates [my experience and] validates how I feel.”

I know what you might be thinking. I shouldn’t be seeking “external” validation, right? That’s easy to say at the intellectual level, when we’re removing ourselves from the situation. However, when dealing with chronic pain rooted in childhood memories, when in the midst of a deeply hurtful condition, it’s nice to know we’re not crazy, not making things up, not projecting, not being “too sensitive,” not imagining things. We’re human. We need connection with other humans. That requires a level of human empathy. We don’t have to achieve this with everyone, but at various points in our lives we need it.

Honestly,  if you’ve ever brushed your teeth, combed your hair, ironed your clothes, made sure your outfit matched, applied for a job, held down a job, earned money, spent money, agreed that the sky is blue and the grass is green, opened your mouth to communicate, raised your hand in a classroom or audience, felt offended, held a door open for someone, had a boyfriend or girlfriend, or used a telephone, you were using/seeking/giving external validation. Validation is such an indispensable part of our existence that it’s an unconscious operation, which is why some of us are delusional/self-righteous enough to think we’re above it.

The key is understanding that we don’t need validation for everything or from everyone. We need balance.

Back to the text message I sent, the act of communicating is also a sign of selfvalidation. We often remain silent because we’re unsure [of] ourselves. Either way, we need validation from ourselves and sometimes from others, and we need to break the silence.

The validation debate relates to an earlier post: 5 Reasons I  haven’t Said Much About Colorism… Yet. Here are two of those reasons paraphrased:

    • People often have the attitude that “If you love yourself, you wouldn’t make it an issue.” I didn’t want to be perceived as not loving myself, so I kept quiet.
    • People often use cliché affirmations as a way of dismissing the issue, such as “You have to know you’re beautiful no matter what anyone else thinks.”

These attitudes are an acceptance of the status quo. They are not used to ease painful realities, they’re used to avoid them all together.

So why will I talk about colorism now? I’m writing this because:

1) I’m tired of being afraid to shout, “Ouch! That hurts.”

Humans are hardwired to feel pain. Pain is either a sign that something is wrong or that something is growing and stretching. Anyone who denies their pain denies their humanity and will probably stay in pain. Let’s not remain in pain.

2) We need to “call people on their stuff.” 

Iyanla Vanzant insisted on this at the Essence Music Festival. So I’m calling the black community out on its colorism. It’s not every individual, but it’s way too many. Whether we show colorism intentionally or not, consciously or not, we need to stop sooner than later.

3) Some young person might need a framework and context for their experience other than, “You’re wrong to even feel that way.” 

I’m not saying my framework is the only framework that works, but it’s more than I had growing up. I had to seek and construct one for myself, piecing together ancient ancestor wisdom. I just want to offer what took me too long to find, so that some child can have peace and joy sooner than I did. Perhaps they won’t ever have to lose the peace and joy in the first place.

4) More than just dark-skinned people can benefit from this type of discussion.

Pain knows no color, empowerment is contagious, and courage can improve anyone’s life. When light-skinned people better understand colorism, they can better understand the dynamics of their everyday interactions. We talk about white privilege, but there’s also light skin privilege. I also know that some black girls take out their anger on other black girls. As Angela Davis says in her autobiography: “It hurt to see us folding in on ourselves, using ourselves as whipping posts because we did not yet know how to struggle against the real cause of our misery.” (This quote inspired one of my best poems.)

5) Colorism is more than who’s pretty and who’s not.

Colorism also judges the overall value of an individual to the point that dark-skinned people are perceived as “bad,” less intelligent, less talented, less professional, more dangerous, etc. (Read Queen Sheba’s story.) Thus the consequences are more severe than they appear on the surface. Researchers have done several studies on the tangible effects of colorism, such as colorism in the “justice” system. It amounts to more than just hurt feelings, although feelings are valid enough.

So, let’s speak up. Let’s talk about it. What do you have to say?