How to Be an Ally

how to be an ally

This was by far one of my favorite live Wednesday Workshops because I was joined by my sister, Dr. Jandel Crutchfield, to discuss colorism, privilege, and how to be an ally.

Dr. Crutchfield is an Assistant Professor in the School of Social work at the University of Texas at Arlington. She focuses on school social work and recently got awarded a Million dollar grant to help students with disabilities. Before her career switch to academia, Dr. Crutchfield worked as a licensed social worker and counselor in a variety of setting and institutions.

As sisters, growing up in the same household, and having the same mother and the same father (because people often assume we’re half sisters, itself a colorist assumption) we have lots of memories. We have done a couple of interviews before, one written interview and one video interview.

how to be an ally with dr. crutchfield holding up a black power first next to dr. webb both wearing masks due to COVID-19
Dr. Jandel Crutchfield
and Dr. Sarah L. Webb

In many of those interviews, we touch on privilege and allyship, but we wanted to specifically and explicitly address it in this workshop because of the increased attention to the need for allyship during the Black Lives Matter Movement.

We define and ask the audience to define privilege and allyship, and offer our own definitions. Dr. Crutchfield defines allyship as being willing to put your body on the line for the benefit of marginalized groups. This includes physical time, space, money, and effort. As I say, there must be some risk involved, otherwise it’s merely performative allyship.

For the rest of this discussion, I point you to the podcast or YouTube video below. There conversation there was way more interesting than I can transcribe here.

Homework: Identify an area of privilege you have, and do one act of allyship today!

Affirmation: I have the power to play a positive role in someone’s life today!

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Gender and Colorism

gender and colorism featured image sarah webb smiling at the camera wearing olive green shirt

This Wednesday Workshop is the first follow-up to my introductory session on intersectionality. This week I provide some historical context to the specific intersection of gender and colorism and identify how this intersection plays out systemically and interpersonally. I default to the American (United States in particular) context, but as I briefly mention in the recording, this can apply to other cultural contexts as well.

Overarching Systems of Oppression

Color is an intersection of gender. Gender is an intersection of color.

There are three primary systems that apply pressure to this interection:

  • Patriarchy– A vast system designed to maintain male dominance and power socially, sexually, economically, politically, etc.
  • Misogyny– Defined as hatred for women, but “hatred” might be too strong a word for many people. Misogyny most often shows up as a negative bias against women and things associated with women, femaleness, or femininity. Quite often, though, misogyny is expressed as outright, explicit hatred. This culture of misogyny sustains patriarchy.
  • White Supremacy– I don’t bother making a distinction between colorism and white supremacy (though I do distinguish between racism and colorism!). Phenotype is a big factor in classifying who is white and who isn’t.

Historical Roots of How Gender and Colorism Interact

The broad white supremacist and antiblack cultural beliefs that have been entrenched over centuries in many Western or colonized societies are structured as follows:

The human ideal was white (man). The foil used as leverage to support this premise was the positioning of black (woman) as the extreme opposite, as subhuman. So not only, according to the established social hierarchy, were white men positioned as the ideal human, but black women were simultaneously positioned as less than human. At one point in the united states, this was quantified as black people being 3/5 human so that land-owning white men in Southern states could have more political power in government.

White men were positioned as the pinnacle of humanity for their supposedly superior intelligence, civilization, morals, leadership etc. White women were positioned as the pinnacle of female humanity. They were the models of feminine ideals of beauty, morals, purity, virtue, innocence, intelligence, civilization, delicateness, etc.

Black men were seen as unintelligent, uncivilized, amoral, deviant brutes. But the association with brutishness also made them recognized (stereotyped) for their physical dominance, athletic abilities, etc. In contexts where this is prized, we see a high degree of representation and acceptance of dark-skinned black men: sports, security, disciplinarians, etc. However, this stereotype of physical dominance combined with the perception of amoral, deviant, uncivilized brutishness positions black men as the ultimate criminal threat.

Unlike the dichotomy between white men and white women, there was no distinction given between black men and black women. Black women were perceived in exactly the same ways as black men. Therefore they were perceived as masculine, unintelligent, amoral, deviant, criminally inclined, brutish, physically dominant (strong), etc. Therefore, black women are susceptible to the same dangers as black men: higher rates of policing and disciplining, excessively penalized, inequitable punitive measures, etc. However, because they are women, they do not socially benefit from perceptions of masculinity the way dark-skinned men do. The association of dark-skin with masculinity and strength often benefits dark-skinned men socially, but it deeply marginalizes dark-skinned black women, and often makes them the targets of more violence and punishment. It also discourages people from helping black women, from coming to our aid, standing up for us, etc.

This stereotype of dark-skinned black women also makes us less desirable in heteronormative romances and marriages. Dark-skinned black women are less than half as likely to be married compared to white women and light-skinned women (23% vs. 50-55%). For the sake of time, I won’t go into the impact this has on the socioeconomic outcomes of women, but just know that it’s not just a matter of “being chosen.” This lack of interest in dark-skinned black women as romantic or marriage partners coupled with the stereotype that dark-skinned women are stronger, more sexually deviant and available, etc. results in a high degree of sexual exploitation and violence such as rape. Because of the stereotypes, however, it’s often not even perceived as exploitation or violence against us. People are more likely to condone this violence when it is perpetrated against dark-skinned women and girls.

Light-skinned black men and women benefit socially and systemically from perceptions that they are closer to whiteness and therefore more intelligent, professional, moral, etc. than dark-skinned black men and women. We see this manifest in trends of employment, income, schooling, sentencing for crimes, etc. Although many light-skinned men report being negatively stereotyped as not masculine enough, this is only a negative because of our patriarchal and misogynistic culture that demands men be “masculine” and that defines masculinity in such narrow and oppressive ways.

Although light-skinned women benefit in the romance/marriage market, they have also historically been sexually exploited and raped due to the fetishization of both white and black men. A difference, however, is that because light-skinned women are perceived as being softer, more civilized, more feminine, more beautiful, etc. they benefit from receiving more empathy from others.

There’s still far more to say about this topic, but this is where I leave it for now. I will return to it again because gender dynamics in our culture have so much to do with our experiences of colorism. This was an important start, though, and as always, I leave you with homework.

Homework: 1) Take the Harvard Implicit Association Test on Color (and any other topic of interest!). 2) Begin to de-colonize your mind in small ways (consume different images, educate people who use anti-black rhetoric (or distance yourselves from them), etc.

Affirmation: We are capable and powerful enough to bring about meaningful change. Don’t let cynicism hold you back!

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Intersectionality and Colorism

intersectionality and colorism

Kimberlé Crenshaw presented the concept of Intersectionality in 1989 as a way to talk about violence against Black women and other women of color. See Crenshaw’s TED talk if you want more context.

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Intersectionality refers to the multiple forces or sources of inequality and marginalization that compound and add layers to how people experience violence and oppression.

Colorism is intersectional.

We all have a socially-constructed racial designation AND a biological skin tone. Race and color should not be conflated or used synonymously, as we too often do. Using the word color to describe race is actually racist and hides or obscures the reality of colorism.

Our complexion also intersects with other forms of identity like gender, class, and ethnicity, and with other physical features like hair texture and eye color.

We usually have at least one focus of identity that matters more to us for various reasons, or that we feel most potently, or that impacts us most often and most overtly.

Q: Which of your identities is most significant for your right now? Why? Has that changed over time? Why?

Intersectionality and Privilege

colorism speaker promo

It’s important to note that intersectionality can also be applied to privilege.

You don’t have to be aware of your privilege to have privilege, just like you don’t have to be consciously aware of your oppression to be oppressed.

That includes things like implicit bias (unconscious biases); systems of oppression and privileges that have been intentionally hidden, obscured, disguised, and burried; and individual actions that are anonymous or secret or simply unknown.

Unfortunately, these myriad nuances are sometimes used as ammunition to gaslight those who speak out about colorism and other issues. Perpetrators will say, for example: “Well, I’m dark-skinned, and I was never discriminated against.”

It’s important to consider other intersections of your identity–like class, culture, and hair texture–that may have shifted your experiences of colorism or the apparent lack of such experiences.

Homework: Map out your own intersections of identity. Identify where you can be an ally, and where you need advocacy.

Affirmation: I am a multifaceted being, and I accept and embrace all of who I am.

What is Melanin? and Why’s it Poppin?

#Melanin #MelaninPoppin #MelaninOnFleek But just what is melanin anyway?

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Yes, this week’s Weekly Word is “Melanin.”

I recently taught a course at the University of Illinois Springfield called #Melanin: International Perspectives on Skin tone. I thought, as an African American woman, that the term melanin was very common, that the average, everyday citizen knew what melanin was. But then my students asked me in the first week: What is melanin?

Then I realized that not everyone is as versed in that discourse community as I had thought. It’s possible that knowledge and use of the word melanin is more common in communities that have more melanin.

So what is melanin, exactly?

I’m not a scientist or a biologist, by any means. But I do like words, and I like sharing new vocabulary. So I’m going to try to help explain as best as I can.

colorism healing bookstore

Melanin is a chemical produced in our body by cells called melanocytes. Melanocytes are cells that exist on the lowest layer of our skin. Melanin is one of the most important, though not the only factor, in determining our skin color.

Melanin, however, is not just about the color of our skin, it’s also about protecting our skin from the UV (ultraviolet) rays that we get from the sun. And since it’s melanin’s job to protect us from the sun, we tend to produce more when we have more exposure to the sun. That’s why people look tan, or their skin complexion looks darker when they’ve been out on the beach on a sunny day for a long time, because the body will produce more in order to provide more protection in that situation where it’s getting more sunlight.

While most people have about the same amount of melanocyte cells, not everyone’s cells produce the same amount of the chemical melanin. That’s why we have such varying distinctions in skin tone.

So the key thing to remember about melanin is that the more you have, the darker your skin. The less, the lighter.

So now that we understand the biological definition of melanin, I want to talk about why melanin is poppin. Why exactly is it “on fleek”? I know that’s an outdated term at this point, but I still remember those hashtags, and they are dear to my heart (#MelaninMonday #MightyMelanin).

The reason I think people started coming up with these affirming hashtags, statements, and phrases is because people with more of this magic chemical (aka people who have darker skin0 have typically been stigmatized throughout the world.

This is what we call colorism.

colorism speaker promo

Perhaps for many people, knowing the biology behind their skin tone helped them to stand proudly in their darker, browner skin in a world that tends to marginalize people of those complexions.

I also think knowing the beneficial nature of melanin also helped people to affirm their skin tones. Knowing that their darker complexions was actually their body’s way of protecting them and offering them shielding from harmful sun rays was a celebratory thing. Referring to our skin tone by using the biological term was perhaps a way for us to see the privilege of being darker skinned.

And when people say it’s “poppin” or “on fleek” or it’s glistening or it’s glowing or whatever other positive terms we want to use for that deliciously brown complexion, we think about how our skin color does glow or glisten in the sun. Or how our skin tone does make certain colors “pop.” Melanin does that.

So there you have it folks. That is the biological definition of melanin and also the social use of the term.

So for all the young people out there who might have once thought their skin was a curse or some kind of disadvantage, we now can see our skin color as biological magic.

#MelaninMagic

30 Writing Prompts on Colorism

Since I’m a writer, and a writing professor, and I host the Colorism Healing Writing Contest, I thought I’d offer some writing inspiration for those interested in the contest or simply exploring the topic for themselves. I’ve created 30 writing prompts to get you through a month-ish of writing.

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Whether or not you choose to share your writing or enter the contest, I believe these writing exercises can be productive by merely engaging with them.

I’ve been leading several in-person writing workshops lately. Seeing the effect of engaging in reflective writing as a tool for contemplating colorism inspired me to offer this practice to my comrades near and far. Online community, this is for you!

Please enjoy these 30 prompts to help you explore colorism! Let me know which ones you like best.

List of Writing Prompts:

1- If my skin could speak for itself . . .

2- I remember . . .

3- Respond to the song “Four Women” by Nina Simone:

“Four Women” Lyrics

My skin is black
My arms are long
My hair is woolly
My back is strong
Strong enough to take the pain
inflicted again and again
What do they call me
My name is AUNT SARAH
My name is Aunt Sarah

My skin is yellow
My hair is long
Between two worlds
I do belong
My father was rich and white
He forced my mother late one night
What do they call me
My name is SAFFRONIA
My name is Saffronia

My skin is tan
My hair is fine
My hips invite you
my mouth like wine
Whose little girl am I?
Anyone who has money to buy
What do they call me
My name is SWEET THING
My name is Sweet Thing

My skin is brown
my manner is tough
I’ll kill the first mother I see
my life has been too rough
I’m awfully bitter these days
because my parents were slaves
What do they call me
My name is PEACHES

4- Many black magazines during the early & mid 1900s featured bleaching cream ads like this one. Write a “Letter to the Editor” of one of these magazines responding to the presence of this ad.

5- Consider all of your features. Colorism often influences our attitudes about hair texture, eye color, and the size and shape of noses and lips.

6- Respond to the following quote by Malcolm X: “It’s imagery. They use their ability to create images, and then they use these images that they’ve created to mislead the people. Those who oppress know that you can’t make a person hate the root without making them hate the tree. And since we all originated in Africa, you can’t make us hate Africa without making us hate ourselves. And they did this very skillfully. And what was the result? They ended up with 22 million Black people here in America who hated everything about us that was African. We hated the African characteristics. We hated our hair. We hated our nose, the shape of our nose, and the shape of our lips, the color of our skin.”

7- Dear past/future self . . .

8- What _____ taught me about complexion . . . (or hair or facial features)

9- PROBLEM: Colorism. SOLUTION: ? ? ?

10- Write an analysis of this magazine cover. What messages are implied by this combination of words and images? Why is the fact that this cover was published in 1966 a significant detail? What was happening in the U.S. or the world at this time? What does it mean that this cover was published by Ebony magazine?

11- Respond to the song “Cloud 9” by Donnie:

“Cloud 9” Lyrics

We live from the head down and not the feet up
And I’m adorned with the crown that’s making this up
And I’m fine…fine…under Cloud 9
Yes I wear the lamb’s wool, the feet of burned brass
And the wool defies gravity like the nature of a gas
And I’m fine…fine…under Cloud 9

Twist my cloud and it rains
And when it rains, oh it pours
And the energy will absorb
Power for the metaphysical one

Happy to be nappy, I’m black and I’m proud
That I have been chosen to wear the conscious cloud
And I’m fine…fine…under Cloud 9
I be a chameleon and wear it bone straight
But it’s so much stronger when it’s in its natural state
And I’m fine…fine…under Cloud 9

We live from the head down and not the feet up
And I’m adorned with the crown that’s making this up
And I’m fine…fine, I’m so fine…under Cloud 9

Twist my cloud and it rains
And when it rains, oh it pours
Twist it and it rains
And when it rains, oh it pours
Twist my cloud and it rains
When it rains, oh it pours
Twist my cloud and it rains
Twist it…twist it, twist it
Twist it, a-hey…a-hey…yeah, yeah, yeah
Yeah, yeah…yeah
Twist my cloud and it rains
Twist it and it rains

Don’t you let…them tell you
Tell you…you ca-a-an’t
You…ca-a-an’t

Don’t you…let them
Tell you…that you
You’re ugly
Or you’re not…
Who you’re not…
You don’t…fit in
But be proud of your Cloud, yeah
Be proud of your Cloud

12- Use the poem “Contrast” by Marielle R. Medina to inspire your own piece of writing about how two people experience the world differently based on how they look.

13- Dear . . . Write a letter to someone from your past who played an important role in your experiences with colorism, whether an ally or an antagonist or a complicated mix of both.

14- Art History Contemplation: Describe what you see in the painting “Free Women of Color With their Children and Servants” by Agostino Brunias c. late 1700s. What historical reality is it depicting? Why do historical artifacts like this one matter when addressing colorism? How do you think this aspect of history influences present day issues of colorism?

15- Where is my privilege? Yes, it exists. We ALL have it. Some more than others. No matter your skin tone, reflect on the ways your complexion and/or other aspects of your physical appearance, ethnicity, or cultural background benefit you.

16- Respond to this quote by Bill Duke (creator of Dark Girls): “What it comes down to is pain that is deeply held by children, and they don’t discuss it because they feel they’re going to be ridiculed by discussing it. So, we’re giving a voice to that discussion. The reason we think that dialogue is important is because it’s the beginning of healing. If you hold things and you don’t discuss it, it does bad things to the human body, psyche, everything.” Write About: pain you’ve experienced as a child, pain you witness in other children, the fear of speaking about colorism, the demand for silence around colorism, breaking the silence around colorism.

17- Write a response to the following research studies:

Matthew S. Harrison & Kecia M. Thomas (2009): “The findings suggest that skin tone plays a considerable role in the favorability of a Black applicant; indicating that skin color is more salient and regarded more highly than one’s educational background and prior work experience.”

Kimberly Kahn and Paul Davies (2010): “confirmed that high stereotypical (HS) Black targets (i.e., those with darker skin, broader noses and fuller lips) elicited stronger implicit bias in split-second “shoot/don’t shoot” situations than low stereotypical (LS) Black targets or White targets. The implications for policing are discussed.”

Viglione, J., Hannon, L., & DeFina, R. (2011): found that in North Carolina between 1995 and 2009, light skinned black women received more lenient prison sentences and served less time in jail.

Hannon, L., DeFina, R., & Bruch, S (2013): reported that very dark-skinned black girls are 3x more likely to be suspended from school than very light-skinned black girls, and for boys and girls alike, darker skin correlates with higher suspension rates.

18- Whether it’s sunny or rainy, GO OUT and FEEL NATURE on your SKIN. Then Write About: Joy. Peace. Love. Happiness. Confidence. Passion. Awe.

19- Know that it is okay to talk about and write about: Hurt. Sadness. Pain. Anger. Mourning. Loss. Fear. Loneliness. Shame. You are not “weak” because you feel these things. You are simply HUMAN. Facing these emotions and addressing them directly is actually a sign of STRENGTH, COURAGE, and BRAVERY, not a sign of weakness.

20- Accept and Honor the Process. My analogy for the healing process is a SPIRAL STAIRCASE. It can seem like we’re going in circles. But each time we come back around we are able to view our situation from a higher plane, a higher state of consciousness. And healing requires effort and persistence, right? Rarely is it ever achieved in a single leap. Also, it’s okay to rest, take breaks, slow down, pace yourself, or even sprint if you have a boost. So, yeah. Write about your healing process. Accept and honor wherever you are, wherever you’ve been, wherever you intend to go. (p.s. embrace the writing process too!)

21- Celebrate Growth and Progress! Write an ODE to your GROWTH.

22- What’s your hair story?

23- I’ve never said this to anyone before, but . . .

24- How have I been part of the problem and/or the solution?

25- Keep Writing: Take the last line or sentence (or any line/phrase) from something you’ve previously written, and make it the first line of a new piece of writing.

26- ReVision: Take an existing piece of your writing and cut 30% of it. (p.s. I know that’s scary! But you can save the original draft just in case 😉

27- SHARE! Let someone else read your writing. Ask for feedback about the content or the craft. Or not.

28- PERFORM! Read your writing OUT LOUD to yourself or to others. See how it feels. See what you learn about your writing.

29- What would you say to yourself about colorism if you only had 30 seconds?

30- SUBMIT YOUR WRITING to the 2018 Colorism Healing Writing Contest! You might decide that entering a contest is not for you. However, if you’re hesitating out of fear or shyness or self-doubt, I challenge you to practice a little courage today. Be brave. Take a risk. You will survive. And practicing the skill of courage is the best way to thrive!

Why We Need the Loving Movie in 2016

A few days ago, as part of the Blogging While Brown conference in DC, I got to participate in a preview and discussion about the upcoming Loving movie. Ruth Negga, who stars in the leading role as Mildred Loving, also Skyped in from London to do a live interview with us.

There’s still a surprising number of people who have never heard the history of Mildred and Richard Loving, despite its significance in the Civil Rights legacy. Mildred, a black woman, and Richard, a white man, were arrested in Virginia in 1958 for being in an interracial marriage. They sued and took their case all the way to the U.S. Supreme Court and won, helping to strike down anti-miscegenation laws across the country.

Over the years some have questioned the significance of the Loving v. Virginia court case, but I think it’s important for us to recognize the interconnectedness of marriage and “white supremacist capitalist patriarchy” (bell hooks) here in the United States. Marriage is more than just a trivial matter of personal and private choices. Marriage is an institution whose bricks were mortared with white supremacy, capitalism, and patriarchy just like all other U.S. institutions. The Lovings helped chip away at that mortar.

loving-movie-poster-01-600x350

Black Women, Love, and Marriage

One of the most interesting aspects of this new Loving movie in 2016 is that it depicts interracial love in which the woman is black. While we might be quite accustomed to seeing the black man-nonblack woman pairing, we’re far less likely to see depictions of black women in interracial marriages. (And I intentionally use words like “love” and “marriage” as opposed to a looser term like “relationships.” I will explain why in a sec.)

Other writers have discussed why so few stories and images in Western culture feature black women as the love interest in interracial romance. For example, Brittany Slatton’s book Mythologizing Black Women (2014) concisely depicts the intense levels of misogynoir in the United States. The book illustrates how hateful narratives, stereotypes, and lies about black women are used to justify their sexual exploitation and their rejection as wives. Among these myths are ones you’ve probably heard of (perhaps some you’ve believed): black women in general are inherently less feminine/more masculine, have animalistic and uncontrollable sexuality, lack intelligence and civility, and are lazy and irresponsible.

What the book does remind us, however, is that while society doesn’t view black women as suitable marriage partners, society has always viewed black women as sex objects with whom white men (or any men) could do as they pleased. And this is why I focus on the words “love” and “marriage.” It’s not enough to have stories or see images of men lusting for black women’s bodies in a purely sexual way. We need more stories and images in which men of all races value the humanity of black women, love them, and marry them.

In Loving, rather than seeing a white man merely lust for a sexual exploit with a black woman, we see a man willing to risk it all to demonstrate his love and commitment to a black woman. He fights with and for this black woman. In a culture that still repeatedly fails to do this, a movie like Loving is refreshing and important.

The Institution of Marriage and White Supremacy

The Loving movie is also important because it reminds us how the institution of marriage was deployed to undergird white supremacy. Laws preventing interracial marriage really just applied to white people. The creators of anti-miscegenation laws couldn’t care less about the coupling of various other races and ethnic groups. The laws were purely about maintaining white domination.

Contrary to popular belief, anti-miscegenation laws weren’t created to prevent sexual contact between whites and people of other races, and it certainly wasn’t to curtail the presence of mixed-race children. This is evident by the rampant rape of black women by white men and the numerous mixed race children that resulted.

Anti-miscegenation laws were about building and protecting white wealth as well as controlling white women as the property of white men. A significant aspect of the marriage institution is combining economic assets and bearing “legitimate” or legal heirs to the family’s legacy. By making it illegal to marry black people, white society tried to guarantee that their wealth would never fall into the hands of blacks. Thus, white men could produce all the “colored” children they wanted so long as those children did not have legal right to inherit their father’s wealth. In fact, the institution of slavery and white dominance profited greatly from the sexual abuse of black women that resulted in children because more negro babies meant more “property” for slave owners.

It wasn’t until the United States ended the formal chattel slave system that authorities wanted to prevent the birth of more mixed-race children, when those children were no longer viewed in terms of their potential profit to white slaveholders but were instead viewed as symbolic threats to white supremacy. If white supremacy says that blacks, particularly black women, are subhuman, then the symbolic resonance of whites and blacks, particularly white men and black women like the Lovings, belonging to the same nuclear family shakes the foundation of white domination.

The Loving Movie 2016

While I have yet to see this latest rendition of the Lovings’ story in its entirety, I believe it’s an important story to tell, and at this point I can only hope that it’s a story well told.

Naturally, there are other issues I could bring up in relation to this film. For one, the movie doesn’t appear to alleviate the underrepresentation of dark skinned black women in leading roles, especially as love interests. This is a legitimate industry problem, but I don’t see this as a problem inherent to the movie itself (as it is in other notorious biopics). And when it comes to marriage, there’s also the issue of some groups marrying “white” in order to “whiten/lighten/improve” their blood lines or even their entire race. Again, I don’t see that as part of the Lovings’ story.

In the midst of a contentious and high stakes political season and eruptions of hateful violence, I’m hoping this movie gets the attention it deserves. I’m hoping this retelling of a significant milestone in Civil Rights history reminds us that loving is revolutionary. Love drives progress. Love fuels us in our persistent pursuit of change. Love sustains us in our ongoing struggle, our long journey to freedom.

Sincerely, Sarah.

Watch the Loving Movie Trailer:

 

 

 

Stop Letting Whites Off the Hook for Colorism

I’d like to dispell the myth that white people are total outsiders when it comes to colorism. The notion that white people are completely clueless, innocent, and irrelevant when it comes to colorism is false.

Some people claim that to white people “we’re all just black.” They believe that whites see no difference among blacks and do not treat blacks differently based on skin tone. That’s mostly untrue. To the Ku Klux Klan, yes, black people are just black regardless of skin tone, hair texture, facial features, etc. BUT, most white people are not members of the KKK.

It’s true that many white people may not be familiar with the term “colorism” or that they may not know/understand how minorities discriminate against each other.

It’s also true that many whites don’t care about skin tone (at least not consciously), just as it’s also true that many blacks don’t care about skin tone.

But colorism still exists and is perpetuated by both blacks and whites (and many other races, ethnicities, and nationalities), sometimes consciously and often unconsciously. We must acknowledge this in order to fully remedy the problem.

Here’s how white people in particular are complicit in colorism.

Colorism and White Supremacy

First, just to be clear, when I use the term “white supremacy,” I’m not talking about the Ku Klux Klan or any such hate groups. I’m talking about white supremacy as the myriad ways in which whiteness is the privileged standard and model of all things “good” or “normal” in our society and around the world, while blackness is positioned as the direct and extreme opposite of that. White supremacy reaches far beyond extremist hate groups. White supremacy is American culture.

White people, even the really nice ones, perpetuate white supremacy. (All people who have internalized white supremacy, regardless of their racial designation, perpetuate white supremacy, hence colorism and prejudices against “black culture.”)

As Time Wise writes:

“I admit that AS IS TRUE WITH ANY WHITE PERSON raised in a racist/white supremacist society, I have internalized certain racist and white supremacist thoughts/beliefs/norms, etc.”

It should be noted that this conditioning can be effectively resisted. But you can only resist what you acknowledge exists.

Research Studies on Colorism

In 2015, Lance Hannon published research findings on what he calls “white colorism,” indicating that regardless of education, test scores, and other demographic factors, “African Americans and Latinos deemed to have lighter skin tones are significantly more likely to be seen as intelligent by white interviewers.” He uses the following language, which includes a bit of professional jargon, but is quite significant:

“a one standard deviation increase in skin lightness roughly triples the probability of being perceived as having above average intelligence (an impact that is greater than a one standard deviation increase in education level).”

This suggests that in judging intelligence, whites are more influenced by skin tone than education level.

In 2014, five researchers published results of a study revealing the existence of a “skin tone memory bias.” All races of study participants, including white participants, remembered “educated” black men as being lighter than they actually are.

In 2014, Brittany C. Slatton published a book detailing the results of her research in which white men were invited to respond anonymously to an online survey about their views on dating black women. Slatton explains that the men who said they’re unattracted or rarely attracted to black women “root that lack of attraction in those traits defined as ‘black’: dark skin, hair texture, and facial features.” In contrast, some of the white men who are and are not attracted to black women in general “described blacks with more ‘white’ facial features and hair texture as the only attractive black woman,” thus using whiteness as the standard by which they measure the beauty of black women. Slatton quotes several of the survey respondents who say the following:

“I do find some black women attractive, but they tend to have more white physical features and are polished…. Alicia Keys comes to mind.”

“If I find a black woman attractive, it is because their hair type and facial features are more representative of the Caucasian race.”

“There are some black women who are attractive. And they aren’t full black. The only black women I find attractive are a mix of black and European, black and Latino, or black and Asian. They end up with a tan complexion, and hair that doesn’t look frizzled or like a Brillo pad.”

“The ‘blacker’ the person, the less femininity I tend to see.”

“I think black women’s features are too extreme; they are too dark, and they usually are much too large for my tastes…. The only black women I have found even marginally attractive are smaller, lighter-skinned black women… ala Beyoncé.”

We might never care whether white guys want to marry us, but what Slatton’s research helps to show is how white people are just as capable of colorism as any other group of people.

In 2014, three researchers reported that dark skinned black girls are three times more likely to be suspended from school than light skinned black girls, and for boys and girls alike, darker skin correlates with higher suspension rates. Whites undoubtedly contribute to such a significant color-based disparity given that a majority of school administrators are white, about 83% of teachers are white, and only 7% are black, non-hispanic (as reported by NCTES).

In 2011, three researchers found that in North Carolina between 1995 and 2009, light skinned black women received more lenient prison sentences and served less time in jail. In the judicial system, it’s often white people making such decisions.

In 2010, Kimberly Kahn and Paul Davies published the results of two studies showing that in shooting simulations, blacks and non-blacks were both more likely to shoot blacks with darker skin, broader noses, and fuller lips.

In 2009, two researchers published study results suggesting that for whites making hiring decisions, skin tone had greater influence on their choices than education and work experience.

Colorism and Implicit Bias

It’s not that the people in the above studies (or anyone else for that matter) are actively trying to discriminate against dark skinned people. It’s more likely that they have unconscious associations with skin tone that they’re completely unaware of and can’t even recognize. That’s implicit bias. Scholars at Harvard University’s Project Implicit define implicit bias pretty simply:

“An explicit stereotype is the kind that you deliberately think about and report. An implicit stereotype is one that occurs outside of conscious awareness and control. Even if you say that men and women are equally good at math, it is possible that you associate math with men without knowing it. In this case we would say that you have an implicit math-men stereotype.”

As a result of implicit bias, even people we talk to who say they “don’t see color,” probably (absolutely) do see color. Though as Slatton reminds us in her book, we can’t always rely on what people say in front of us anyway, because most folks (who are not Donald Trump) usually try to avoid appearing racist, even if they really do hold racially biased beliefs and attitudes.

Because American culture is white supremacist, most people have a pro-white/anti-black implicit bias, even if only slightly. (If you want to measure your own implicit bias, you can take the test.)

White Colorism in Popular Media

One of the biggest, most lucrative, and most visible drivers of white supremacy in American culture is the industry combo of beauty, fashion, entertainment, magazine, and broadcast news. White people control the largest share of this industry mashup on several levels. People usually take that to mean that all minorities in America receive equal opportunity discrimination in these fields. But the truth is that lighter skinned minorities or “ethnically ambiguous” minorities have an advantage in these fields because of their skin, hair, and facial features. This advantage persists over time and in broad patterns despite individual exceptions or periodic trends toward darker skin.

In a passage about the Straight Outta Compton casting call, Kristen J. Warner writes in her 2015 book The Cultural Politics of Colorblind TV Casting that Hollywood does in fact typecast minority actors by skin tone, hair, and other features:

“The description of types included in the breakdown do in fact speak to the types of Blackness Hollywood can tolerate. It is an obvious and likely cliché but it bears another mention. Blackness and those who embody it in Hollywood must be in some ways relatable and familiar to white audiences, even in production where white audiences may not be the sole target demographic. Thus ‘exotic’ light-skinned women from a variety of ethnicities are privileged as the models while dark-skinned African-American women are reduced to ill-shaped, poverty-stricken background performers. What’s more, it is not just that an imagined white audience will see familiar types but also that those background performers will match their expectations of what a beautiful model and a poor, out-of-shape woman look like.”

When Viola Davis talks about how having dark skin and Afrocentric features makes it harder to get acting roles, especially substantive roles and leading roles, she’s not just talking about black films or black filmmakers (although they have serious colorism issues made more obvious because they are black). The working conditions Davis describes are created largely by whites who make a majority of casting and hiring decisions in these industries. And though some might be tempted to say that’s because they’re only giving black people what we want, the Oscars make it clear that white people in Hollywood feel no obligation to please minorities. White people’s decisions to cast a light skinned or mixed race woman is always about their prejudice. The earlier quote about Beyoncé, for example, reminds us that the overrepresentation of fair skinned black women on the celebrity A list is by no means soley a function of black people’s colorism, but is in large part a product of white people’s colorism as well.

White People and Colorism During American Slavery

During slavery, the institutional rape of black women resulted in a sizable population of mixed-race people. Because of their obvious European ancestry, whites attributed biracial people, slave or free, with greater beauty, intelligence, and humanity than the general population of black people, slave or free. This is the white supremacist foundation of colorism in the Americas. Light skin, straight hair, light colored eyes, or keen facial features in people of color are privileged because society takes those things as evidence of European ancestry, and it’s that perceived connection to European ancestry that is so valued in American culture.

These attitudes are quite clearly expressed in E. B. Reuter’s 1917 article “The Superiority of the Mulatto.” Reuter reports that:

“The whole matter of attitude on the part of the white people and its consequent result in greater opportunities for lighter work, more association, greater privileges, better training, and more freedom operated to the advantage of the mulattoes prior to the passing of the institution of slavery. …

“The white man’s assumption of the mixed-bloods’ superior capability, entirely aside from any question as to the accuracy of the assumption, created in the Negro race the tradition of mulatto superiority. It laid the basis for a class separation on the basis of skin coloration and for the social prestige of the mixed-blood group.”

Reuter acknowledges that advantage and disadvantage were not unilateral during slavery, but the fact remains that whatever disparities did exist between black and mixed-race people were a direct result of the actions of white people. White people (and eventually mixed-race individuals themselves) perpetuated these attitudes and inequalities for generations after slavery.

Addressing Colorism

At the end of the day, effectively dealing with colorism requires acknowledgement of how whites perpetuate colorism. Because whites created colorism in America and because they continue to perpetuate it and continue to maintain social conditions that entrench it, they are a part of the equation that leads to solutions. Especially since they are most likely to teach children of all races and are very likely to make decisions that could alter the course and quality of people’s lives, decisions pertaining to employment, the legal system, and other areas of life like housing, healthcare, policing, etc.

I will say, however, that we must first eradicate colorism—white supremacy—from our own minds and hearts.

Ultimate List of Movies & Films about Colorism

ultimate list of films and moveis about colorism

Many of Colorism Healing’s readers are movie fans, and several have even been looking for movies and films about colorism in particular. While the documentary Dark Girls is widely known among those interested in colorism, there are other notable movies and films that address this issue. However, after searching around online, I realized it wasn’t exactly the easiest task to locate all of them. There weren’t any sites with a basic list of colorism films that readers could browse. So I created this for you.

If you’re looking for a speaker or facilitator for your next colorism event, learn about Dr. Sarah Webb’s colorism keynotes and workshops.

dr. sarah webb speaking at a podium holding a microphone with one arm extended during during her keynote speech for women's history month at the university of the pacific 2023. she's wearing a black turtleneck, multicolored skirt, and bold jewelry

Movies, Films, and Documentaries about Colorism

A Question of Color (1993)

Said to be the first documentary to address colorism, this film focuses specifically on African Americans. It traces the roots of colorism back to American slavery, examines gender differences, features news media and rap music, and touches on a range of issues including beauty, employment, marriage, and friendship.

  • Genre: Documentary (56 minutes)
  • Producer/Director: Kathe Sandler
  • Executive Producer: St. Clair Bourne
  • Co-Writer: Luke Harris
  • Region: United States

A Darker Side of Fair (2004)

This film addresses global diversity by focusing on a “fairness fetish” within modern Indian society. Viewers will see the origins of the fair-skinned ideal in ancient Indian culture, modern forces that perpetuate the “business” of fair skin, growing trends related to gender, and various cultural spheres affected by this issue such as marriage and entertainment.

  • Genre: Short Documentary (25 minutes)
  • Producer/Director: Leslie Deepak
  • Region: India

A Girl Like Me (2005)

Growing out of a high school English literature project, this film features interviews with a number of teenage girls and a reproduction of the infamous “doll test.” The film presents various voices on a range of issues related to colorism, including hair, history, beauty, personal growth, style and fashion, and self-love.

  • Genre: Short Documentary (13 minutes)
  • Producer/Director: Kiri Davis
  • Region: United States

ABC News 20/20 Colorism (2005)

This news segment features an experiment to determine if participants would rank people’s intelligence according to how dark or light the person appeared in a photograph. It also includes interviews from a number of actors who’ve experienced type-casting based on being dark-skinned or light-skinned.

  • Genre: News Segment (13 minutes)
  • Producer: ABC News
  • Region: United States

Skin (2008)

Based on a true story, this drama and romance follows the life of a colored woman born to white South African parents. The movie depicts her fight to cope with other people’s reactions to her appearance as well as her struggle to choose between life with her family or the man she loves.

  • Genre: Drama, Romance (107 minutes)
  • Director: Anthony Fabian
  • Writers: Helen Crawly, Jessie Keyt
  • Stars: Sophie Okonedo, Sam Neill, Alice Krige
  • Region: South Africa

The Skin Quilt Project (2010)

This film explores the issue colorism among African Americans through the voices of a community of quilters. Their stories speak of the significance of the quilting tradition in connecting community and remembering heritage.

  • Genre: Documentary (88 minutes)
  • Producer/Director: Lauren Cross

Shadeism (2010)

This film focuses on the issue of skin color bias among women in the African, Caribbean, and South Asian diasporas. Taking a look at historical origins and contemporary effects with an eye toward change, this film is a good introduction to colorism as a global issue.

  • Genre: Short Documentary (20 minutes)
  • Director/Executive Producer: Nayani Thiyagarajah
  • Producers: Kate Fraser, Camaro West, Kikhil D’Souza, Vanessa Rodrigues, Muna Ali, Jill Andrew, Rakhi Mutta, Amrit Singh, Khadra Ali
  • Animator: Jazzmen Lee-Johnson
  • Region: Canada

“Good Hair” and other Dubious Distinctions (2011)

Debose enters the colorism conversation through the all too common notion of “good hair.” Framed with the thoughts of a pregnant mother, the documentary weaves in various perspectives on black hair politics and what it means in the scheme of colorism.

  • Genre: Short Documentary (34 minutes)
  • Director/Writer/Producer: C. S. DeBose

Dark Girls (2011)

A documentary exploring colorism, it’s origins and contemporary manifestations, with a specific focus on how it impacts many dark-skinned girls and women.

  • Genre: Documentary (71 minutes)
  • Producers/Directors: Bill Duke, D. Channsin Berry
  • Region: United States
Bill Duke, producer, director, actor, and Dr. Sarah L. Webb, colorism speaker. Bill Duke is one of the producers of Dark Girls the popular documentary film  about colorism

Negro: A Docu-series about Latino Identity (2012)

Negro explores the “color complex” (colorism) among Latinos through a number of interviews. Discussions include a range of relevant concerns including history, colonization, racism, diaspora, and personal identity. The film tries to convey the fact that Latinos are diverse, and the series takes viewers to various locations in Latin America and the Caribbean.

  • Genre: Documentary Series
  • Producer/Director: Dash Harris
  • Region: United States, Latin America

Fair? (2012)

This film explores modern India’s obsession with fair skin through several interviews with actors, beauticians, children, housewives, and more. The purpose of the film is to uncover the meaning of fair skin and the kinds of social capital it affords in India today.

  • Genre: Short Documentary (22 minutes)
  • Director: Vishnupriya (Dia) Das
  • Region: India

Yellow Fever (2012)

Yellow Fever is an international, award-winning film by Ng’endo Mukii. This short film is a mixed media work of art. It’s unique in that it zooms in (sometimes literally) on the unsettling emotional and psychological experience of internalized white supremacy.

  • Genre: Short Film (7 minutes)
  • Producer/Director: Ng’endo Mukii
  • Region: Kenya

Imagine a Future (2013)

This film, which debuted on BET, chronicles one dark-skinned girl’s journey from hurt to healing. Along with Janet’s story, viewers get to see and hear various black women, including some celebrities, discuss the issues of beauty and self-love as it pertains to black women. The film includes segments on Black Girls Rock and an ancestral and personal discovery in South Africa.

  • Genre: Documentary
  • Producer/Director: Lisa Cortés
  • Director: Shola Lynch
  • Region: United States

Shadeism: Digging Deeper (2015) See #7 above.

Skinned (2015)

This movie depicts the journey of a woman who once severely bleached her skin in order to attract a guy. A decade later, her life is completely changed, but the past still haunts her physically and emotionally. With the help of a psychiatrist, she embarks on her personal journey toward healing.

  • Genre: Drama, Romance (88 minutes)
  • Directors: LisaRaye McCoy, Avery O. Williams
  • Writers: Clarice Kulah, Sharon Tomlinson, Avery O. Williams, Lotten Yeaney
  • Stars: LisaRaye McCoy, Jasmine Burke, Brad James
  • Region: United States

Charcoal (2017)

The parallel stories of two black women faced with the social message that their darker complexion makes them less worthy of love, acceptance and respect.

  • Genre: Short Film (5 minutes)
  • Director: Francesca Andre
  • Writer: Francesca Andre
  • Stars: Lorry Francois, Chengusoyane Kargbo, Heather Smith

No Shade (2018)

Jade, a successful freelance photographer is hopelessly in love with her best friend of 10 years, bar manager Danny. She discovers through several challenging encounters both personally and professionally that the one thing keeping them from happy ever after is her inherent beauty – her complexion and skin tone. Her shade.

  • Genre: Drama, Romance (104 minutes)
  • Director: Clare Anyiam-Osigwe
  • Writer: Clare Anyiam-Osigwe
  • Stars: Zephryn Taitte, Adesuwa Oni, Shone Romulus

Skin (2019)

Skin is a documentary about exploring through the meaning of beauty in all the different shades of black. Set in Lagos, Nollywood actress Beverly Naya goes on a journey to learn about contrasting perceptions of beauty by meeting individuals who have dealt with the pressure to conform to certain standards of beauty and how colorism continues to shape the face of the entertainment industry in Africa

  • Genre: Documentary (76 minutes)
  • Director: Daniel Effiong
  • Writer: Beverly Naya
  • Region: Nigeria

Sunflower (2023)

Sunflower tells the story of high school student Amari Stevens, who struggles to embrace her dark brown skin color in a society where fair and light-skinned women are considered the standard of beauty. When Amari is rejected by her crush Cameron Jones for her lighter-skinned friend Kiara Williams, she turns to skin bleach cream in an attempt to change her outer appearance.”

  • Genre: Short Film
  • Director: Elizabeth Tawose

Colorism Definitions

defining colorism in brown cursive font on pale peach background with 3 d streaks in shades of brown from dark to light. definitions of colorism. colorism defined.
Colorism definitions vary. People have defined colorism in different ways over the past few decades depending on time, place, and purpose. Here’s a sampling of definitions compiled from books, articles, and websites since the early 1980s. Which definitions seem more useful?

Watch Dr. Sarah Webb Define Colorism LIVE or scroll to keep reading:

•• “Colorism is the social marginalization and systemic oppression of people with darker skin tones and the privileging of people with lighter skin tones.” —Sarah L. Webb, ColorismHealing.com, 2021, United States

If you’re looking for a speaker or facilitator for your next colorism event, learn about Dr. Sarah Webb’s colorism keynotes and workshops.

doctor sarah l webb public speaker holding mic while seated on a stool and smiling. she's wearing her black and brave and brilliant and beautiful t shirt
•• “Colorism—in my definition, prejudicial or preferential treatment of same-race people based solely on their color” —Alice Walker, In Search of our Mothers’ Gardens, 1983, United States •• “For this discussion I’ll use the word colorism to mean an attitude, a predisposition to act in a certain manner because of a person’s skin color.” —Edward W. Jones, “Black Managers: The Dream Deferred” in Harvard Business Review, 1986, United States •• “Colorism is a worldwide phenomenon and is a case of trickle-down racism… As long as there’s White racism, there will be racism within the Black community and favoritism for lightness.” —Midge Wilson as quoted by Karen G. Bates in “The Color Thing” in Essence, 1994, United States •• “Colorism is a form of intragroup stratification generally associated with Black people in the United States but present among all peoples of color. Colorism subjectively ranks individuals according to the perceived color tones of their skin.” Shirlee Taylor, “Colorism” in Reader’s Companion to U.S. Women’s History, 1998, United States •• “the prejudice and discrimination that is directed against African Americans with darker skin and, conversely, the benefits that are granted to African Americans with lighter skin” Irene Blair et al, “The role of Afrocentric features in person perception: Judging by features and categories,” 2002, United States •• “Skin tone bias is the tendency to perceive or behave toward members of a racial category based on the lightness or darkness of their skin tone. … this phenomenon also has been referred to as ‘colorism’”—Keith B. Maddox and Stephanie A. Gray, “Cognitive Representations of Black Americans: Re-exploring the Role of Skin Tone” in Personality and Social Psychology Bulletin, 2002, United States •• “‘Colorism’ is the discriminatory treatment of individuals falling within the same ‘racial’ group on the basis of skin color. It operates both intraracially and interracially. Intraracial colorism occurs when members of a racial group make distinctions based upon skin color between members of their own race. Interracial colorism occurs when members of one racial group make distinctions based upon skin color between members of another racial group.” —Cedric Herring, Verna M. Keith, and Hayward Derrick Horton, Skin Deep: How Race and Complexion Matter in the “Color-Blind” Era, 2003, United States •• “[C]olorism describes the tendency to perceive or behave negatively towards members of a racial category based on the lightness or darkness of their skin tone.” —Cynthia E. Nance, “Colorable Claims: The Continuing Significance of Color Under Title VII Forty Years After Its Passage” in Berkeley Journal of Employment & Labor Law, 2005, United States •• “Colourism, shadism, skin tone bias, pigmentocracy and the colour complex, are just a few of the terms used to describe the system of privilege and discrimination based on the degree of lightness in the colour of a person’s skin. But whatever label is used, it remains a pernicious, internalized form of racism which involves prejudice, stereotyping and perceptions of beauty among members of the same racial group, whereby light skin is more highly valued than dark skin.” —Deborah Gabriel, Layers of Blackness: Colourism in the African Diaspora, 2007, United Kingdom •• “Color preference is a cousin of racial prejudice, and like prejudice it is closely linked with the urge to obtain and maintain power over others. Colorism differs from prejudice mainly by making distinctions within a nominal racial group instead of across groups. That is, for whatever reason, light-skinned – and sometimes dark-skinned – people attribute higher status and grant more power and wealth to one group, typically those designated as white, and believe that that is the right thing to do. Then for the same reasons, people attribute higher status and grant more power and wealth to people of one complexion, typically light skin, within the groups designated as non-white.” —Jennifer L. Hochschild, “The Skin Color Paradox and the American Racial Order” in Social Forces, 2007, United States •• “Colorism, or skin color stratification, is a process that privileges light-skinned people of color over dark in areas such as income, education, housing, and the marriage market.” —Margaret Hunter, “The The Persistent Problem of Colorism: Skin Tone, Status, and Inequality,” in Sociology Compass, 2007, United States •• “Colorism is the allocation of privilege and disadvantage according to the lightness or darkness of one’s skin” —Meghan Burke, “Colorism” in International encyclopedia of the social sciences, 2008 •• “Others argue that in the new millennium traditional racism is indeed disappearing, but only to be slowly supplanted by colorism, in which the color of a person’s skin will take on more importance in determining how she is treated by others than her ancestry. … Colorism involves discrimination against persons based on their physiognomy, regardless of their perceived racial identity. The hierarchy employed in colorism, however, is usually the same one that governs racism: light skin is prized over dark skin, and European facial features and body shapes are prized over African features and body shapes.” —Angela P. Harris, “From Color Line to Color Chart?: Racism and Colorism in the New Century” in Berkeley Journal of African-American Law & Policy, 2008, United States •• “Colorism [is] the privileging of light skin over dark skin…” —Evelyn Glenn, 2009, United States •• “Today, the term [‘colorism’] is widely used to refer to the prejudices and discriminatory practices surrounding skin-color differences that occur not only Among African Americans, but also among other populations of color such as Latinos and Asians, both in [the United States] and around the world.” —Kathy Russell-Cole, Midge Wilson, Ronald E. Hall, The Color Complex: The Politics of Skin Color in a New Millennium, 2013, United States •• “Colorism is prejudiced attitudes or prejudiced treatment of people based on the relative lightness or darkness of their skin in comparison to others of the same race. Although this phenomenon is called colorism, it’s also frequently based on other features such as hair, eyes, nose, lips, and other phenotypic characteristics. There are two sides to colorism. It may occur as unjustly negative or unjustly positive reactions to groups of people based on their skin color and other racialized features. People affected by colorism may also develop a dislike, or even hatred, for their own skin and features.” —Sarah L. Webb, ColorismHealing.org, 2013, United States •• Colorism is “a form of oppression that is expressed through the differential treatment of individuals and groups based on skin color.” Jackson-Lowman, 2013, as quoted by The Association of Black Psychologists •• “Prejudice or discrimination against individuals with a dark skin tone, typically among people of the same ethnic or racial group” —OxfordDictionaries.com

Why so many definitions?

Having multiple definitions that span a couple of decades shows the various ways people defined, understood, and used the term “colorism” over time. We can see how definitions and explanations of colorism evolved and how they remained consistent. When having discussions about colorism, it’s important to make sure all participants clearly define how they are using the term “colorism” in the discussion. To facilitate mutual understanding throughout a dialogue on colorism, participants should clearly define the term (at least for the purposes of that specific conversation) at the very beginning and also periodically as the discussion advances. Which definition seems most accurate to you? Would you compose a different definition? Also: Take your colorism discussions to the next level with these 100+ specific questions on colorism.

100+ Colorism Questions: Take Discussion to the Next Level

question marks in a black conversation bubble. 100 plus colorism questions take discussion to the next level written by dr. sarah l webb public speaker life coach founder of colorism healing

Wondering how to start a discussion about colorism? Looking to conduct interviews on this topic? Tired of the same old questions and conversations about “light skin vs. dark skin”? Wishing the colorism conversation would actually get somewhere? I feel you! So I’ve compiled a list of 100 colorism questions that address the above concerns. These questions will help you start, continue, broaden, deepen, and advance discussions about colorism.

If you’re looking for a speaker or facilitator for your next colorism event, learn about Dr. Sarah Webb’s colorism keynotes and workshops.

dr. sarah webb speaking at a podium holding a microphone with one arm extended during during her keynote speech for women's history month at the university of the pacific 2023. she's wearing a black turtleneck, multicolored skirt, and bold jewelry

General Colorism Questions:

  1. Who coined the term “colorism”?
  2. Who benefits from colorism?
  3. What is colorism?
  4. What is the history of colorism?
  5. What is the history of colorism in [specific location]?
  6. What’s the difference between racism and colorism?
  7. What’s the difference between intraracial colorism and interracial colorism?
  8. What are some examples of colorism?
  9. What are some examples of colorism in [specific location]?
  10. What are some common myths about colorism?
  11. When was the term “colorism” coined?
  12. When was colorism first acknowledged?
  13. When was colorism first studied?
  14. Where does colorism exist?
  15. Where does colorism come from?
  16. Why does colorism exist?
  17. Why does colorism exist in [specific location]?
  18. Why do some people not want to talk about colorism?
  19. Why do some people have negative attitudes about dark skin?
  20. Why do some people have negative attitudes about light skin?
  21. Why is colorism important?
  22. How do you define colorism?
  23. How do other physical characteristics besides skin color play a role in colorism?
  24. How much research has been done on colorism?
  25. How might colorism be different in more racially diverse places versus more racially homogenous places?
  26. How do people benefit from colorism?
  27. How do white people view or understand colorism?
  28. How do people view or understand colorism within their own race?
  29. How do people view or understand colorism within other races?
  30. How does colorism affect people around the world?
  31. How does colorism affect people in [specific location]?
  32. Is colorism just about skin color?
  33. Is colorism more prevalent in some places than others?
  34. Is there such a thing as light skin privilege?
  35. Is there such a thing as dark skin privilege?
cropped phone screen with multiple social icons colorism in media technology social media

Questions about Colorism and Media:

  1. What role does traditional media play in perpetuating colorism?
  2. What role does social media play in perpetuating colorism?
  3. What are some examples of colorism in traditional media?
  4. What are some examples of colorism in social media?
  5. What role does colorism play in the entertainment industry?
  6. What role does colorism play in the sports industry?
  7. What role does colorism play in the beauty and fashion industries?
  8. How can we use traditional media to help end colorism?
  9. How can we use social media to help end colorism?
  10. How does colorism manifest in predominantly white media?
  11. How does colorism manifest in media predominated by people of color?

Questions about Colorism and Economics, Education, Law, Politics, Religion, & Society:

  1. What role does colorism play in education and schooling?
  2. What role does colorism play in religion or churches?
  3. What role does colorism play in politics?
  4. What role does colorism play in the judicial system?
  5. How does colorism affect employment and career opportunities?
  6. How does colorism impact socioeconomic status, income and wealth?
  7. How do class, wealth, and socioeconomic status impact colorism?
  8. How does colorism impact immigration policies?
  9. How does colorism impact immigration experiences?
  10. How can education and schooling counteract colorism?
  11. How can religion and churches counteract colorism?
  12. How can colorism be counteracted in the political arena?
  13. How can colorism be counteracted in the judicial system?
  14. How can employers prevent or counteract colorism in the workplace?
Corporate Colorism questions in the workplace Dr. Sarah L Webb smiling at the camera don't get sued legal consequences EEOC of colorism image of gavel laying on top of a stack of hundred dollar bills

Click to learn more about the legal consequences of colorism in the workplace.

Questions about Colorism and Family, Friendship, Marriage, & Dating:

  1. What role does colorism play in dating and marriage?
  2. What’s the difference between colorism and preference?
  3. How does colorism influence or impact friendships?
  4. How can we develop and sustain friendships across the color spectrum?
  5. How does colorism affect families?
  6. How do parents perpetuate colorism?
  7. How can parents counteract colorism?
  8. How are children affected by colorism?
  9. How can children counteract colorism?
  10. How does age affect experiences with colorism?
  11. How does extended family perpetuate colorism?
  12. How can extended family counteract colorism?
  13. How can we teach children/how can children learn about colorism?
  14. How can we help break the generational cycle of colorism?
sarah webb break the cycle of colorism in families questions about colorism

Click to learn more about colorism in families and colorism in relationships.

Questions about Colorism and Gender:

  1. How does gender intersect with colorism?
  2. How does colorism affect dark skinned women?
  3. How does colorism affect dark skinned men?
  4. How does colorism affect light/fair skinned women?
  5. How does colorism affect light/fair skinned men?
  6. How does sexuality intersect with colorism?
  7. How do boys and girls experience colorism differently?
  8. How do men and women experience colorism differently?

Personal Questions about Colorism:

  1. Who can I talk to about colorism?
  2. Who can you talk to about colorism?
  3. What are/were some of my experiences with colorism?
  4. What are/were some of your experiences with colorism?
  5. Why do I/you/we have negative attitudes about dark skinned people?
  6. Why do I/you/we have negative attitudes about light skinned people?
  7. Why do I/you/we have positive attitudes about dark skinned people?
  8. Why do I/you/we have positive attitudes about light skinned people?
  9. How does colorism affect me?
  10. How does colorism affect you?
  11. How do I feel about my own skin color?
  12. How do you feel about your own skin color?
  13. How can you heal from colorism?
  14. How can I heal from colorism?
quesitions about collective healing from colorism part 2 by sarah webb

Go here to learn more on personal healing from colorism.

Questions about Healing & Solutions to Colorism:

  1. Who’s responsible for colorism healing?
  2. Who’s responsible for breaking the cycle of colorism?
  3. What does it take to end colorism?
  4. What are some possible solutions to colorism?
  5. What can I do on a personal level to help end colorism?
  6. What can we do on a communal level to help end colorism?
  7. What work has already been done to help end colorism?
  8. What work is currently being done to help end colorism?
  9. How can we learn to love and appreciate our own skin, hair, and features while also loving or appreciating others?
  10. Have I addressed my own biases and issues with colorism so that I do not perpetuate colorism among others in the world?
  11. Does colorism get easier to deal with as we age?
  12. Will colorism ever end?
  13. What other questions do you have about colorism?

Before beginning your discussions, make sure your group has a clear definition of colorism. And when you’re ready to hire a speaker, get in touch with me!

Colorism is a Symptom and System of Oppression

Colorism is a symptom of oppression as well as a system of oppression.

The specific oppression I speak of here is racism or “white supremacy.”

Colorism is both a product and a tool of the umbrella institution of white supremacy.

When I began reading Pedagogy of the Oppressed by Paulo Freire, I did not expect to find so many ideas relevant to colorism and colorism healing. Freire wrote Pedagogy in 1968, and it was translated from Portuguese to English in 1970. The book is based on Freire’s work with poor working people in Brazil. However, that very specific context of oppression has parallels with many others, and lots of people have reapplied Freire’s ideas in different contexts. But as far as I know, no one has applied his ideas to colorism.

I want to share with you some powerful ideas from Freire’s book that I believe reveal a lot about the sources of colorism and possible solutions to colorism. What follows is a small selection, but I hope you are inspired to take up the book and read all that it contains.

Why Colorism Exists

A divided house cannot defend itself

“As the oppressor minority subordinates and dominates the majority, it must divide it and keep it divided in order to remain in power. The minority cannot permit itself the luxury of tolerating the unification of the people, which would undoubtedly signify a serious threat to their own hegemony. Accordingly, the oppressors halt by any method (including violence) any action which in even incipient fashion could awaken the oppressed to the need for unity. Concepts such as unity, organization, and struggle are immediately labeled as dangerous. In fact, of course, these concepts are dangerous—to the oppressors—for their realization is necessary to actions of liberation.” (Freire, p. 122)

“Submerged in reality, the oppressed cannot perceive clearly the ‘order’ which serves the interests of the oppressors whose image they have internalized. Chafing under the restrictions of this order, they often manifest a type of horizontal violence, striking out at their own comrades for the pettiest reasons” (Freire, p. 44).

Freire quotes Fanon to support this. Fanon writes:

“The colonized man will first manifest this aggressiveness which has been deposited in his bones against his own people…. for the last resort of the native is to defend his personality vis-á-vis his brother.” (Fanon as quoted on page 44 of Pedagogy of the Oppressed)

A whole lot of people, especially African Americans, acknowledge that colorism divides the community. Unfortunately, many people mistakenly think that dialogue about colorism is the source of division rather than the colorism itself.

I must say that colorism continues to divide us because we fail to confront it (due to fear, guilt, shame, pain, ignorance, selfishness, etc.). For unity and healing, we need all parties to acknowledge how we are each complicit and responsible. For unity and healing, we need all parties to acknowledge our pain and our privilege.

We’ve internalized white supremacy

“The more they mimic the invaders, the more stable the positon of the latter becomes…. For cultural invasion to succeed, it is essential that those invaded become convinced of their intrinsic inferiority. Since everything has its opposite, if those who are invaded consider themselves inferior, they must necessarily recognize the superiority of the invaders. The value of the latter thereby becomes the pattern for the former. The more invasion is accentuated and those invaded are alienated from the spirit of their own culture and from themselves, the more the latter want to be like the invaders: to walk like them, dress like them, talk like them.” (Freire, p. 134)

“Self-deprecation is another characteristic of the oppressed, which derives from their internalization of the opinion the oppressors hold of them. So often do they hear that they are good for nothing, know nothing, and are incapable of learning anything—that they are sick, lazy, and unproductive—that they become convinced of their own unfitness” (Freire, p. 45).

In colonial societies and in societies where slavery existed, whites used and perpetuated colorism to divide the oppressed people. However, as the two quotes above state, the oppressed people internalized, believed in, and became convinced of their own inferiority and of the superiority of whiteness. Colorism among African Americans and other people of color took hold as we began to hate our blackness, began to strive for whiteness, and began to place a higher value on those people of color who more closely resembled and enacted whiteness.

Even though the era of old colonialism and slavery has long passed, its legacy lives on. Even now, people of color continue to loathe blackness but laud whiteness and those who more closely resemble whiteness.

Today, however, it’s not so black and white. White supremacy is no longer stated in explicitly racial terms. Instead people use rhetoric like, “straight hair just looks more professional.” What’s concealed by such statements is that straight hair looks more professional because straight hair is associated with whiteness, and whiteness has always been associated with professionalism.

So how do these ideas spread?

“All these myths…the internalization of which is essential to the subjugation of the oppressed, are presented to them by well-organized propaganda and slogans, via the mass ‘communications’ media—as if such alienation constituted real communication.” (Freire, p. 121)

Society consciously and most often unconsciously maintains white supremacy on a grand scale through mass communications and propaganda in all of its various forms throughout history. This includes, but is not limited to: books, literature, music, art, newspapers, movies, television, magazines, billboards, advertisements and commercials, video games, websites, social media, flesh-tone products, stock photography, dress codes that regulate hairstyles, jeans that fail to accommodate a curvier body, fairytales like Rapunzel, music videos (including ones starring artists of color), dolls and other toys, and… Well, you get the picture.

Why Some People Deny Colorism and White Supremacy

There is no critical intervention when intervention “would contradict the class interests of the perceiver…. The fact exists; but both the fact and what may result from it may be prejudicial to the person. Thus it becomes necessary, not precisely to deny the fact, but to ‘see it differently.’ This rationalization as a defense mechanism coincides in the end with subjectivism” (Freire, p. 34).

What Freire says here relates to colorism and white supremacy because certain people benefit from these forms of oppression. Those who benefit might not want to lose their benefits, and they often do not even acknowledge that they receive any benefits. They therefore try to dismiss dialogue or action aimed at undoing these forms of oppression.

When we receive information that somehow portrays us or people we identify with in an unflattering or unfavorable light, we might not deny the facts outright, but we try to justify them or rationalize them. We dismiss the information by saying, “Well, I guess I see it differently.” Even when the information doesn’t explicitly describe us, it might contain facts that incriminate us or those with whom we identify.

I’ve said before that colorism healing takes courage. One of the most courageous things we can do is admit that we are complicit—all of us. We need courage to admit that we have certain privileges because of our outward appearances. We need courage to admit that others have an equally valid story to tell, even if the story implicates us or someone who looks like us.

The Myth of “Reverse Discrimination”

Even when a more equitable situation is established, “the former oppressors do not feel liberated. On the contrary, they genuinely consider themselves to be oppressed. Conditioned by their experience of oppressing others, any situation other than their former seems to them like oppression…. Any restriction on [their former way of life], in the name of the rights of the community, appears to the former oppressors as a profound violation of their individual rights” (Freire, p. 39).

Though Freire is writing primarily about class inequality, I think a similar thing happens when it comes to race. The notion of Affirmative Action as “reverse discrimination” is perhaps the most infamous case of this type of condition.

In many societies around the world, people’s race, skin color, hair texture, facial features, or body size and shape often lead to un-merited advantages (advantages gained through no effort of your own, like an advantage given because of race or skin color). Basically, the loss of an un-merited advantage often feels like a disadvantage (Why am I being punished for who I am?). The reason this feels like a disadvantage is because many of the benefactors of racism are not aware (or in denial) of how they are privileged in that institution. To see things differently would require not relying solely on one’s personal experiences (individualism) and instead acknowledging the larger societal patterns, probabilities, and historical legacy.

When individuals or whole societies make conscious and direct attempts to rectify/compensate for society-wide disparities, rather than understanding it as a more equitable share of pie for everyone, many of the previously privileged view such efforts as merely a smaller slice of pie for them, one that will no longer be served on a silver platter.

For healing to take place, we have to be brave enough to admit when we’ve had easier access to the pie than our other brothers and sisters. Even when we personally have not had a disproportionately large share of pie, we can at least acknowledge that those who have, tend to look like us rather than the rest of the family.

Taking Action Against Colorism and White Supremacy

Have the courage to be free

“Some, however, confess: Why deny it? I was afraid of freedom. I am no longer afraid!” (Freire, p. 17)

I must confess: For a long time I was afraid to talk about colorism. I was afraid of what people would think, afraid people would think I’m just jealous or hating, afraid people would think I had low self-esteem and didn’t love myself, afraid people would say I was causing division.

I am no longer afraid!

“the oppressor is ‘housed’ within the people, and their resulting ambiguity makes them fearful of freedom.” (Freire, p. 144)

Not everyone wants to be healed. I sometimes observe that people seem completely content with colorism. In some cases this is because they’ve enjoyed the benefits of colorism and don’t care to lose those. In other cases they’ve so fully subscribed to colorism that they believe it’s the natural order of things. It almost becomes an enjoyable pastime, like the memes and hashtags on social media suggest. And in other cases they’ve been so complicit in perpetuating colorism that they don’t want to deal with the guilt they might feel if they awaken their consciousness about colorism.

“Fear of freedom, of which the possessor is not necessarily aware, makes him see ghosts. Such an individual is actually taking refuge in an attempt to achieve security, which he or she prefers to the risk of liberty…. Men and women rarely admit their fear of freedom openly, however, tending rather to camouflage it—sometimes unconsciously—by presenting themselves as defenders of freedom. They give their doubts and misgivings an air of profound sobriety as befitting custodians of freedom. But they confuse freedom with the maintenance of the status quo; so that if [consciousness] threatens to place that status quo in question, it thereby seems to constitute a threat to freedom itself.” (Freire, p. 18)

You probably know this story just as well as I do. The guy who proudly proclaims: “I only date light skinned chicks,” then shrugs and says, “That’s just my preference.” Others who support this way of thinking will also shrug and say, “Everyone has a right to their own preference.”

Of course everyone has the right to prefer who and what they want, but…

We might also see this defense of personal preference (like a defense of personal freedom), as really just a cowardly defense of the status quo, a fear of freedom (for reasons stated above).

Rather than questioning the possible reasons for or sources of our preferences, rather than considering the social and historical construction and conditioning of our preferences, it’s easier for some people to believe that preferences are simply a personal, individual, biological, natural, and harmless matter. It’s easier to believe so because true belief in the opposite requires action, which requires courage.

Believe that society can change

“the oppressors attempt to destroy in the oppressed their quality as ‘considerers’ of the world. Since the oppressors cannot totally achieve this destruction, they must mythicize the world. In order to present for the consideration of the oppressed and subjugated a world of deceit designed to increase their alienation and passivity, the oppressors develop a series of methods precluding any presentation of the world as a problem and showing it rather as a fixed entity, as something given—something to which people, as mere spectators, must adapt…. [The oppressors] deposit myths indispensable to the preservation of the status quo.” (Freire, p. 120)

This quote builds on the idea that people hide behind notions of personal freedom because they are too afraid or unwilling to even question, much less resist, the status quo. Even when they express sadness about colorism, too many people respond with resignation and passivity, as if nothing can be done about it.

Well, we have to realize that societies are always changing and that we can and should be active participants in shaping that change. We must believe that we can help change our society for the better. Yes, it’s a huge and overwhelming task. Yes, it takes a ton of effort and risk and courage. But we can do it.

Bear Witness

The first action step for colorism healing is to speak our truths—to bear witness. Here’s what Freire says about bearing witness:

“The essential elements of witness include: consistency between words and actions; boldness which urges the witness to confront existence as a permanent risk; radicalization (not sectarianism) leading both the witnesses and the ones receiving that witness to increasing action; courage to love (which, far from being accommodation to an unjust world, is rather the transformation of that world in behalf of the increasing liberation of humankind); and faith in the people, since it is to them that witness is made.… in dialogical action, daring and loving witness serve the ends of organization.” (157-158)

Let’s bear witness—daring and loving witness.

Understand the Causes of colorism

A second action step for colorism healing is to make sure we understand root causes:

“As long as the oppressed remain unaware of the causes of their condition, they fatalistically ‘accept’ their exploitation. Further, they are apt to react in a passive and alienated manner when confronted with the necessity to struggle for their freedom and self-affirmation.” (Freire, p. 46)

When we remain unaware of the causes of colorism, the problem seems impossible to solve. Understanding colorism’s causes helps us to see possible solutions. The device no longer dumbfounds us when we take it apart and see how it works. Let’s find the power source and unplug it to stop the system of colorism. In most society’s that struggle with colorism, the source is white supremacy.

Have Dialogue about colorism and white supremacy

According to Freire, dialogue requires love, humility, faith, hope, and critical thinking. I add that it requires courage. Once we’ve gathered our courage, come to believe that change is possible, born daring and loving witness, and examined the causes of colorism, we need to continue to have courageous yet humble conversations amongst ourselves.

“Human existence cannot be silent, nor can it be nourished by false words, but only by true words, with which men and women transform the world. To exist, humanly, is to name the world, to change it…. Human beings are not built in silence, but in word, in work, in action-reflection…. No one can say a true word alone—nor can she say it for another, in a prescriptive act which robs others of their words.” (Freire, p. 69)

I am writing this post, using my words, but I can’t be the only one. We need your words too. Whether you’re a writer, singer, tweeter, small-talker, big-talker, lecturer, poet, or any other form of human being, we need your words!

Reflect. Act. Repeat.

“The insistence that the oppressed engage in reflection on their concrete situation is not a call to armchair revolution. On the contrary, reflection—true reflection—leads to action.” (Freire, p. 48)

“‘Cultural Revolution’ takes the total society to be reconstructed, including all human activities, as the object of its remolding action.” (Freire, p. 139)

By reading this, you’re already engaged in the cycle of reflection and action. How will you continue that cycle from here?

Will you talk to someone about your experiences with colorism? Will you listen to someone else share their experiences? Will you give a child a book, movie, or toy that affirms who they are? Will you make a conscious effort to support magazines, movies, and TV programs that promote diversity? Will you give attention to the person everyone else ignores?

Reflect on the actions that feel right to you, then take those actions. Repeat.

Is Colorism Affecting your Relationship?

black and white photo of a dark skinned black couple standing shoulder to shoulder and reaching over their chests to hold hands while smiling and looking at their hands. they are both wearing white button down shirts. colorism affecting relationship

Not long ago, a theology student in Atlanta emailed to ask my opinion on how colorism affects couples and how pastors could help couples dealing with colorism. Though I’ve previously written about colorism in relationships, this email and a recent conversation with a friend prompted me to revisit the topic from a slightly different angle.

Watch the Colorism and Relationships Playlist or Scroll to Continue Reading

We usually discuss how colorism influences people’s decisions on who to date or marry, but we rarely hear discussions about how colorism continues to affect relationships beyond the initial decision to be or not to be with someone.

If colorism is an issue for a couple, here are five ways it might negatively impact their relationship, followed by suggestions for what individuals or couples can do about it.

1. If a partner is insecure about his or her own skin color, this can lead to jealousy, distrust, neediness, and hypersensitivity.

The insecure partner might constantly worry whether or not they’ll be replaced by someone lighter or darker. According to psychology and relationship experts, insecurity in general causes people to need constant attention, affirmation, and reassurance. This neediness often becomes a burden or obligation for the other partner to constantly prove their love and commitment.

Even when the other partner gives all the reassurances they possibly can, an insecure person might continue to question or doubt the sincerity of their partner’s show of affection. An insecure partner might also frequently misinterpret words and actions of their partner as insults or criticism. The tension created as a result of personal insecurity usually creates problems where problems would not exist otherwise.

2. People who are insecure about their own skin color or their partner’s skin color might also be controlling or abusive.

The commonly depicted case involves a man trying to control, belittle, or abuse a light skinned woman either to “cut her down to size” or “show her who’s boss” or to keep her from cheating with other men (since the belief is that she could have any man she wanted).

Although this is a common story to tell, I want to emphasize that insecurity can lead to abuse no matter what complexion each partner has. I’m sure we all know that both men and women of every race and color may be perpetrators and/or victims of physical and psychological abuse. And, of course, the complicated issues that lead to abusive relationships cannot be boiled down to colorism alone. However, colorism could be a factor.

One case I know of involved a husband controlling his wife’s appearance, specifically not letting her wear certain colors (bright colors) because he thought they clashed with her very dark complexion. Even more common, perhaps, is controlling a partner’s choice in hairstyles, not letting female partners “go natural” or  insisting that they wear extensions if their natural hair is “too kinky.” Women in these circumstances experience high levels of fear, anxiety, and shame in trying to meet their partner’s standards for physical appearance.

3. Colorism might be an external force on relationships in the form of resistance or rejection from friends or family.

Unfortunately, some families are still color-struck, even now, insisting that family members “better the race” or “stay true to the race” by only seeking partners within a narrow range of skin shades. In many cases, couples have to deal not only with rejection of a partner, but rejection of their children also if the children don’t turn out to be the desired shade of the family.

Relationships are already difficult due to their own internal conflicts. The added stress and anxiety of rejection, criticism, and mean-spiritedness from one’s own family or a partner’s family could perhaps draw a couple closer or drive a wedge between them.

4. Colorism may lead to anxiety about having children.

Many people base their mating decisions, at least in part, on how their offspring might look. I’ve heard several women bluntly say they’d like to have children with a light skin man, white man, Hispanic man, etc. so that they’d have “pretty babies.” I’ve heard men make similar comments about babies, though men in general might be less direct about their desire for children with particular physical attributes.

Genetics may be a science, but there’s no way to guarantee what a child will look like (at least not by ordinary means). In a color-struck relationship where one partner is dark and the other partner is light, one or both partners (and usually their family and friends) will spend the entire pregnancy guessing, speculating, hoping, wishing, praying that the baby will have a certain complexion, hair texture, eye color, and facial features.

In some cultures, the woman, no matter her complexion, is blamed and ostracized as having a “dirty womb” if the baby has dark skin and kinky hair. Women in these circumstances have increased anxiety about what their children will look like. Sometimes a color-struck parent may display favoritism or even abuse a particular child because of that child’s skin color.

Not all relationships involve children, but when they are involved, colorism creates an additional set of complicated issues on top of the typical challenges of rearing children.

dark skinned black couple smiling at the camera. man standing behind woman and holding her waist. he's wearing and orange shirt. she's wearing a yellow shirt. colorism in relationships

5. Colorism often means that people are infatuated with stereotypes, fetishes, or ideals rather than truly being in love with a unique individual.

This was at the heart of my response to the theology student in Atlanta. Essentially, people might become infatuated with someone’s skin tone rather than falling in love with the person. If skin color is just as or more important than other qualities, then there’s a problem. Skin color can and does change.

There’s also always someone lighter or darker who more exactly matches the idealized skin tone in a partner’s mind. Therefore, couples should be careful not to enter into relationships primarily because of skin color.

The other aspect of this, which I spoke to a friend about, is that many people choose partners of a certain skin color because they believe in reductive and misleading stereotypes about skin color. Dark skinned guys are more manly. Light skinned women are classier. Or whatever.

First, these stereotypes are essentially racist and steeped in centuries of white supremacist rhetoric and practices. Second, stereotypes of any kind are a really shallow foundation for a relationship. Is it possible to have a healthy relationship when one or both partners is infatuated with a stereotype instead of an individual with his or her own personality and unique set of characteristics?

Ways to Address Colorism in Relationships

My comment to the Atlanta theologian was that couples should deal with their personal insecurities and learn to appreciate, respect, and love each other as unique individuals. Here’s a more concrete list of steps that couples can take to address colorism, if and when it’s a problem in their relationship.

  • The first step to healing is awareness and acceptance. Take time to reflect and have a dialogue with your partner to determine if colorism is a source of any troubles. Sometimes all it takes is recognizing when and where colorism exists to start seeing improvements, but it requires confronting the issue, courageously.
  • —————–
  • Work on building individual self-esteem. There are many ways to go about this. Some simple things you can do everyday starting now include collecting and surrounding yourself with positive affirmations and reading self-help books like Ten Days to Self-Esteem.
  • —————–
  • For further development of personal self-esteem, try counseling or therapy. Sometimes we need a neutral person to talk to and help us gain some objectivity about ourselves and our circumstances.
  • —————–
  • Focus on the uniqueness and individuality of your partner. Maybe you realize you placed much more importance on your partner’s physical features than anything else, or that you’d gotten caught up in myths and stereotypes about skin color. It’s never too late to let those things go and develop a deeper appreciation for your partner beyond skin color and stereotypes.
  • —————–
  • Try couples therapy. In addition to working on each of yourselves, seeking help from a professional as a couple could be very effective.

Of course these suggestions work best when both partners really want the relationship to work and to last. And, again, relationship problems are usually too complicated to trace back to colorism as the single cause. But perhaps by acknowledging the ways colorism may be affecting a relationship, couples can work to resolve some of their troubles.

Misty Copeland and Ballet’s Color Problem

black ballerina Misty Copeland dancing in the ballet Coppelia

UPDATE: Misty Copeland has been promoted to the highest rank of the American Ballet Theatre, making her the first African American woman to be a principle dancer in ABT’s 75 year history. She has definitely changed the game! Let’s continue to support her so that her success ripples far into the future for other aspiring ballerinas.


ORIGINAL: This month, Misty Copeland and Brooklyn Mack made history as the first black ballet dancers to star in Swan Lake, arguably the most in famous ballet ever. In 2015, that means Copeland and Mack are the first blacks to dance lead in Swan Lake in about 140 years. The world of ballet clearly has a color problem.

A Leak in the Pipeline

Of course there are serious pipeline issues. For a lot of people, professional ballet training is just too expensive. Then there’s the factor of location. Many communities simply don’t have the facilities or dance and ballet schools that better resourced communities have.

When long time artistic director of The Washington Ballet, Septime Webre, was asked years ago why he had no African American dancers in his company, part of his reply was:

“that would remain the case until the great training grounds, the great ballet schools of America become welcoming places for 9-year-old black girls. Families need to feel that their daughter or son of color is welcomed in these big ballet academies.” —Septime Webre

Webre’s statement points to the pipeline, the schools and training institutions, as a reason for the lack of professional black ballerinas. However, Webre doesn’t use cost and location as an excuse. His comments get to the heart of something more insidious—interpersonal discrimination.

Your Kind isn’t Welcomed Here

In many institutions, not just ballet schools, students of color are made to feel unwelcomed, alienated, and marginalized as a result of direct or indirect words and actions from their peers, teachers, and administrators. I don’t have space in this post to thoroughly explain this phenomenon, but I will make a few general statements.

  1. Being the only person of color in a classroom or school is often enough by itself (without direct or overt racism) to alienate a student.
  2. Indirect, latent, subtle, well-meaning, light-hearted, humorous, micro-aggressive discrimination or harassment is often invisible to others and difficult to explain or “prove” because of the nuanced and subjective nature of such encounters. And the burden is always on the student of color to prove that their experience was discriminatory or unfair.
  3. The two things I just described add an additional burden and stress on top of the standard task of being a good student and a developing adolescent.
  4. Carla A. Urena and Joyelle Fobbs explain:

“the perception of what constitutes a talented or gifted dancer often effects the quality of training a student may receive.” —Urena

“research indicates that having some or several of these European phenotypes appears to be linked with increased classroom attention, training and opportunities…” —Fobbs

(Implicit) Bias

Even if a black ballerina makes it through the great training grounds of ballet, she will still have to overcome the biases of artistic directors, judges, choreographers, audiences, reviewers, colleagues, and others.

People have preconceived notions about black women that do not match their preconceived notions of ballerinas. While the world may think of black women as physically “strong” and thus suited for sports, many (most?) people do not think of black women as graceful, poised, light, delicate, dainty, feminine, and soft—all the things a ballerina “should be.” These preconceived beliefs often obscure reality, so that even when a black woman is dainty or soft, she often is not perceived that way. African American ballet dancer Joyelle Fobbs writes:

“For women of color, not resembling a past ballerina may consciously or subconsciously send the message to those around them and even to themselves that they have less potential, will receive less positive attention, training, and opportunities because in this particular area of appearance they do not fit within the established norm.”

But of course, the idea of what and who a ballerina should be can stretch and change. The world of ballet can open up for different types of ballerinas, ones that are shaped differently, ones that are colored differently, ones with their own unique attitudes and rhythms. Especially in a field like ballet that’s purely aesthetic, purely about the visual, purely about how one looks as a dancer.

Ballet’s Color Problem as Colorism

Wherever there’s racism, there’s colorism.

Fobbs writes:

“The ballet world has not been a stranger to the bias of colorism; in fact, the difficulties that a black ballerina already faces in finding a place at a ballet company are exacerbated by darker skin…. [T]here are still dance instructors who believe that darker skin tones are less equipped to meet ballet’s requirements.”

Pointing out racism or colorism in ballet does not mean that ballerinas who achieve great successes do not absolutely deserve them. It simply means that an equally talented dark skinned ballet dancer may be overlooked for the same opportunities.

Why Misty Copeland Gives Me Hope

Misty Copeland gives me hope that the ballet world could look very different in the future because she’s actively seeking to make a difference. She’s consciously and purposefully taking on her professional opportunities as opportunities to be a role model for other young girls of color and to change the public’s notion of what a ballerina looks like.

Even though Copeland is fair skinned by African American standards, her complexion and her body type are unique in the world of ballet. Her presence and success in that world can open doors for other dancers who do not fit the norm.

But again, Copeland goes above and beyond doing her job. She utilizes her visibility and media attention to push for change.

“But to be a black woman and to be given that role is even bigger. I think it’s just changing the way people are viewing ballerinas, number one. You just typically think of this long, tall, white woman, Russian, usually, soft and willowy. And I’m not…. For me it’s just proving myself to people that’s the most daunting… that I belong, that I’m capable, that I’m a ballerina, that it doesn’t matter what color I am, it doesn’t matter what body type I have…. I don’t think it will ever end. I think that it’s something that will take the ballet world a very long time to get used to, and I don’t think it’s going to happen within my lifetime, but it’s starting.” —Misty Copeland

Photo Credit: Gilda N. Squire

Colorism in Casting Call for ‘Straight Outta Compton’ NWA Film

The Hollywood casting agency Sande Alessi reportedly issued an “apology” through TMZ regarding their casting call for the film Straight Outta Compton (NWA biopic). Universal Pictures and the filmmakers have also since distanced themselves from the casting call.

Here’s the casting call originally posted on the agency’s Facebook page, then deleted, but not before being transcribed by Gawker:

SAG OR NON UNION CASTING NOTICE FOR FEMALES-ALL ETHNICITIES- from the late 80’s. Shoots on “Straight Outta Compton”. Shoot date TBD. We are pulling photos for the director of featured extras…

SAG OR NON UNION FEMALES – PLEASE SEE BELOW FOR SPECIFIC BREAKDOWN. DO NOT EMAIL IN FOR MORE THAN ONE CATEGORY:

A GIRLS: These are the hottest of the hottest. Models. MUST have real hair – no extensions, very classy looking, great bodies. You can be black, white, asian, hispanic, mid eastern, or mixed race too…

B GIRLS: These are fine girls, long natural hair, really nice bodies. Small waists, nice hips. You should be light-skinned. Beyonce is a prototype here…

C GIRLS: These are African American girls, medium to light skinned with a weave…

D GIRLS: These are African American girls. Poor, not in good shape. Medium to dark skin tone. Character types…

Okay, I’ll give you time to read that over again…

According to TMZ the agency says the casting call was an “innocent mistake,” and that anyone can audition as D Girls, not just dark-skinned African American girls.

As for their A-B-C-D grouping, it’s apparently what they typically use to find different types of people for any project.

In fact, the letter system is apparently common in Hollywood casting in general as a way to rank either attractiveness or importance. Yesha Callahan at The Root writes:  “For anyone not familiar with casting and the categories used, in the above post the letters A, B, C, and D are used to rank the extras. ‘A’ means the ‘better-looking’ extras, and ‘D’ stands for the undesirables…”

Now that you know  the A through D ranking system is commonly used in Hollywood to measure attractiveness or importance, you might want to scroll back up and review this particular casting call again. Go ahead. The rest of this post will be waiting when you get back.

Colorism in Casting is Common

Sadly, colorism in Hollywood is not limited to just this one particular casting call. Even actresses as famous and successful as Gabrielle Union, Viola Davis, and Alfre Woodard have spoken about the disparities in casting based on skin tone.

In a special “Oprah’s Next Chapter,” these darker skinned actresses briefly discussed being told “You can’t go for that role because that’s for the ‘cute’ black girl.”

ABC News also has a post on skin tone discrimination in Hollywood that includes the perspective of one light skinned actress:

Actress Wendy Raquel Robinson has noticed the difference. “I’ve never been offered, you know, the crackhead or the distressed mother,” she said. “I play the very upscale, educated young lady,” Robinson said. “I do have some peers that are a lot darker than myself. They don’t get the opportunities.”

If women who looked like Gabrielle Union, Lupita Nyong’o, Kelly Rowland, Tyra Banks, or Naomi Campbell auditioned for Straight Outta Compton, they’d be limited to D roles only (maybe Tyra could squeak by in a C role) no matter how gorgeous they are.

But this has bigger implications than who gets cast as “pretty” or “unattractive” characters.

Colorism reduces earning potential for dark skinned actresses

In their apology to TMZ, Sande Alessi said they weren’t just looking for dark skinned African Americans to play “poor” girls. Notice, however, that they did not correct anything about their A, B, or C casting descriptions.

Would dark skinned girls be allowed to audition for A, B, or C roles?

If not, then non-blacks and light skinned blacks could potentially audition for any of the four categories, while dark skinned black girls are limited to auditioning for only one. Because of a racist stereotype, there are four times as many job opportunities for light skinned women as there are for dark skinned women in this particular casting call.

As difficult as it is for dark skinned women to be cast as the gorgeous girl in minor or supporting roles, it’s even more difficult for them to land the more lucrative leading roles.

Denzel Washington told The Hollywood Reporter the advice he gives to his own dark skinned daughter:

I tell my daughter: “You’re black, you’re a woman, and you’re dark skinned at that. So you have to be a triple, quadruple threat…. Look at Viola Davis. That’s who you want to be. You want to be her. Forget about the little pretty girls because … if you’re relying on that, when you hit 40, you’re out the door. You better have some chops.”

The idea of earning potential being affected by skin tone discrimination is not new.

Colorism and Class

Several others have noted the only mention of class is in the D category, which in this casting call is associated with being less attractive and medium to dark skinned.

In many countries, dark skin is associated with poverty, while fair skin is associated with wealth. These associations are unfortunately based on a bleak reality (Brazil example).

Even research in the U.S. provides evidence of a color-based wealth/income gap that sort of runs parallel to the race-based gap. (I’m currently delving into the historical research of Howard N. Bodenhorn. You can explore more research on colorism here.)

However, this does not mean that all poor or wealthy people have the same physical features. Poor and wealthy people come in all colors, sizes, and shapes.

The repeated Hollywood depictions of dark skinned people as poor and uneducated or light skinned people as wealthy and successful, actually helps perpetuate socio-economic disparities in the real world.

Colorism and Hair Politics

The writer of this casting call was very clear that the “hottest of the hottest” girls have long hair that’s not weave.

First of all, women of all ethnicities wear fake hair pieces in Hollywood, even the ones whose hair is already long. It’s called being an actress, or model, or performer. One gig might require a short bob, the next might require a big afro, the next might require a bald head, and the next might require Rastafarian style locs. In order to make this happen, stylists use fake hair all the time. It’s HOLLYWOOD. Nothing is as it seems.

Second, not only have they excluded dark skinned women from A or B roles, they’ve also excluded light skinned women reminiscent of Halle Berry or Alicia Keys, and even white women reminiscent of Jennifer Lawrence, just because their hair is short.

Third, the ranking suggests that the most attractive girls in the film will all have naturally long (straight/wavy) hair. This is Hollywood again perpetuating a dangerously narrow or unrealistic standard of beauty. The truth is, my friends, beautiful women come with all different types of hair textures and lengths, including bald. But, as this casting call exemplifies, we’ll never see the diversity of that beautiful hair because it’s restricted before casting directors ever actually see any women. They don’t even allow for the possibility that the “hottest” woman to audition might have short hair. It would appear they can’t even fathom such a thing.

Finally, the casting call plays on the stereotype that African American women in general, and in particular medium and dark skinned women are not able to have long hair without weaves. This is a myth. The problem, as Dr. Neely stated in her post on hair shaming, is that black women’s hair is damaged in the cycle of trying to achieve styles that are naturally suited to white women’s hair, thus preventing many black women’s hair from growing to it maximum potential. Again, this casting call is a perfect example of why so many black women try to achieve that look, because it’s what society ranks and has always ranked as most attractive and acceptable.

“That’s just how it is.”

by B Garrett via flickr

When I consider how many projects Sande Alessi has worked on, it’s no wonder there’s so little representation of dark skinned black women in Hollywood. In most of their films, they probably didn’t even bother casting African American women, and thus have never been exposed for their racism and colorism. But Straight Outta Compton clearly presented a challenge for them. Since they had to include lots of black women, I guess they figured they should do their best to limit them to the “least desirable” roles.

It’s perfectly fine for casting directors and filmmakers to want specific characters. There’s nothing wrong with specific. Specific is art.

But the so called “specific” descriptions in Sande Alessi’s casting call are nothing more than racist, regressive, lazy, shallow, stereotypes. That’s bad storytelling. That’s bad film-making.

And while that’s always and too often the reality in Hollywood, we have a right to be unsatisfied with it. We have the right to speak out, to petition, to boycott, to never stop fighting for change. Because what happens in Hollywood, unfortunately doesn’t stay in Hollywood. It get’s projected around the globe and has real-world consequences.

I am happy to see that as of Friday, Universal Pictures and the Straight Outta Compton Filmmakers have released a statement distancing themselves from the casting call:

“the filmmakers … did not approve and do not condone the information in this casting notice. We regret and sincerely apologize for being in any way associated with the offensive descriptions it contained.”

A Brief Introduction to Colorism for Children and Young Adults

brief introduction to colorism for children and young adults

I. The Purpose of this Resource

brief introduction to colorism for children and young adultsThe purpose of this Introduction to Colorism is to help parents, educators, mentors, and counselors facilitate discussions about colorism with young people of all ages.

The following is meant to give youth an introductory glimpse of what colorism is, where it comes from, and how it affects people. This is done primarily through literature and discussion/written responses.

Whether or not they’ve ever heard of the term “colorism,” you will find that many people have observed or experienced acts of colorism at some point in their lives, while others have not. These materials are designed with both sets of audiences in mind.

II. What is Colorism?

Colorism is prejudice toward others because of their skin color or features such as hair texture and eye color. It may also be a dislike for your own skin color and features.

Two people may be the same race and still be treated differently because of how dark or light their skin is.

Colorism is something that happens all across the country and all around the world. There are a few different explanations for why it exists, but most historians say it’s the result of racism during colonialism and slavery.

During slavery in the United States, for example, many Native Americans and Blacks were mixed with white ancestry. Although they were not treated as equal to whites, some people believed that being mixed with more European ancestry made them more acceptable than Native Americans and Blacks who were not mixed.

Since those times, colorism has taken many forms, and people of all colors have been perpetrators and targets.

III. Suggested Readings on Colorism with preliminary questions

A. Elementary

1.Same Difference by Calida Rawles (also in video format via YouTube)

a) How do Lisa and Lida treat each other before they see their differences?

b) How does Lisa and Lida’s grandmother help the girls feel good about their differences?

2. Skin Again by bell hooks

a) What can a person’s skin tell you about who they are?

b) What can a person’s skin NOT tell you about who they are?

3.Nina Bonita by Ana Maria Machado

a) How does the bunny feel about Nina’s black skin?

b) What does this story show us about different skin colors in families?

B. Middle

1. The Skin I’m In by Sharon G. Flake

a) How or why does Maleeka develop a dislike for her skin color?

b) What does Miss Saunders teach Maleeka about being comfortable in her own skin?

2.Fall Secrets by Candy Dawson Boyd

a) How does Jessie’s relationship with her sister affect her feelings and actions at school?

b) How does opening up about her secret start to change Jessie’s attitude and feelings about skin color?

C. High

1. Like A Tree Without Roots by Teresa Ann Willis

a) How does history play a role in Jasmine’s attitude about her skin color and features?

b) What steps does Jasmine take on her journey to self-acceptance?

2. “Team Lightskinned” YouTube video via CNN

a) According to the poem, what are some of the burdens and privileges of being light- or dark-skinned?

b) How does this poem demonstrate a need for empathy among people of different colors?

3.Maud Martha by Gwendolyn Brooks

a) How does colorism impact family dynamics in Maud Martha?

b) How does colorism affect romantic relationships in Maud Martha?

D. College

1.The Blacker the Berry by Wallace Thurman

a) How is skin color tied to class and social status in Blacker the Berry?

b) How does Emma Lou perpetuate colorism toward herself and others in the novel?

2.Coffee Will Make You Black by April Sinclair

a) How or why does Stevie learn to appreciate her own skin and hair?

b) What can we learn from this novel about how and why colorism is perpetuated?

IV. Colorism Writing Prompts/Discussion Starters

A. Have you ever heard someone make negative comments about another person’s skin color? If so, what did you hear them say, and how did you feel about it?

B. How is colorism similar to or different from other types of prejudice?

C. Do you think a person’s skin color is really what makes them smart, nice, or beautiful? Why or why not?

V. Next Steps

After you’ve reviewed these materials and have attempted to use them, please give me your feedback. Any ideas, suggestions, or critiques would be quite helpful in the future development of educational resources on colorism.

Colorism in Relationships: Preference or Prejudice?

dark brown man in green shirt hunging dark brown woman with pink shirt holding a boquet of flowers looking back and smiling at the man. colorism in relationships preference or prejudice

Why do we date who we date? What’s really behind our choice of marriage partners? Is love truly blind? And more to the point of this post, is there colorism in relationships? How can we discern if it’s a matter of preference or prejudice?

Watch LIVE: Dr. Webb Elaborates on Colorism in Relationships and Preference vs. Prejudice (or Scroll to Continue Reading).

If there is colorism in relationships, how can we tell the difference between a person who coincidentally falls for someone of a certain skin tone versus someone who is color struck?

Here I present one perspective on this matter. Of course there are other viewpoints out there. If you’re new to this issue, I encourage you to explore those as well, after you’ve considered the following.

Is there Colorism in Relationships?

Yes. As Kola Boof says in this video, we can control who we love. As a society and as individuals, we make conscious choices about who’s loved and who’s rejected. We must not be satisfied with an uncritical acceptance of our beauty standards. We have to be willing to examine why we have preferences and realize that “preference” isn’t merely biological, physical, harmless attraction. Our preferences are shaped, molded, and conditioned by our environment. There’s no doubt in my mind that colorism plays a huge role in romantic relationships, but perhaps there’s some doubt in yours. So here’s why I’m so sure that colorism exists in relationships.

Because Racism Exists

As long as racism exists, and as long as that racism is internalized by various groups of people, colorism will also exist. That’s because racism causes colorism, like an offshoot.

If you believe that the world has evolved to a point where racism is no longer an everyday problem, then you might not recognize colorism as a problem either.

Because of the Research

In a 2002 article, “Race and the Politics of Personal Relationships: Focus on Black Canadian Women,” Evangelia Tastsoglou, explains how it’s not surprising that some blacks have adopted “society’s color complex” because of all the racism, white supremacy, and stereotypes that saturate everyday culture.

Tastsoglous also summarizes a lot of historical research on the issue by writing, “Even in the Black community, the fair-skinned Black woman who most nearly resembled White women was seen as the lady and placed on a pedestal, whereas darker-skinned Black women were viewed as b****** and whores.”

Christopher A. D. Charles, who focuses on Jamaican culture in the article “Skin Bleaching and the Prestige Complexion of Sexual Attraction,” explains that many Jamaicans who bleach their skin do so to be more attractive to potential mates.

Charles also makes the very important statement that, “some of these people choose a browning [light skin] partner to have light skin children.”

Although there’s more research, I’ll close this section by referring to the writings of Darrick Hamilton, Arthur H. Goldsmith, and William Darity, who co-wrote “Shedding ‘light’ on marriage: The influence of skin shade on marriage for black females.” In that article, the writers refer to prior research that’s provided “ample evidence that greater social status is ascribed to black women with lighter skin shade in the U.S.”

However, in their own research, they establish further evidence of this, specifically for women under the age of 30. They report that “as skin shade lightens the incidence of marriage rises.” More specifically, they report general percentages as follows: “55 percent of light skinned black females had been married, but only 30 percent of those with medium skin shade and 23 percent of the dark skinned females had ever been married. The ever married rate for young whitewomen, 50 percent, is slightly less than the rate for young light skin blackwomen…”

Because of Lived Experiences

In the short film, “Fair? – A documentary about skin colour in India,” several people report on the pervasive culture of colorism in India.

The first woman to speak, who’s not really dark by world standards, admits that throughout her childhood people had told her: “You are dark, so you will never get married.”

Other testimonies in the documentary discuss how weddings have been cancelled because the bride was too dark, that photos used in marriage proposals are lightened and the women are made to wear powder to appear fairer, that local ads specifically request fair skinned marriage partners, and many more instances of day-to-day colorism in relationships.

Academy Award winning actress Lupita Nyong’o was told by a teacher while growing up in Kenya that she wouldn’t be able to find a husband because she was so dark.

In my own experiences living in the United States, I’ve heard many people explicitly say that they only date people with a certain skin tone. Beyond only dating men or women with a certain complexion, some people even go so far as to taunt, harass, belittle, and demean people who don’t meet their standards for skin tone. In some cases, men admit that they’ll sleep with women of any complexion, but will only date or marry women with light skin.

I’ve witnessed this kind of discrimination firsthand, and have observed it in numerous movies, TV shows, and song lyrics. If you have not, then consider yourself lucky, but don’t consider it proof that colorism in relationships must be a myth.

Preference or Prejudice?

close up of clasped hands of a dark brown skinned couple colorism in relationships preference or prejudice

I acknowledge that many relationship choices are controlled by subconscious programming, both biological and sociological. However, there are some clear signs that a person isn’t innocently falling for whomever destiny has chosen for them.

Predetermined Attraction

If physical attraction is supposed to be biological and instinctual, then predetermining the skin color of a future partner is a clear warning sign that a person is color struck.

Saying, “I only date ___ skinned girls/guys” exposes the colorism behind a person’s choice of partners.

Also, predetermining who you will partner with based on their skin color is NOT the same as preferring a certain personality, work ethic, or sense of humor. Skin color has no substantive effect on the quality of a relationship, whereas other sorts of personal qualities often do.

If a person is really just reacting to pure physical attraction rather than superficial societal standards, they would not be able to predetermine who they will or will not be attracted to based solely on skin color because not all dark/brown/light skinned people look alike.

And just because lots of people have similar superficial prejudices against other physical features, doesn’t make colorism in relationships okay.

Fetishes or Stereotypes about Complexion

A second warning sign that a person is color struck is that they make excessive comments about skin color. The comments may be positive or negative, and they may be about the person they’re currently in a relationship with or a total stranger.

The real giveaway is whether the comment contains over-generalizations, fetishizing language, and stereotypes (“dark/light skinned girls be like…”).  If a person’s choice is really just “preference” based purely on biological physical attraction and not socially conditioned prejudice, then there would be no need for fetishizing and stereotyping. If you can’t express your so called “preference” without demeaning other people, then it’s not merely a “preference,” it’s actually prejudice. If racist stereotypes aren’t cool with you, then colorist stereotypes shouldn’t be either. And it does not matter if the person claims it’s “just a joke.” It’s still colorism.

If you can’t express your so called “preference” without fetishizing complexion, then it’s not a “preference,” but a sickness. It’s one thing to find someone’s complexion, hair, and features attractive. It’s another thing entirely to fetishize those traits.

Hypocritical Stance on Discrimination

Someone says they would never date outside of their race, and you call them racist. Someone says they’d never date a dark skinned girl, and you shrug and say it’s just “preference.” Those who insist that race should not matter in who a person loves, should, by their own logic, also insist that skin tone should not matter. Instead, those who “go to bat” to defend black men who choose to date/marry non-black women, saying it’s wrong to discriminate based on race, are completely silent and perfectly okay with black men (and women) discriminating based on skin tone. They support skin tone discrimination by saying, “it’s just preference,” but will call other people racist if they choose to only date within their race.

The ugly truth is that this double standard plays into the hands of colorism and white supremacy: Fight for the right to marry white/light (an effort founded on the perceived superiority of whiteness) and cosign anti-blackness.

Why Does it Matter?

  1. These harmful beliefs don’t just affect who dates whom. These negative ideas permeate other important aspects of our lives like employment and health.
  2. Marriage or partnership in general has a significant impact on the socioeconomic status of women.
  3. Colorism in dating and marriage choices upholds white supremacy and racism.
  4. Anti-black prejudice is wrong. Period.

Recognition is Only the Beginning

Some people really struggle to admit their prejudices (and perhaps never will), while others boast about their colorism. I don’t  go out crusading to change these people’s attitudes and actions. I merely focus on awareness. It’s not my goal to make a color struck adult see the beauty in all skin tones. But by focusing on awareness, and acknowledging that the problem of colorism in relationships is real, perhaps we can impact younger/future generations and open up lanes of healing.

If you’re looking for a speaker or facilitator for your next colorism event, learn about Dr. Sarah Webb’s colorism keynotes and workshops.

dr. sarah webb speaking at a podium holding a microphone with one arm extended during during her keynote speech for women's history month at the university of the pacific 2023. she's wearing a black turtleneck, multicolored skirt, and bold jewelry

Colorism in Hip Hop: Keeping it Real

The phrase ‘keeping it real” was coined by the hip hop world, a genre of music I’ve been known to enjoy. But many of the biggest names in hip hop are consistently guilty of NOT keeping it real. This applies to many aspects of hip hop, but for our purposes, we’re going to examine colorism in hip hop. The following are eight aspects of colorism in hip hop that we must be “real” and honest about.

Listen to Dr. Webb read this post or scroll to continue reading.

1) Colorism in hip hop does exist.

There’s debate about whether or not colorism exists in general, so we can expect controversy when discussing whether or not colorism exists in hip hop. Many have argued that it’s merely a preference rather than a prejudice. Defenders of all things hip hop would have us believe that it’s merely coincidence that so many rap lyrics glorify light skinned women and diminish dark skinned women, that it’s mere coincidence that so many rap videos exclude dark skinned women altogether, or that so many rappers choose to partner with light-skinned or non-black women exclusively and openly brag about it.

Well, as Huck said on a recent episode of Scandal, “Two things make a coincidence. Three things make a conspiracy.” Colorism in the music industry and elsewhere is a sign that the conspiracy of white supremacy has been fairly successful thus far. The pattern of positioning light skin and european features as the standard of feminine beauty is too pervasive to not be seen as something more insidious than “coincidence” or “marketing” or “crossover appeal.”

But, in case anyone still has doubts, just remember that hip hop stars have explicitly expressed their colorism. They can’t argue “coincidence” when rappers are blatant about their prejudice against dark skinned women.

2) Colorism in hip hop is another product of our long history of white supremacy.

I read recently that colorism exists partly because all cultures tend to favor the “exotic.” If this alone could explain colorism in our world today, we would see more dark skinned or mixed race people in European fashion shows. But we don’t. It’s hard to find even lighter skinned women of color on runways around the world. The exotic argument is related to the idea that colorism is nothing more than trivial preference or coincidence.

Really, there is a carefully built system that’s been strategically maintained (though weakening with time) which allows certain people to monopolize various forms of power. When you can convince an entire group of people that they are inferior to you, there are less obstacles to gaining and maintaining your power. And while that group is preoccupied with destroying itself by self-segregation and infighting, you’ll have a lot less competition. You can pull the wool over their eyes because they’re focused on their “inadequacies” rather than your injustice.

3) Colorism in hip hop has a negative effect on society.

Colorism affects us all, no matter how light or dark our skin is, because it’s an element of the racism that undermines every society. It reinforces racist stereotypes that have substantive effects in people’s lives, including employment opportunities, criminal convictions and prison sentences, marriage prospects, harassment and abuse, and more.

While hip hop is not solely responsible for perpetuating these stereotypes, it currently has one of the most significant roles in doing so. Hip hop spreads its colorist message around the globe, and it’s heavily marketed to highly impressionable youth, which leads me to the issue of low self-esteem in girls.

Some might argue that girls shouldn’t expect the media to build their self-esteem, that self-esteem should be built at home, or that girls should build their own confidence. That’s no excuse, however, to ignore direct attacks against the image of an entire group of people. If we don’t accept hip hop as a vehicle for building self-esteem, we most certainly should not accept it as a vehicle for tearing down self-esteem.

4) Artists have power to do something about colorism in hip hop.

There may be varying levels of power based on how long an artist has been in the industry or how important an artist is to a particular company. However, there are countless instances of artists in all genres exercising creative license in their videos, influencing the direction of their videos, and sometimes generating the entire idea themselves.

The idea that hip hop artists can’t do anything about casting in their videos is not only false, it also perpetuates the sense of helplessness that’s plagued our communities for far too long.

Kendrick Lamar By Jørund Føreland Pedersen

Here are a few examples of rappers who have directly affected the casting in their videos. Please note that this list does not represent an endorsement of the artists, their songs, or their videos. It merely illustrates the level of control rappers can have over their work. It also shows that rappers themselves are also aware of the level of colorism in the industry.

British Rapper Tinie Tempah said he choose all of the models for his video “Trampoline.”

2Chainz Colorism in Hip Hop Keeping it Real
2Chainz by WealthRangers

Kendrick Lamar made a last minute switch for the casting of the leading lady in his “Poetic Justice Video.” And he directly stated that his intent was to represent more dark skinned women.

2 Chainz was also outspoken on more than one occasion about purposely choosing to feature darker skinned models in one of his videos. He even pointed to the fact that his mom was dark skinned, suggesting that he has a reason to appreciate dark skinned beauty.

Finally, there’s no excuse for what rappers say in their music. While it may be easy to blame casting directors for the lack of diversity in video models, who can they blame for the colorism in their lyrics? If anyone has the power to stop perpetuating colorism through lyrics, it’s the artists themeselves.

5) Fans have power to do something about colorism in hip hop.

For us fans, it all comes down to money and support. If we stop spending money on them and stop supporting them, rappers will quickly learn that colorism shouldn’t be profitable.

6) Most don’t do anything about colorism in hip hop because they’ve been conditioned by white supremacy.

When people have power but don’t use it, it’s for one of two reasons: they don’t know they have any power, or they simply don’t want to use their power. When it comes to hip hop and colorism, most people, fans and members of the industry included, are complacent because they believe lighter and whiter is better. They don’t protest the existence of colorism because many of them agree with it. It’s a hard reality, but we won’t make progress on the issue of colorism unless we admit that our communities are filled with people who think it’s okay to privilege one shade of skin over another. We have to know where we stand. If a fan agrees that light skin is better, of course they’re going to attack you on twitter in defense of racist rappers.

7) Colorism is not just in Hip Hop.

Colorism leaks from the society at large into every genre of music that we create. It’s just more obvious in hip hop because the majority of the artists in that genre are people of color.

R&B has gotten away with a lot of colorism because the genre as a whole has less of an image problem, but it exists there too.

I point this out not to let hip hop off the hook, but to make sure we’re considering the issue holistically as well. We must address the issues in hip hop, but we must also address the issues in homes, schools, runways, churches, movie screens, magazines, boardrooms, and wherever else it needs addressing.

8) Although colorism in hip hop may seem overwhelming, we must continue to speak and act against it.

Social progress through out history shows us that change is slow, painful, and contentious. Some of us may not live long enough to see the full fruits of our labor, but we must labor anyhow.

Let’s be critical consumers and spread media literacy. Let’s create and and appreciate more constructive images of diversity. We don’t have to ban hip hop altogether, but let’s be real about the problems that exist within its culture.

Are You Doing Enough to Help Your Child Deal with Colorism?

black girl with plaits via blue skyz media on flickr; help your children deal with colorism

“I always tell my daughter she’s beautiful,” said one father in response to our discussion about colorism. He, like many parents, believed that she was too young for any discussion beyond that. Like many parents, he thought that this vague show of affection was enough to ward off the world’s animosity toward dark skin and Afrocentric features. Yet despite his regular proclamations of his daughter’s beauty, she herself actually saw very little beauty or worth in dark skin. I could see it, but he was clearly in denial. If you really want to help your child deal with colorism, it’s time to stop relying on the easy excuses.

Why merely telling her she’s beautiful isn’t enough

The typical human mind processes negative feedback more deeply than positive feedback. It’s said that for every instance of negative feedback, it takes 5 to 6 instances of positive feedback to balance the negative. I first heard this in an intro to psych class in undergrad, and I’ve never forgotten it.

There’s a lot of negative messages about dark skin and Afrocentric features floating around our communities, institutions, media, family, and other places that our children frequent. Research shows that even if we told our children that they are beautiful every day of their lives, it probably won’t be enough to balance out all of the negativity that says otherwise.

Then there’s also the idea that a parent’s love is blind, that parents believe their children are beautiful because they’re theirs. For some children, the fact that you’re their parent may limit the effectiveness of you telling them they’re beautiful.

Finally, telling your child that she is beautiful doesn’t necessarily communicate to her that you think dark skin and Afrocentric features are beautiful in general. Remember that eradicating colorism is about more than individual self-esteem—it’s also about being able to see beauty in all its shades and forms. So even if telling your daughter that she’s beautiful causes her to really believe that she is, that doesn’t automatically mean that she’ll be able to appreaciate dark-skinned beauty in others. I’ve met a lot of dark-skinned girls over the years who see themselves as beautiful, yet believe that they are an exception and that light-skin is generally more beautiful.

Why you can’t wait for her to be the “right” age

Studies show that children can recognize differences in skin color, hair, and other features as early as six months old, and that by age four, many children have already begun assigning positive and negative traits to those differences.

My own mother often tells the story about how I was able to verbalize my awareness of colorism at the age of five. At age six I had already been called a “black n****r,” and was told by a playmate: “I like your sister better than you because she’s white and you’re black.” At age nine, a girl in my dance class said, “Eeww! You’re so black!” And those were only the blatantly stated messages of hatred for dark skin. Consistently throughout the years there were countless other messages about skin color, hair, and other features.

Many parents make the mistake of waiting until their child is old enough to have intellectual conversations, possibly even as late as adulthood. But the evidence points to the need for parents to intervene as early as possible before attitudes solidify and are thus harder to change.

As far as not saying or doing anything, just remember that ignoring an issue is the same as condoning it. Imagine what message you’re sending to your child when they can clearly see discrimination, but for some reason they’re parents act like everything is normal.

What it really takes to help your child deal with colorism

Courage. It takes a tremendous amount of courage to talk to our children about any tough issue, whether it’s drugs, sex, death, or racism. But the tougher the issue, the more they need our guidance as parents. Better they learn from us than from the media, or peers, or other sketchy sources.

It also takes honest and direct conversation. We must be honest about the fact that colorism and racism do exist and that they cause a lot of pain. We must not skirt around the issue or make our children think it’s such a taboo topic that they can’t talk to us about it. In order to let our children know that they can come to us, we must first go to them.

Finally, it requires proactive effort.

We must be careful with our comments about the attractiveness of others, including ourselves. If you always tell your dark-skinned daughter she’s beautiful, yet she never witnesses you acknowledge the beauty of other dark-skinned girls and women, what message are you really sending?

We must be mindful of how we treat others. Even without words, children can recognize preferential or unfair treatment, and they will recognize whether there’s a pattern based on skin color or hair texture.

We must also be mindful of who and what our children are exposed to. Limit their interaction with people you know are color-struck. Expose them to a wide diversity of skin tones, races, features, languages, etc. Limit their viewing of general media, and increase their viewing of racially diverse media, especially media that affirms the beauty of darker people.

In the end, you’re not doing any more or less than you would normally be doing as a good parent. For example, you’re probably already buying books for your daughter. Now just consider the kind of books you buy.

What do you do to help your child deal with colorism?

The Epidemic of Skin Bleaching Around the World

Personal preferences. Individual lifestyle choices. Freedom… Those are some of the things people call upon to explain and justify their indifference about the things other people do. When we talk about something like skin bleaching around the world, they say it’s no different than pale people getting tans. Well, they’re right about that. Tanning and bleaching are very similar in that both can be deadly, especially for those who can’t afford vetted, high-quality bleaches. Of course most people survive these practices, but not without long-term damage to their skin and overall health. There’s also the literal cost of skin bleaching. People continue to exploit colorism and racism for profit. So, I ask: Fair skin at what cost?

nadinola lightening cream

Harmful Effects of Skin Bleaching

The source of danger when tanning, of course, is overexposure to UV rays. The source of danger when bleaching is overexposure to certain chemicals.

Throughout history, among different groups of people, and in various places around the globe, people have created a myriad of concoctions that supposedly lighten the skin. In Europe, certain whitening cosmetics once contained white lead which could cause symptoms as serious as blindness or paralysis (Blay, 2011, p. 21). In addition to lead, many skin whiteners around the world use corticosteroids, hydroquinone, and mercury. Extended exposure to these chemicals (like lathering it on one’s skin on a daily basis) can have harmful effects such as neurological damage, kidney disease, ochronosis, eczema, bacterial and fungal infections, skin atrophy, and Cushing’s Syndrome (Glenn, 2008, p. 285).

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What’s worse? Once exposed to some of these chemicals, the body forms a type of dependency, making it difficult to stop using the product because of adverse reactions when you do. Afua Hirsch (2012) quotes Dr Fatou Fall, a dermatologist from the Institute of Social Hygiene in Dakar: “Even when they discover the side-effects and want to stop using the creams, they find they cannot stop. It’s only when you stop that the skin changes and begins to become completely burned” (para. 12).

Artificially fair skin is costing people their health, but in many cases it also costs them the very thing they were so desperate to attain—confidence.

You might shrug it off. So what if they want to engage in self-destructive behavior? So what if a few people choose to take the risk of doing permanent damage to themselves?

Well, it’s a whole lot more than a few, and it’s not just “those people.”

Fair Skin has Another Cost

Large numbers of people in every region of the world use some type of skin lightning product. Some countries may not have much use for the stuff, but they’re nonetheless in the business of manufacturing it. The issue of skin bleaching, therefore, is not about “them.” It’s about us. 

With the rise of the internet, the world players in the skin bleaching market have become even more connected. Companies have new inroads for marketing and distribution, and consumers have greater access to information and products (Glenn, 2008, p. 283). This is one reason why I’m such an advocate for using the internet as a means of counteracting, the obsession with lighter skin. Hence this blog and others like Dark is Beautiful, which is based in India.

Evelyn Glenn (2008) writes about how skin lightening is “interwoven into the world economic system and its transnational circuits of products, capital, culture, and people” and about the “media and messages, cultural themes and symbols, used to create the desire for skin lightening products” (p. 282). These products are manufactured in some countries and exported or smuggled into others. The media messages are conceived and created by a few individuals and are projected throughout the world. In fact, Distribution of mercury soap has been illegal in the EU since 1989, but it’s manufacture has remained legal as long as the product is exported” (p. 285).

To be blunt, I interpret this type of legislation as race- or ethnicity-based capitalism. If it were merely capitalism, then they would allow the mercury soap to be sold anywhere, including Europe. However, the governments and the manufacturers in those countries know the dangers of mercury and want to protect their own people, but are quite willing to make a profit at the expense of people’s health in other nations.

According to Glenn (2008), “the desire for lighter skin and the use of skin bleaches is accelerating in places where modernization and the influence of western capitalism and culture are most prominent” (p. 295).

And so, the new face of imperialism can be seen in magazines, on billboards, and on Movie, TV, and computer screens around the globe. The skin bleaching market is similar to colonialism in that the promotion of white superiority allows a few powerful and wealthy groups to become increasingly wealthy and powerful at the cost of masses of other people.

In 2012, Indians reportedly consumed an estimated 233 tonnes of bleaching products (Rajesh, 2013), and in terms of sheer numbers, Indians make up the largest skin bleaching market. In some African cities, as many as 52-77% of women use skin lighteners. A Synovate market survey in 2004 showed that 50% of respondents in the Philippines reported using skin lighteners. In places like Japan, China, Taiwan, and Korea, global surveys report that 20-50% of the of respondents had used skin bleaches and that 20-50% would use more if they could afford it. Mercury laden creams are still widely available in parts of Latin America, and in the U.S. women of all races, including Europeans and whites, have long legacies of skin whitening or lightening. (Glenn, 2008, pp. 284-295). And these indicators probably underestimate the practice of skin bleaching around the globe.

I present this information for people who might’ve thought skin bleaching was an isolated, marginal problem in limited places. It’s not. I reiterate that skin bleaching is a global issue with well-known roots.

The Roots of Skin Bleaching Around the World

One piece of research that shifted the way I think about white supremacy in general and skin bleaching in particular is that the practice actually began in Europe among the Europeans themselves (as opposed to immigrants from Southern nations). According to Dr. Yaba Blay (2011), “much of the history of European aesthetic practices is a history of whitening skin” (p. 20). Because of Queen Elizabeth I’s efforts to make her skin appear ghostly white, nearly transparent, extremely pale skin became known as the “Elizabethan ideal of beauty.” This ideal and practice of skin whitening was carried over to the Americas by female European settlers (p. 21).

This information supports the idea that skin bleaching is an issue that affects everyone. It shows that white supremacy even negatively affects white people. It shows that any ideal of physical beauty is arbitrary, unattainable, and downright foolish. But back to the history of it all.

The most basic and effective propaganda was founded on the dichotomy of white vs. black and light vs. dark, probably because they were and still are viewed as pure opposites in many cultures. Glenn (2008) explains that, “In Southern Africa, colorism is just one of the negative inheritances of European colonialism. The ideology of white supremacy that European colonists brought included the association of blackness with primitiveness, lack of civilization, unrestrained sexuality, pollution, and dirt” (p. 284). This was an effective type of messaging against black people around the world, but also effective for any group of darker skinned or brown people.

In desperate attempts to escape these negative associations, to escape various forms of discrimination, and to escape other concrete forms of oppression, people try to attain “light-skinned priviliege” in various ways, skin bleaching being one of them (p. 282).Blay (2011) lists the most common reasons that Ghanian and Tanzanian women give for using skin lighteners, including:

  • to remove blemishes and imperfections and to counteract effects of the sun
  • to appear and feel clean
  • to appear white, European, and “beautiful”
  • to please a partner, grab attention, or attract potential mates
  • to impress peers, appear sophisticated and modern, and gain economic and social mobility. (p. 22)

Among some African American women who participate in internet forums, the goal is to have light skin not white skin. They also state the desire to even out skin tone, remove blemishes, or to be two or three shades lighter like many American celebrities such as Halle Berry or Beyonce (Glenn, 2008, p. 288).

Young Filipinas who participate in such internet forums are similar in that they don’t look to white Europeans and Americans as the ideal. They see Japanese and Koreans as having the desirable skin tone, or “Spanish-  or Chinese-appearing (and light-skinned) Filipina celebrities, such as Michelle Reis, Sharon Kuneta, or Claudine Baretto” (Glenn, 2008, p. 291).

As I stated before, imperialism continues in a more high-tech and glamorous fashion, but it’s still the basic practice of presenting one thing as the ideal, so that you can capitalize off of people trying to attain that ideal.

Historians and anthropologists have disagreed about whether world cultures favored lighter skin tones before European colonialism, but the obvious source of large scale skin bleaching around the world today is  a form of global capitalism that exploits the historic ideology of white superiority.

Read Next: What can We Do About Skin Bleaching Around the World?


References

Blay, Y. A. (2011, June). Skin Bleaching and Global White Supremacy:By Way of Introduction. The Journal of Pan African Studies4(4), 4-46.

Glenn, E. N. (2008, April). Yearning for Lightness Transnational Circuits in the Marketing and Consumption of Skin Lighteners. Gender & Society22(3), 281-302.

Hirsch, A. (2012). The Guardian.

Rajesh, M. (2013). The Guardian.

Colorism vs. Racism: What’s the Difference?

colorism vs. racism what's the difference between colorism and racism

Because many people have not heard of colorism and may be unclear about how it relates to racism, I want to explore the particular definitions and the relationship of colorism vs. racism.

Defining Colorism and Racism

Colorism- prejudiced attitudes and/or discriminatory acts against people based on the color (shade or tone) of their skin

Racism- prejudiced attitudes and/or discriminatory acts against people based on their actual or perceived racial status

I want to highlight the fact that people of different races may have the same skin tone. See the three women below.

And people of the same race may have different skin tones. See the two women below.

In cases of racism, two people of different races but identical skin colors will be treated differently. In the movie Pinky, for example, Pinky is a black woman who looks white. Despite her white skin color, Pinky is still mistreated and discriminated against just like the other blacks in her community.

In cases of colorism, two people of the same race but different skin colors will be treated differently.

This is how each operates on a fundamental level. Of course there are additional factors that may complicate each case, for example, other group identifications that could trump race or color in specific situations such as family, nationality, gender, occupation, or wealth, etc.

The Relationship Between Colorism and Racism

The relationship between colorism and racism has been explored by others before. The consensus is usually that colorism is a product or symptom of racism.

Societies with widespread issues of colorism also have long histories of colonization and influence by european countries. In these societies, european features such as white skin, straight hair, and light colored eyes were overtly promoted as the standard of civilized existence, intelligence, beauty, wealth, and power. In these societies, rights and privileges were also restricted to people of european decent. In places like the United States, one’s european bloodline had to be “pure,” meaning not mixed with any other races, in order to retain the rights and privileges reserved strictly for whites.

In contrast, those of other races were often forced into servitude or slavery, denied citizenship and protection under the law, classified as property along with inanimate objects and animals, labeled subhuman (3/5 human in the U.S.), denied education, barred from public places and certain jobs, and abused in any number of ways.

Colorism among people of the same race is also considered a form of internalized racism. After centuries of being conditioned to view white/european as superior and their own race and culture as inferior, many people were broken and eventually believed in and acted according to that dichotomy.

It’s under those conditions that people of varying races came to view european ancestry and european phenotypes as superior to all else and as a means to a better life. People try to acquire more european features and traits and encourage their children to “improve the race” (mejorando la raza) by marrying people who are as light or lighter and producing offspring with increasingly european phenotypes.

Colorism is a manifestation of the idea that even if one isn’t white, their worth may be determined by how closely they resemble a white person.

The woman at the beginning of the video “Negro: Colorism and Mejorando La Raza” makes the controversial yet not uncommon argument that internalized racism is more harmful and thus a more urgent concern than outside racism. Others are outraged at the idea. They call it a case of blaming the victim and insist that we can’t overcome internalized racism until we defeat external racism.

I think the battles are one in the same. If we internalize racism, we lose our will and our ability to fight the external system of racism. If we don’t value, respect, and love ourselves, why would we put up a fight when others don’t either. If we believe that white people are superior, then we won’t bat an eye at the disparities in education and wealth. However, it’s the external system of racism that teaches and enforces white supremacy, and there’s a strong case for arguing that dismantling that system would curb the level of internalized racism.

So what is the difference between colorism vs. racism? Is one issue more important than the other?

Many disagree, but I say that there is no difference. Internalized racism (colorism) and external racism are so interwoven at this point that we can’t attempt to extract one without addressing the other.

If you’re looking for a speaker or facilitator for your next colorism event, learn about Dr. Sarah Webb’s colorism keynotes and workshops.

dr. sarah webb speaking at a podium holding a microphone with one arm extended during during her keynote speech for women's history month at the university of the pacific 2023. she's wearing a black turtleneck, multicolored skirt, and bold jewelry

Is Phenotype Your Ticket to a Better Life?

Phenotype is a fancy word for how a person looks. It refers to all of a person’s physical traits that can be seen with the naked eye, such as hair, eyes, nose, lips, and skin color.

In the video Wide Angle: Brazil in Black and White, a secret panel evaluates pictures of potential students and classifies them into racial categories (black or white) based on how they look. This is to determine who qualifies to apply to the University of Brasilia through the new quota system (black) and which students had to apply as part of the general population (white). This is obviously a slippery slope, as proven by the fact that identical twins were placed in different racial categories. One twin was deemed black. The other twin was deemed white.

The relationship to phenotype and race and colorism is a very important one. Associating phenotype with race in societies where class, social status, power, and privilege correspond to race, means that people may gain more opportunities, status, power, and privilege based on how look, regardless of their actual lineage. It’s in those societies where colorism really takes root.

In the U.S. this is most acute in the practice of passing, which is when a person of one race chooses to live in the world as a person of another race. Historically these people have mostly been documented as blacks who pass for white based on their phenotype. The most commercially famous study of this phenomenon are the two versions of Imitation of Life, a film in which a young black woman essentially disowns her black mother, moves away, and lives life as a white woman.

What the film also reveals about passing in the United States, especially historically, is the constant fear of being found out, because in the U.S. phenotype does NOT determine race, at least not on paper. No matter how much people may look white, if it’s known that they have black ancestry, then they are treated like black people. That’s why the character in Imitation of Life and the countless people in the real world were forced to disown their families and everyone who knew them in the past out of the need to hide their racial ancestry.

The case of the twins in Brasilia and passing in the U.S. prove that it’s nearly impossible to rely on phenotype to determine race.

But the reason for talking about passing is to show how people believe that lighter skin, lighter eyes, straighter hair, and more European facial features is the ticket to a better life, and in many cases they have been right (depending on how one defines “better life.”) This belief is the historical root of colorism in many cultures. Colorism isn’t arbitrary.

In other countries with historically less rigid classifications of race, such as Brazil, the balance of power is still based on a hierarchy of phenotypes. Many have reported the persistent discrimination against darker skinned people in Central and South America. The University of Brasilia (and other businesses and institutions) began using a quota system because activists protested about disparities in the enrollment of such institutions. Prior to the quota system, the student body at the University of Brasilia had been up to 98% white (phenotype not necessarily race). In the case of this particular quota system, a “black” phenotype might actually open the gate to opportunity for some students, a reversal of what’s typically and historically the case.

This post isn’t to argue for or against the use of quotas. I simply use the film as a great example of how, even without rigid racial classification, even with a long history of racial mixing, colorism prevails. The skin bleaching and marriage preferences in more racially homogeneous countries is further proof. As long as the balance of opportunity, wealth, power, and privilege is decidedly tipped in favor of one race or one shade, colorism will continue to exist, and people will continue to see phenotype as their ticket to a better life.

One of my favorite speeches by Malcolm X explains that people come to hate their phenotype because of how others react to it. There’s nothing inherently wrong with how anyone looks. If we’re unhappy with how we look, it’s because of the way people have historically used our physical appearance to decide if we’re slave or free,  rejected or admitted, turned away or offered service, profiled or let off the hook, guilty or innocent, ignorant or intelligent, ugly or beautiful, dangerous or safe, and on and on and on.

Perhaps this would not be the case if everyone merely had their “preferences.” But it’s more than that. There’s a national, even global system in place that takes the notion of preference out of the equation by conditioning our “preferences” through propaganda and social norms and in many cases predetermining our “preferences” through laws. In fact, this structure is so ingrained and so ubiquitous that it’s invisible to most people in most situations. When we do see the structure, we also become aware of how difficult the structure is to dismantle, like trying to extract the flour from a loaf of bread that’s already been baked.

Thus, many people prefer to change themselves rather than change the system. Many people find it easier to demand something else of themselves rather than of the system. Many people decide that if they can’t fight the system, they have to find a way to survive within it. Colorism.

If you’re reading this, I hope that you reject the notion that we as people are flawed and recognize that it’s the system that’s deficient and needs changing. In the current structure of many societies today, phenotype IS a ticket to a “better life,” but with continued work, we can see to it that everyone can own such a ticket regardless of how they look.

Colorism in the Media Affects Women and Men Differently

Standing in the lobby of a movie theatre near my home, preparing to see the blockbuster hit The Butler, I noticed a movie poster for the upcoming movie Baggage Claim. The poster was a perfect example of how colorism in the media affects women and men differently.

Though this has been blatant for years (see my fave example, Coming to America), the idea was fresh on my mind because I’d recently read this post by Anti-Intellect where he writes:

“In the minds of many Blacks who have embraced white supremacist thinking, light skinned Black women represent both idealized beauty and femininity, and therefore are always “in style”…. We are much more comfortable with dark skinned men than we are with dark skinned women. A dark skinned man can be seen as macho, rugged, rough; all things affirming to his masculinity, and therefore appealing in the eyes of Black men and women.”

Above Anti-Intellect’s post is a picture of Idris Elba with the caption, “no female equivalent,” meaning that for all of the dark skinned male actors lauded for their physical beauty, there’s no dark skinned female actress with the same status.  Of course we can all point to Gabrielle Union as the exception, but that lone example isn’t enough to prove that all is equitable.

In the most basic terms, none of the four women on the Baggage Claim movie poster were darker than a paper bag, and all but one of the men were. In fact, most of the men on the poster are known for their very dark “chocolate” skin.

The primary female characters are Jill Scott, La La Anthony, Tia Mowry, and the lead character is Paula Patton. The male characters, however, are Borris Kodjoe, Trey Songz, Taye Diggs, Derek Luke, and Djimon Hounsou. If you’re familiar with the actors, you should already be able to see the stark contrast between male and female characters. If not, here’s the poster:

Baggage-Claim-Movie-Poster Colorism in the Media affects women and men differently

Again, this isn’t an issue specific to this movie. It’s simply the standard in Hollywood. In fact, one of the most respected and successful male actors of all time, who happens to be dark skinned, made statements that affirm colorism as the norm in Hollywood.

Denzel Washington revealed in a roundtable with The Hollywood Reporter the advice he gives to his daughter, who’s an aspiring actress at NYU:

“I tell my daughter: ‘You’re black, you’re a woman, and you’re dark skinned at that. So you have to be a triple, quadruple threat…. Look at Viola Davis. That’s who you want to be. You want to be her. Forget about the little pretty girls because … if you’re relying on that, when you hit 40, you’re out the door. You better have some chops.'”

The male actors in this roundtable seem to mostly agree that Hollywood is tougher for women in general, regardless of race or skin tone. But that’s no surprise because Hollywood reflects the patriarchy that most of the world has been built on. And in such a world, it also makes sense that colorism would affect women and men differently.

Many people have spoken and written about the excessive pressure put on women to be physically attractive according to mainstream standards, while men experience that pressure a whole lot less.

According to The Mastercopy, other successful men in the media recognize the double standard as well:

“Speaking about the inspiration behind [‘Crooked Smile’] J. Cole admitted that he has received nasty comments about his looks to the point where they have played on his mind, but he said that as a male artist, he is only under a small amount of pressure when compared to his female counterparts.

‘I feel sorry for women in the music business. It’s not designed for the best talents to rise up. It has to be a combination of talent and what’s considered beauty.  Women in life period, I don’t understand how they can deal with all the pressures…

‘As a man I don’t have to do anything. I can throw on a t-shirt and some pants.  I still have pressure, … but nothing compared to what a woman has to go through. Its like a cycle, a female artist doing that makes the girl at home feel like she has to spend her time doing the same.'”

Speaking of rappers, even though J. Cole has recently said that his lighter skin may have contributed to his success, there’s no doubt that the music industry is also more comfortable with dark skinned men than dark skinned women.The masculine, rugged, and macho associations with dark skin are extremely helpful in the careers of dark skinned male Hip-Hop artists like Tyrese, Rick Ross, Lil’ Wayne, Akon, and 2 Chainz, just to give a tiny sampling  of the many successful dark skinned men in music throughout the years. There’s a new one jumping on the scene all the time. Meanwhile, we cling to the too few examples of dark skinned women who’ve reached similar levels of popularity (Kelly Rowland, Fantasia, Estelle, India Arie?). Ironically, most of these dark skinned men are the primary perpetrators of colorism against dark skinned women in the media.

So what? What does this mean?

For me it means that it’s necessary to focus attention on bringing more positive images of dark skinned women and girls and helping dark girls create a positive self-image and self-esteem. We know that boys are not impervious, but at least they have their maleness working for them in a society still struggling to shake loose the foot of patriarchy from our necks.

Age Appropriate Discussions on Colorism

I stumbled upon a useful article on Parents.com titled, “Talking About Race, Age-by-Age.” Although it’s not specifically about colorism, I think it’s extremely relevant since we have to talk to children about colorism in the context of race in general. Discussions on colorism and many other topics are often difficult for parents, especially the part about gauging how much children know or should know at certain ages.

The author of the article, Kara Corridan, uses the research of Dr. Rebecca Bigler, who breaks down the developmental stages of racial perception and understanding into four different age groups.

6 months – 1 year: Children can recognize differences in skin color and hair texture. At this age it’s important for parents to expose their children to diverse races and complexions.

2 – 3 years: Children become more vocal and may start commenting on skin color. Respond directly and calmly, gently correcting or affirming. It’s also fine to bring up differences in skin color, particularly during activities where differentiation is already occurring (i.e. “This woman is wearing blue. This woman is wearing red. This woman has brown skin.”)

4 – 6 years: At this age children start to assign positive or negative traits to people based on their cultural group. This can occur intraracially (within racial groups) as well. Children may make comments like, “Eww! Her skin is dirty.” The best thing to do in these cases is to again respond directly and calmly, correcting the error and affirming the worth of all skin tones.

7 – 8 years: Children in this age range become more open to the idea that we’re all different yet alike at the same time. Stress this fact whenever possible.

The advice stops at eight years old because many studies show that by this age attitudes and perceptions about race tend to stabilize, not solidify necessarily, but stabilize, which adds urgency to the idea of having discussions on colorism and race sooner than later. It’s never too early to start making an impact on this aspect of your child’s life, but it’s never too late either. Have the courage to get the conversation going.

To read the original article by Corridan, click here.

When Should Parents Discuss Colorism With Their Children?

Because of the nature of this site, I’m making the assumption that the audience is already convinced that they should talk about colorism, so I’m merely exploring the question: When Should Parents Discuss Colorism With Their Children?

I have no conscious memory of this, but my mother often tells the story of when she first heard me vocalize my awareness of colorism.

I was five. Some women were complimenting my sister about how beautiful she was, and I whispered under my breath that they were only saying that about my sister because she was light skinned.

I tell this story as part of this piece because most people assume that a five year old is too young to understand that people are treated differently because of race and skin color. But research says that children can recognize racial differences as early as six months old and can vocalize and express racial awareness and even bias as early as three years old. I have no doubt that if I was able to verbalize that comment at the age of five, then I must have been aware of colorism before then. That just happened to be the first observable moment of my awareness.

Too many parents underestimate their children’s ability to understand the politics of skin color, but small children are perhaps, as a matter of necessity and survival, the keenest observers of their social environments. We talk about how toddlers are sponges and pick up on the most subtle clues from their environment. If you’ve ever seen your child mimicking adult behavior and it surprised you, then you know how true this is.

And it’s not just you they’re learning from. They learn from other adults, siblings, playmates, relatives, teachers, media, etc. With that in mind, it’s easy to see how they could be picking up on patterns and making inferences about skin color as part of their developmental process.

There are a lot of research based resources about how and when children learn about race that I want to apply to colorism.

A short piece in The University Record published by the University of Michigan says:

“Children are not color-blind. Nor is their understanding of racial identity superficial. Children as young as age three have a complex understanding of the way in which society constructs racial categories, and that understanding goes well beyond surface appearances.

Simply telling kids that race doesn’t matter isn’t going to be very effective, since they obviously think it does in a couple of non-trivial respects.

To combat racism, we need to understand its basis. It’s not just a problem afflicting a few bigots. It’s a way of thinking about the kinds of people there are in the world that goes far beyond surface appearances and gives rise to invidious comparisons. And it’s a way of thinking that preschoolers have already begun to develop.”

Another relevant piece, “Children are Not Colorblind: How Children Learn Race,” written by Erin N. Winkler adds to the conversation:

“Children pick up on the ways in which whiteness is normalized and privileged in U.S. society. What does this mean? Consciously or unconsciously, middle-class white culture is presented as a norm or a standard in the United States in terms of appearance, beauty, language, cultural practices, food, and so on. Tatum (1997) argues that this message is so prevalent in our society it is like ‘smog in the air. Sometimes it is so thick it is visible, other times it is less apparent, but always, day in and day out, we are breathing it in’. For very young children, this ‘smog’ comes in the form of picture books, children’s movies, television, and children’s songs, which all include subtle messages that whiteness is preferable.

The lesson for caregivers of young children is: Do not shush children or shut down the conversation. Instead, engage in open, honest, frequent, and age-appropriate conversation about race, racial differences, and even racial inequity and racism. Research has shown that such conversations are associated with lower levels of bias in young children (Katz, 2003). Let go of the notion that you are “putting ideas in their heads” by talking about race; as we have seen, research shows that young children notice race and draw conclusions about difference on their own.”

While these reports are about race in general and not specifically about colorism, I think the concept is easily transferrable. I’m a real-life example of a once young girl who probably could’ve benefited from a few discussions of colorism at the age of five, four, or even three. It’s clear here that I’m advocating for talking about colorism sooner rather than later, but in the end, it’s up to parents to decide.